Age, Biography and Wiki
Marianne Wex was born on 13 July, 1937 in Hamburg, Germany, is an A german women artist. Discover Marianne Wex's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 86 years old?
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Age |
86 years old |
Zodiac Sign |
Cancer |
Born |
13 July 1937 |
Birthday |
13 July |
Birthplace |
Hamburg, Germany |
Date of death |
Schleswig-Holstein Schleswig-Holstein |
Died Place |
Schleswig-Holstein |
Nationality |
Germany
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We recommend you to check the complete list of Famous People born on 13 July.
She is a member of famous artist with the age 86 years old group.
Marianne Wex Height, Weight & Measurements
At 86 years old, Marianne Wex height not available right now. We will update Marianne Wex's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Marianne Wex Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Marianne Wex worth at the age of 86 years old? Marianne Wex’s income source is mostly from being a successful artist. She is from Germany. We have estimated Marianne Wex's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
artist |
Marianne Wex Social Network
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Timeline
That in connection with the Exhibition ‚Women Artists International 1877-1977' at the Charlottenberger Schloss, Berlin.
Marianne Wex (13 July 1937 in Hamburg – 13 October 2020 in Schleswig-Holstein) is a German feminist photographer, author and self-healer.
Wex studied fine arts at the Academies of Art Hamburg and Mexico City.
Between 1963 and 1980, Marianne Wex worked as an art academy lecturer in Hamburg.
Her interests in feminism, mass media, sociology and healing determine the form of her work, which conceptually utilizes signs, symbols and color over a variety of mediums: painting, photography, typography and calligraphy.
During the 1970s Wex began focusing on what she perceived as unconscious "female" and "male" body languages.
Living in Hamburg between 1972 and 1977, Wex took more than 5,000 photographs of women and men, most of them in the streets of Hamburg and nearby.
These images illustrated her observation of vastly different body language between the two genders.
Wex's own photographs were complemented with images taken from mass media (advertisements, films, tabloids magazines and newspapers).
Further, she examined and photographed sculptures dating back to 2,000 B.C., finding that idealized body postures and body forms for women and men were far more divergent in the present than historically.
Wex incorporated these historical examples into her work.
The resulting artwork comprises over 200 panels featuring the photographs arranged into different categories of pose.
Since then, the artwork has been exhibited globally and is regarded as a pioneering work of feminist art.
The resulting publication about the artwork has been translated into English and French and the project is still used as an important example in women's and gender studies.
The FrauenMediaTurm documents the piece in his chronicle of the New Women's Movement.
1976: Center for Communication, Paintings, Schalom, Hamburg.
1. FrauenMediaTurm, Chronik der Neuen Frauenbewegung
Her research culminated in the artwork: Let's Take Back Our Space: 'Female' and 'Male' Body Language as a Result of Patriarchal Structures, 1977.
1977: Frankfurter Kunstverein, Frankfurt a.M.
1977: First exhibition of the photographical work ‚Let's Take Back Our Space', "Female" and "Male" Body Language as a Result of Patriarchal Structures at the NGBK, New Society for Fine Art, Berlin.
1979: Bonner Kunstverein, Bonn.
In the 1980s, after her diagnosis, Wex left Germany, turning away from art to travel through New Zealand, India, Japan and Canada, where she became interested in self-healing.
She then traveled to London to study under Lily Cornford.
After studying with Cornford, Wex began teaching seminars and classes on self-healing to women.
She continues this practice today, dealing most recently with the problems and possibilities of parthenogenesis.
1982: Institute of Contemporary Arts, London.
2009: Focal Point Gallery, London, Southend-on-Sea, curated by Prof Mike Sperlinger.
2012: Yale Union (YU), Center for Contemporary Art,Portland, USA.
2012: Badischer Kunstverein, Karlsruhe.
2013: La Gallerie, Noisy-le-Sec, Paris.
2013: Presentation House Gallery, Vancouver, Kanada.
2014: Autocenter, Space for Contemporary Art, Berlin.
2014: Gasworks Gallery, London.
2015: Frauengesundheitszentrum Sirona e.V., Wiesbaden.
2016: Adam Art Gallery, Victoria University, Wellington New Zealand.
2017: At the Archiv, Zurick, Switzerland.
2017: Zachęta - National Gallery of Art, Poland, Warsaw.
2018: Tanya Leighton Gallery, Berlin.