Age, Biography and Wiki

Mavis Pusey (Mavis Iona Pusey) was born on 17 September, 1928 in Retreat, Jamaica, is a Jamaican-born American abstract artist (1928–2019). Discover Mavis Pusey's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 90 years old?

Popular As Mavis Iona Pusey
Occupation painter, printmaker, teacher
Age 90 years old
Zodiac Sign Virgo
Born 17 September 1928
Birthday 17 September
Birthplace Retreat, Jamaica
Date of death 20 April, 2019
Died Place Falmouth, Virginia, U.S.
Nationality Jamaica

We recommend you to check the complete list of Famous People born on 17 September. She is a member of famous artist with the age 90 years old group.

Mavis Pusey Height, Weight & Measurements

At 90 years old, Mavis Pusey height not available right now. We will update Mavis Pusey's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Husband Not Available
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Children 1

Mavis Pusey Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Mavis Pusey worth at the age of 90 years old? Mavis Pusey’s income source is mostly from being a successful artist. She is from Jamaica. We have estimated Mavis Pusey's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1928

Mavis Iona Pusey (September 17, 1928 – April 20, 2019) was a Jamaican-born American abstract artist.

She was a printmaker and painter who was well known for her hard-edge, nonrepresentational images.

Pusey drew inspirations from urban construction.

She was a leading abstractionist and made works inspired by the constantly changing landscape.

Pusey was born on September 17, 1928, in Retreat, Jamaica, Her parents died when she was born.

At the age of 9, Pusey learned how to sew and make dresses from her aunt.

Her first job was at a clothing factory in Kingston.

At age 18, Pusey moved to New York City to pursue a fashion design degree at Traphagen School of Fashion.

After a couple of years of financial difficulties Pusey left school and worked at a bridal boutique.

She then enrolled in fine art courses at the Art Students League of New York, an institution that worked with her work schedule and allowed her to financially support herself.

At this institution Pusey earned a scholarship from the Ford Foundation and was allowed to take courses and study under artists like artists Harry Sternberg and Will Barnet, a painter and printmaker.

1968

After spending a year in Paris in 1968, Pusey returned to New York City in 1969.

In 1968, Pusey moved to Paris and had her first solo exhibition in Galerie Louis Soulanges in Paris, France.

While living in Paris, Pusey witnessed the 1968 student riots that would inspire many of her works and her most noteworthy print, Paris Mai Juin (1968).

1970

She started working with Robert Blackburn and during this time created –Broken construction at Noon (c. 1970), Decaying Construction (c. 1970), and Impact on Vibration (1968).

During the 1970s, she participated in a community art space called Communications Village operated by printmaker Benjamin Leroy Wigfall in Kingston, NY.

Andrews made prints with the help of printer assistants who had been taught printmaking by Wigfall.

Pusey also became a teacher and taught at may places, including The New School, the Pennsylvania Academy of the Fine Arts, and Rutgers University.

1971

Pusey returned to the U.S. and her work was featured in a 1971 major group exhibition titled Contemporary Black Artists in America at the Whitney Museum of American Art.

One of the works from the 1971 exhibit, a large-scale painting Dejygea (1970), was among those also included in a 2017 exhibit, Magnetic Fields: Expanding American Abstraction, 1960s to Today, at Kemper Museum of Contemporary Art.

1978

She told The New York Amsterdam News in 1978, "Accidentally, I went into Will Barnet’s class of painting. After a month I said, ‘I think I’m in the wrong class.’ But by this time I had become so involved in my painting, I just stayed."

By studying under Barnet, Pusey was introduced to the world of Modern Art and was pushed to continue her work in painting.

After four years of study at the League, when her student visa expired, Pusey moved to England to live with her two brothers in London and continued her education.

In London, she worked as pattern maker for Singer Corporation.

There she met Birgit Skiöld, a Swedish printmaker and modern artist.

1988

At age 60, in 1988, a new owner purchased the building she had lived in for 16 years in the Chelsea neighborhood.

Whereas many other tenants willingly left, Pusey held out, the landlord tried cutting off the electricity to push her out, and eventually paid her to leave.

Pusey relocated to Orange, Virginia, where she taught painting at the Woodberry Forest School.

At the time she was one of four women on faculty and the only Black faculty.

In 1988, Pusey moved to Pusey moved to Orange, Virginia and began teaching at Woodberry Forest School, an all-boys boarding school.

Pusey's works are held in the permanent collections of the Cochran Collection in LaGrange, Georgia, the Birmingham Museum of Art in Alabama, the Studio Museum in Harlem and the Museum of Modern Art in New York, and the National Museum of African American History and Culture in Washington, D.C.

Pusey received awards and grants from the Pollock-Krasner Foundation and The Louis Comfort Tiffany Foundation, during her career.

Pusey drew a lot of her inspiration from the constantly changing landscape of urban construction.

A lot of her works were inspired by scenes of urban demolition and construction in the city.

She gave her works titles like "Broken Construction at Dusk" and "Demolishment".

2011

In 2011, Pusey's health had declined and pieces of her art were auctioned off in a bankruptcy proceeding to support her care.

She was put under the guardianship of the Orange County Department of Social Services.

2019

She died on April 20, 2019, in Falmouth, Virginia, at the age of 90.

Pusey is survived by her daughter Yvonne Palmer.

Her works still live on in numerous collections throughout the United States.