Age, Biography and Wiki
Matthew Shlomowitz was born on 7 February, 1975 in Adelaide, Australia, is an An australian male classical composers. Discover Matthew Shlomowitz's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 49 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
49 years old |
| Zodiac Sign |
Aquarius |
| Born |
7 February 1975 |
| Birthday |
7 February |
| Birthplace |
Adelaide, Australia |
| Nationality |
Australia
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We recommend you to check the complete list of Famous People born on 7 February.
He is a member of famous with the age 49 years old group.
Matthew Shlomowitz Height, Weight & Measurements
At 49 years old, Matthew Shlomowitz height not available right now. We will update Matthew Shlomowitz's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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| Height |
Not Available |
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Not Available |
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Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
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Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Matthew Shlomowitz Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Matthew Shlomowitz worth at the age of 49 years old? Matthew Shlomowitz’s income source is mostly from being a successful . He is from Australia. We have estimated Matthew Shlomowitz's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
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Matthew Shlomowitz Social Network
Timeline
Matthew Shlomowitz (born 7 February 1975) is a composer of contemporary classical music and Associate Professor in Composition at the University of Southampton.
He was raised in Adelaide, Australia, and studied with at the Sydney Conservatorium of Music and with Brian Ferneyhough at Stanford University.
Since 2002 he has lived in London where he lectured at the Royal College of Music and for the Syracuse University London Program.
He taught composition at Durham University during the 2008/09 academic year and was a Programme Collaborator for the Borealis Festival in Norway.
He is co-director of Plus minus ensemble and the performance series Rational Rec and is a member of InterInterInter, a group that creates events mixing performance and audience activity.
He was also a co-founder of Ensemble Offspring.
He has been represented by the New Voices scheme at the British Music Information Centre and by the Australian Music Centre.
The bulk of his compositions are for chamber ensembles and often involve unusual instrumental combinations.
Free Square Jazz, for instance, is for recorder, electric guitar, double bass and drum kit and Line and Length is scored for soprano saxophone, oboe, clarinet, bass clarinet & bassoon.
A number of his works are interdisciplinary such as the music-video pieces Train Travel and Six Aspects of the Body in Image and Sound (co-created with Rees Archibald) and an ongoing series of works for visual performer and musician called Letter Pieces.
Certain works fall more comfortably into the genre of "performance pieces" such as Northern Cities and When is a Door Not a Door? Other works blur the boundaries between concert music and performance piece such as Five Monuments of Our Time, an orchestral work that requires the conductor to perform a series of choreographed gestures often ludicrously unrelated to the music being played.
Such apparent absurdity and humor is not unintended; it has been said that, "... he seems to have a special feeling for those inadvertently comical situations in which we all sometimes find ourselves: a peculiar kind of miscommunication where we don’t so much get our wires crossed ... as get entangled in them"
Some of his music shows the structural constraints analogous to the rules of Oulipo; familiar sounds from popular and everyday culture are also a regular feature of his music palette.
He has described his own music as being "something like the bastard love child of Brian Ferneyhough and Philip Glass."
Selected musical works, including commissions and major works, are:
