Age, Biography and Wiki

Mei-Ann Chen was born on 1973 in Kaohsiung, Taiwan, is a Taiwanese American music conductor (born 1973). Discover Mei-Ann Chen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 51 years old?

Popular As N/A
Occupation Conductor, musician
Age 51 years old
Zodiac Sign N/A
Born
Birthday
Birthplace Kaohsiung, Taiwan
Nationality United States

We recommend you to check the complete list of Famous People born on . She is a member of famous Conductor with the age 51 years old group.

Mei-Ann Chen Height, Weight & Measurements

At 51 years old, Mei-Ann Chen height not available right now. We will update Mei-Ann Chen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Mei-Ann Chen Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Mei-Ann Chen worth at the age of 51 years old? Mei-Ann Chen’s income source is mostly from being a successful Conductor. She is from United States. We have estimated Mei-Ann Chen's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Conductor

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Timeline

1973

Mei-Ann Chen (born 1973) is a Taiwanese American conductor.

She is currently music director of the Chicago Sinfonietta and conductor laureate of the Memphis Symphony Orchestra.

A native of Taiwan, Chen wanted to be a conductor since she was ten years old.

At a young age she began playing violin and piano with the support of her parents, and later taught herself to play the trumpet.

However, Chen's parents also discouraged her from pursuing conducting as they felt it would be a difficult career path for a woman.

She was intrigued with the concept of making elaborate noise, particularly without the use of an instrument.

Chen would observe her conductor closely and began to learn how to conduct on her own.

She collected batons, believing that "different pieces needed different kinds of batons".

Chen left Kaohsiung to study music in Taipei, where she lived with her aunt and served as assistant conductor of her school's chorus.

1989

In 1989, Chen attended a concert in Taipei by the American Youth Orchestra, a touring ensemble of Boston's New England Conservatory.

Following the performance, Chen's accompanist escorted her backstage, introduced her to the conductor, and asked if she could play for him.

Chen's opportunity came the next morning when she played for conductor Benjamin Zander in a closed basement hotel bar and was offered a scholarship immediately.

She performed with the American Youth Orchestra before being invited to attend the Walnut Hill School, a preparatory school linked to the New England Conservatory, two months later at age sixteen.

She left her parents, who thought she would study to become a concert violinist, and for more than three years lived with a couple in Boston she referred to as her "American parents" (Mark Churchill and Marylou Speaker Churchill, who was once a member of the Portland Junior Symphony).

Chen continued her undergraduate and graduate work at the Conservatory.

Speaker taught Chen, who also received violin instruction from James Buswell and Eric Rosenblith as well as conducting supervision from Frank Battisti and Richard Hoenich.

Chen became the first person to graduate from the New England Conservatory with a double master's degree in conducting and violin performance and received two honors from the institution: the Chadwick Medal for outstanding undergraduate work, and the Schuller Medal for "extraordinary contribution to musical life in the community".

2001

In 2001, Chen was the youngest finalist in the Maazel-Vilar Conductor's Competition in Tokyo.

2002

In 2002, Leonard Slatkin invited Chen to conduct the National Symphony at the Kennedy Center in the National Conducting Institute.

Chen received a fellowship to study at the Aspen Music Festival and School with David Zinman.

The following year the American Symphony Orchestra League (now known as the League of American Orchestras) invited Chen to be showcased at the National Conductor Preview.

Chen became the Portland Youth Philharmonic's (PYP) fourth conductor in 2002 after being selected by a committee of "musically inclined" parents, a member of the orchestra, and representatives of the Oregon Symphony and Portland Opera.

She conducted both the Philharmonic ensemble as well as the Conservatory Orchestra.

One of the organization's board member's recalled that during her audition Chen very quickly captured the rapport of the orchestra and displayed "wonderful communication skills and genuineness".

2004

During her five-year tenure with the organization, PYP debuted at Carnegie Hall, received its third ASCAP award in 2004 for innovating programming, and began collaborating with the Oregon Symphony (Chen was the ensemble's assistant conductor from 2003 to 2005) and Chamber Music Northwest.

2005

In April 2005, Chen became the first woman to win the Malko Competition, the "world's most prestigious prize" for young conductors.

2007

She also won the Taki Concordia Fellowship in 2007, an award established by Baltimore Symphony Orchestra music director Marin Alsop to support "promising" female conductors.

Chen was presented the Sunburst Award from Young Audiences for her contribution to music education and was named "Educator of the Week" by KKCW.

While conductor of the Philharmonic, Chen set up a box in her office so that students could leave notes for her about themselves.

One musician in the orchestra felt that Chen was "kind of formal" during rehearsal but felt "like a big sister" once practice ended.

Chen has been described as a "firecracker: small, bright and full of ka-boom", and her enthusiasm at times caused her to lose her breath.

One of the organization's board members praised Chen's attitude and felt that her lack of ego was a "rare quality in top symphony performers".

Chen turned down a position with the Oregon Symphony to continue work at PYP, later recalling:

"They became my kids, they were no way [sic] for me to give them up. So I made a very unusual decision. I gave up my professional position with the Oregon Symphony, I stayed with the youth orchestra. People thought that I was crazy that I stayed with a youth orchestra instead of pursuing a more professional opportunity. Because I told you my life story, and a youth orchestra changed my life and gave me the chance to fulfill my dreams, I feel working with young musicians is a way for me to give back. It changed my life and I would like to do my part to change other people's lives."

In 2007, she accompanied the orchestra on an international tour to Asia, where her parents saw her conduct for the first time.

The Philharmonic offered a total of six performances between June 29 and July 17 in Kaohsiung, Tainan and Taipei, Taiwan as well as in Seoul and Ulsan, South Korea.

2010

Later in her career, in October 2010, Chen returned to the New England Conservatory to guest conduct the Philharmonia.

Chen dedicated the concert to the late Marylou Speaker Churchill, and thanked Benjamin Zander and dean emeritus Mark Churchill for "making her career possible".

Chen remained in Boston for nine years until she attended the University of Michigan to obtain a Doctor of Musical Arts degree in conducting.

There she studied with Kenneth Kiesler and Martin Katz, served as music director of the campus orchestras, and also became conductor for the Arbor Opera Theater.