Age, Biography and Wiki

Max Imdahl was born on 6 September, 1925, is a German art historian. Discover Max Imdahl's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 63 years old?

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Age 63 years old
Zodiac Sign Virgo
Born 6 September 1925
Birthday 6 September
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Date of death October 11, 1988 in Bochum
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Nationality

We recommend you to check the complete list of Famous People born on 6 September. He is a member of famous historian with the age 63 years old group.

Max Imdahl Height, Weight & Measurements

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Max Imdahl Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Max Imdahl worth at the age of 63 years old? Max Imdahl’s income source is mostly from being a successful historian. He is from . We have estimated Max Imdahl's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income historian

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1925

Max Imdahl (September 6, 1925 in Aachen – October 11, 1988 in Bochum) was a German art historian specialized in art historical methodology and the interpretation of modern art after World War II.

Imdahl studied studio painting, art history, archaeology and German literature at the University of Münster.

1950

For his paintings he won the Blevins Davis Prize, the most prestigious art contest of the postwar period in Germany, in 1950.

1951

In 1951 he completed his Ph.D. dissertation on the treatment of color in late Carolingian book illustration under Werner Hager.

1961

He worked as an assistant professor at the University of Münster for some years and wrote his Habilitationsschrift on Ottonian Art in 1961.

1965

In 1965, he was appointed professor of art history at the newly founded Ruhr Universität Bochum, where he was engaged in promoting modern art and in advising the university's modern art collection.

1986

From 1986 until his death, he was also a member of the German Academy of Arts.

Imdahl formulated a methodology he called "the Iconic," using an artwork's structure to determine its significance.

His color analyses are characteristic of his approach.

Furthermore, he primarily focused on examinations of the work of individual painters.

Marxist interpreters accused him of using analytical methods that lacked historical awareness.

They also criticized his preference for concrete (object-free) Western Art.

In contrast, he found support for his ideas among philosophers and Catholic theologians.