Age, Biography and Wiki
Mariusz Bechta was born on 1972, is a Mariusz Bechta is Polish historian and publisher. Discover Mariusz Bechta's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 52 years old?
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He is a member of famous Historian with the age 52 years old group.
Mariusz Bechta Height, Weight & Measurements
At 52 years old, Mariusz Bechta height not available right now. We will update Mariusz Bechta's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Mariusz Bechta Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Mariusz Bechta worth at the age of 52 years old? Mariusz Bechta’s income source is mostly from being a successful Historian. He is from . We have estimated Mariusz Bechta's net worth, money, salary, income, and assets.
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$1 Million - $5 Million |
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Timeline
Mariusz Bechta (born 1972) is a Polish historian and publisher, affiliated with the Institute of National Remembrance.
Bechta has published various fascist literature and patronaged the growth of Nazi rock (Rock Against Communism) in Poland; his academic monographs — themed around rebuffing Pole complicity with the Nazis in the murder of Jews — have been severely criticized by historians and held as ideological tracts.
Bechta was born in 1972 in Biała Podlaska.
He graduated from the Faculty of History at the University of Warsaw in 1997.
Since 2003, Bechta has been the Editor-in-Chief of Templum Novum, a fascist magazine.
Cornelia Konczal, a professor of East European History at the University of Bielefeld, sees Bechta's interpretation of the Lublin pogrom of Jews — as an act of Polish "revenge" against pro-communist Jews — to downplay and ignore the historical evidence.
Similarly, Mariusz Zajączkowski, a historian specializing in Ukrainian-Polish relations, rejects Bechta's interpretation of the pogrom as unsupported by evidence and questions his ideological motivations; Bechta not only drew from very poor sources including those recorded decades after the event but also misrepresented archival sources and cherry-picked evidence.
, a historian of communism in Poland, finds Bechta's works wholly unreliable, unethical, and ahistorical; he compares Bechta's methodology with that of David Irving, a Holocaust denier.
Mazur alleges that Bechta cherry-picks evidence to fit them into a preconceived worldview — for an example, in absolving Romuald Rajs and other members of his brigade from accusations of ethnocide, he did not even consider their testimony rife with anti-minority sentiments.
He critiques Bechta's defense of the National Armed Forces against charges of anti-semitism — by invoking the few Jew officials in their ranks — as unbecoming of a professional historian.
August Grabski, an assistant professor at the Jewish Historical Institute in Warsaw, finds Bechta's works ideologically motivated and guided by antisemitism.
He received his doctoral degree in 2011 from the same faculty on the Political and military conspiracy of the Polish national camp in Podlasie in the years 1939-1952, under Tomasz Wituch.
Two years earlier, he had joined the Institute of National Remembrance and has been affiliated with the institute ever since; as of 2022, Bechta holds the rank of a "specialist".
During his student days, Bechta organized a solidarity event for Janusz Waluś, a Polish neo-Nazi extremist convicted for assassinating the General Secretary of the South African Communist Party.
Around the same time, he founded the music label Narodowa Scena Rockowa (NSR) with his brother, which patronaged the development of Nazi rock in Poland; it sponsored Nazi records, sold racist t-shirts, and organized musical concerts.
Using their connections with conservative dailies, the brothers sought to mainstream Nazi bands.
A few years later, they started two advertising-cum-publishing agencies — "Arte" and "Oficyna Wydawnicza Rekonkwista" — which primarily republished works by European fascists, including by Léon Degrelle, Julius Evola, Jan Mosdorf, Robert Brasillach, Ryszard Mozgol, and Krzysztof Kawęcki.