Age, Biography and Wiki
Masami Teraoka was born on 1936 in Onomichi, Hiroshima Prefecture, is a Masami Teraoka is American contemporary artist American contemporary artist. Discover Masami Teraoka's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 88 years old?
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88 years old |
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1936 |
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1936 |
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Onomichi, Hiroshima Prefecture |
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Hiroshima
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We recommend you to check the complete list of Famous People born on 1936.
He is a member of famous artist with the age 88 years old group.
Masami Teraoka Height, Weight & Measurements
At 88 years old, Masami Teraoka height not available right now. We will update Masami Teraoka's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Masami Teraoka Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Masami Teraoka worth at the age of 88 years old? Masami Teraoka’s income source is mostly from being a successful artist. He is from Hiroshima. We have estimated Masami Teraoka's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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artist |
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Timeline
Masami Teraoka (born 1936) is an American contemporary artist.
His work includes Ukiyo-e-influenced woodcut prints and paintings in watercolor and oil.
He is known for work that merges traditional Edo-style aesthetics with icons of American culture.
Teraoka was born in the town of Onomichi in Hiroshima Prefecture.
He studied from 1954–59 at the Kwansei Gakuin University in Kobe, Japan where he received his B.A. in Aesthetics.
He moved to the United States in 1961.
From 1964 to 1968 he attended and graduated from the Otis Art Institute, now the Otis College of Art and Design in Los Angeles, where he received a B.F.A. and M.F.A. He received an honorary doctorate in the fine arts in 2016 from the Otis College of Art and Design.
Teraoka's combines merges traditional Edo-style aesthetics with icons of American culture.
His early work consisted primarily of watercolor paintings and prints that mimicked the flat, bold qualities of ukiyo-e woodblock prints.
These paintings, done after his arrival in the United States, often featured the collision of the two cultures.
Series such as McDonald's Hamburgers Invading Japan and 31 Flavors Invading Japan characterize themes in the work in this time period.
These pieces blended reality with fantasy, humor with commentary, history with the present.
In the 1980s, Teraoka shifted palette and scale to depict AIDS as a subject, transforming his ukiyo-e derived paintings into a darker realm.
Teraoka has been the subject of more than 70 solo exhibitions, many of which have traveled extensively, including those organized by the Whitney Museum of American Art in 1980; The Contemporary Museum, Honolulu (now known as the Honolulu Museum of Art Spalding House) in 1988; and the Yale University Art Gallery in 1998.
In 1988 the University of California Press published Waves and Plagues: The Art of Masami Teraoka.
In 1989 during a trip to Australia, he realized that the general public as well as some medical practitioners did not fully understand the impact the virus could have on the Australian populace.
He created watercolors based on traditional woodblock prints that depicted kitsune foxes who represent, in Japanese folklore, divine entities who operate as messengers.
Since the late 1990s, he has been producing large-scale narrative paintings inspired by well-known Renaissance paintings, rather than by Japanese woodblock prints.
These paintings reference modern day social and political issues, such as the September 11 attacks and abuse in the Catholic Church.
The Cloisters / Tsunami in the collection of the Honolulu Museum of Art, depicts Towers of Babel as the twin towers of the World Trade Center and fallen priests.
This painting also includes a self-portrait in the left upper corner.
The series also depicts the institutionalized sexual abuse within the Catholic Church.
In 1996, he was featured in a solo exhibition at the Arthur M. Sackler Gallery, Smithsonian Institution and in 1997 at the Asian Art Museum, San Francisco.
Teraoka has received numerous grants, fellowships and awards for his work.
He was twice honored by the American Academy of Arts and Letters, New York and received two fellowships from the National Endowment for the Arts.
In 1997, Masami Teraoka: From Tradition to Technology, the Floating World was published by the University of Michigan Press.
A comprehensive monograph on the artist was published in 2006 by Chronicle Books.
His work is in more than 50 public collections worldwide, including the Crocker Art Museum, Sacramento, CA; the Fine Arts Museums of San Francisco; the Asian Art Museum of San Francisco; the Smithsonian American Art Museum, Washington D. C.; the Honolulu Museum of Art, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the National Portrait Gallery, Washington D. C.; Tate Modern, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Modern Art, Glasgow, Scotland; and the Singapore Art Museum, Singapore.
Terakoa is married to Lynda Hess, and lives in Hawaii.