Age, Biography and Wiki
Merion Estes was born on 5 September, 1938 in Salt Lake City, Utah, US, is an American painter (born 1938). Discover Merion Estes's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 85 years old?
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Age |
85 years old |
Zodiac Sign |
Virgo |
Born |
5 September 1938 |
Birthday |
5 September |
Birthplace |
Salt Lake City, Utah, US |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 5 September.
She is a member of famous painter with the age 85 years old group.
Merion Estes Height, Weight & Measurements
At 85 years old, Merion Estes height not available right now. We will update Merion Estes's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Merion Estes Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Merion Estes worth at the age of 85 years old? Merion Estes’s income source is mostly from being a successful painter. She is from United States. We have estimated Merion Estes's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
Source of Income |
painter |
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Timeline
Merion Estes (born Salt Lake City, Utah on September 5, 1938) is a Los Angeles-based painter.
She earned a B.F.A. at the University of New Mexico, in Albuquerque, and an M.F.A. at the University of Colorado, in Boulder.
Estes was raised in San Diego from the age of four.
From the 1970s through the 1980s, Estes was a pioneer in the Pattern and Decoration movement.
Suzanne Muchnic wrote in the Los Angeles Times, "What's interesting about this art is that Estes pulls warm textures from slick materials and builds soft forms from hard-edge patterns…her real concerns are light, space and color transformation achieved by repetition and a rigid system."
She moved to Los Angeles in 1972 and first showed her work at the Woman's Building in Los Angeles.
Estes was also included in several exhibits of work by artists with studios in Downtown L.A., including the first exhibition at the ARCO Center Gallery in 1976.
Estes was featured in a five-year solo survey of her work at the Los Angeles Municipal Art Gallery, Barnsdall Park, in 1979, curated by Josine Ianco-Starrels.
A group exhibition of the Double X group was presented the next year at Los Angeles Contemporary Exhibitions (L.A.C.E).
In 2005, Fisher Galleries at the University of Southern California (U. S. C.) organized Contemporary Soliloquies on the Natural World: Karen Carson, Merion Estes, Constance Mallinson, Margaret Nielsen, Takako Yamaguchi.
The exhibition was curated by Max Schultz.
Los Angeles Times art critic David Pagel wrote that Estes' paintings were a "dizzying collision of extravagantly patterned fabrics onto which the artist has splashed, sprayed and stained various mixtures of oil and acrylic."
He cited the "funky verve of her collaged paintings, which are the show's high point."
In the exhibition catalogue, curator Schultz writes that Estes' art has "rooted in the nether, subsoil, and cloudborn worlds of sea, earth and sky intensely for enough years to produce a complex artful weave of realistic and abstract cellular, animal, vegetable and mineral forms."
In September 2006, the Pomona College Museum of Art in Claremont, California, mounted a major 35-year retrospective of Estes' work.
Michael Duncan wrote in Art in America, "Estes is one of L.A.'s most underrated, yet most inventive artists who has deeply explored the intersection of nature and decoration in brash, vigorously constructed, brightly colored oil and acrylic paintings."
Critic Betty Brown wrote a catalogue essay for Lost Horizons at Galerie Anais, Santa Monica, California, describing Estes' paintings at the exhibition in 2009 as both beautiful and difficult: "They maintain this apparent contradictory state precisely because the joy we feel through sight--the sheer visual delight derived from her unabashedly exuberant shapes and colors and textures--is tempered by the sorrow we also feel as we recognize the environmental devastation undermining the luxurious abundance of her scintillating surfaces."
Estes' work is included in an online exhibition of work by artists working with the theme of nature.
Curator and writer Constance Mallinson writes, "Through her multiple references to natural life from the sea to the air, Estes evokes a sublime sense of endangered and fragile beauty that extends globally."
About Un-Natural, an exhibition sponsored by the Los Angeles Municipal Art Gallery, installed at Barnsdall Park, Fabrik magazine art critic Peter Frank writes that the "expansive and complex formulations of Merion Estes, brimming with stylized references and visual montages…seem to be coding and recording how humanity interacts with nature."
The exhibition earned honors from the International Association of Art Critics.
In 2014, Un-Natural, which was shown at the Los Angeles Municipal Art Gallery in Los Angeles and included Estes' work, was named one of the best shows in a non-profit institution in the United States by the International Association of Art Critics.