Age, Biography and Wiki

Mark Trayle (Mark Evan Garrabrant) was born on 17 January, 1955 in San Jose, California, U.S., is a Mark Trayle, born Mark Evan Garrabrant. Discover Mark Trayle's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?

Popular As Mark Evan Garrabrant
Occupation Musician
Age 60 years old
Zodiac Sign Capricorn
Born 17 January 1955
Birthday 17 January
Birthplace San Jose, California, U.S.
Date of death February 18, 2015
Died Place Ventura, California
Nationality United States

We recommend you to check the complete list of Famous People born on 17 January. He is a member of famous Musician with the age 60 years old group.

Mark Trayle Height, Weight & Measurements

At 60 years old, Mark Trayle height not available right now. We will update Mark Trayle's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Mark Trayle Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Mark Trayle worth at the age of 60 years old? Mark Trayle’s income source is mostly from being a successful Musician. He is from United States. We have estimated Mark Trayle's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Musician

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Timeline

1955

Mark Trayle, born Mark Evan Garrabrant (January 17, 1955 in San Jose, California – February 18, 2015 in Ventura, California) was a California-based musician and sound artist working in a variety of media including live electronic music, improvisation, installations, and compositions for chamber ensembles.

His work has been noted for its use of re-engineered consumer products and cultural artifacts as interfaces for electronic music performances and networked media installations.

Mark Trayle studied composition at the University of Oregon with Homer Keller, and at Mills College with Robert Ashley, David Behrman, and David Rosenboom.

1980

Under Berhman's tutelage he began building hybrid digital-analog electronics and used those (often with electric guitar and homemade performance interfaces) throughout the 1980s.

From the late 1980s through the mid-1990s his work focused on the use of alternative performance interfaces to guide algorithmic compositions, as well as composing for and performing with The Hub.

He also made his first sound/media installations during this period.

1996

In 1996 he moved from the San Francisco area to Southern California to teach at CalArts.

Soon after, he composed a number of pieces for acoustic instruments with electronics.

True North, Periodic Transmissions at Regular Intervals (are not allowed), and Propagation, Reflection, and Absorption are entirely acoustic in nature but use electronics and sensors to create real-time scores for the performers.

Later works such as bitpool, sierranevada, and Bender use electronics that allow the players to trigger electroacoustic sounds.

Trayle's music has been the subject of articles in Strumenti Musicali and Virtual (Italy), Keyboard, and "Escape Velocity: Cyberculture at the End of the Century" (Grove/Atlantic), and he has written articles for Leonardo Music Journal (US/UK) and MusikTexte (Germany).

He has recorded for the Artifact, Atavistic Records, CRI, Creative Sources, Inial, Los Angeles River, Elektra/Nonesuch, and Tzadik labels.

He taught in the Herb Alpert School of Music at CalArts from 1996 - 2015.

2015

Mark Trayle died on February 18, 2015, of pancreatic cancer, in his home in Ventura, CA.

Trayle has performed and exhibited at experimental music and new media venues and festivals in the U.S., Canada, and Europe.

He has received grants from Arts International, American Composers Forum, The Japan Foundation and the National Endowment for the Arts.

Commissions have come from Radio Bremen, Champs D’Action, Ensemble Zwischentoene, Kammerensemble Neue Musik Berlin, and Ensemble Mosaik.

He has been an artist-in-residence at Mills College, STEIM, and The LAB.