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Marie-Louise Nosch (Marie-Louise Bech Gregersen) was born on 1970 in Viborg, Denmark, is a Danish historian in the University of Copenhagen. Discover Marie-Louise Nosch's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 54 years old?

Popular As Marie-Louise Bech Gregersen
Occupation N/A
Age 54 years old
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Born
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Birthplace Viborg, Denmark
Nationality Denmark

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Marie-Louise Nosch Height, Weight & Measurements

At 54 years old, Marie-Louise Nosch height not available right now. We will update Marie-Louise Nosch's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Marie-Louise Nosch Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Marie-Louise Nosch worth at the age of 54 years old? Marie-Louise Nosch’s income source is mostly from being a successful historian. She is from Denmark. We have estimated Marie-Louise Nosch's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income historian

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Timeline

1970

Marie-Louise Bech Nosch (January 1970 -; née Gregersen) is a Professor in the University of Copenhagen and an expert in the interdisciplinary study of prehistoric textiles.

Her main research focus is on the Evidence for textile production in Mycenaean Greece provided by the Linear B tablets; she has also published widely on the cross-cultural study of textiles from across the ancient Mediterranean and Near East.

Nosch studied history at the Université Nancy II and history and classical philology at the University of Copenhagen.

2000

After obtaining her PhD on the Mycenaean textile industry at the University of Salzburg in 2000, supervised by Sigrid Deger-Jalkotzy and Oswald Panagl, she worked for the Austrian Academy of Sciences' Mycenaean Commission and as a Carlsberg postdoctoral researcher at the University of Copenhagen.

2009

She became a research professor in 2009 and subsequently a full professor (2017–present) in the SAXO Institute for the study of prehistoric and classical archaeology, ethnology, Classics and history, where she is a member of the National Danish Research Foundation's Centre for Textile Research; from 2005 to 2016 she was Director of this research centre.

She has received numerous high-profile awards, including the Iris Foundation Award for Outstanding Mid-Career Scholars (2009), the Humboldt Foundation's Anneliese Maier Award (2013), and Queen Margrethe II's Science Prize (2019), and is a member of the Order des Palmes académiques.

She is also a member of the Royal Danish Academy and the European Academy of Sciences and Arts, is the Scandinavian representative on the Comité International Permanent d’Études Mycéniennes and a corresponding member of the Austrian Academy of Sciences, and sits on the Board of Directors of the Velux Foundations.

2020

In September 2020 she was elected President of the Royal Danish Academy.

Nosch's main area of expertise is in the study of textile production in Mycenaean Greece, based on archaeological finds, textual Evidence from the Linear B tablets, and experimental archaeology; she has published widely on the interpretation of Linear B tablets referring to textiles, the operation of the textile industry, the wider Mycenaean economy, and Mycenaean religion.

Nosch has also participated in and directed interdisciplinary research projects on a wide range of aspects of textile production in the classical Greek and Roman worlds, the ancient Near East, and medieval and early modern Europe, and has edited numerous volumes on the cross-cultural study of textiles, as well as working on the use of textiles as metaphors in literary works.