Age, Biography and Wiki

Marcos Balter was born on 1 April, 1974 in Rio de Janeiro, Brazil, is an A brazilian composer. Discover Marcos Balter's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 49 years old?

Popular As Marcos Balter
Occupation Composer
Age 49 years old
Zodiac Sign Aries
Born 1 April 1974
Birthday 1 April
Birthplace Rio de Janeiro, Brazil
Nationality de

We recommend you to check the complete list of Famous People born on 1 April. He is a member of famous Composer with the age 49 years old group.

Marcos Balter Height, Weight & Measurements

At 49 years old, Marcos Balter height not available right now. We will update Marcos Balter's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Marcos Balter Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Marcos Balter worth at the age of 49 years old? Marcos Balter’s income source is mostly from being a successful Composer. He is from de. We have estimated Marcos Balter's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1974

Marcos Balter (born April 1, 1974) is a Brazilian contemporary classical music composer and the Fritz Reiner Professor of Musical Composition at Columbia University.

Balter began his music studies at age five at the Conservatório Musical Heitor Villa-Lobos, and was admitted to the Conservatório Brasileiro de Música at age eleven.

During his late teenage years, Balter studied privately with composer Almeida Prado and pianist Linda Bustani.

1995

He moved to the United States in 1995 to study music composition at Texas Christian University and later on at Northwestern University.

His main composition teachers were Augusta Read Thomas, Amy Williams, and Jay Alan Yim.

His works have been programmed by prominent music organizations including the New York Philharmonic, Chicago Symphony Orchestra MusicNOW Series, Los Angeles Philharmonic, New World Symphony, Lincoln Center's Mostly Mozart Festival, the Baryshnikov Arts Center, and the Fromm Music Series at Harvard University.

Past honors include the American Academy of Arts and Letters Music Award, commissions from Meet the Composer, Chamber Music America, the Fromm Music Foundation, and the Art Institute of Chicago, as well as fellowships from the John Simon Guggenheim Memorial Foundation, Tanglewood Music Center (Leonard Bernstein Fellowship), Lawrence University, and the Civitella Ranieri Foundation.

Balter is the Fritz Reiner Professor of Musical Composition at Columbia University (New York City).

2020

Prior to that, he was a Professor of Music at UC San Diego from 2020 to 2022, an Associate Professor of Music Theory/Composition at Montclair State University from 2014 to 2020, Director of Music Composition Studies at Columbia College Chicago from 2009 to 2014, Visiting Professor of Composition at the University of Pittsburgh in 2008-09, Visiting Professor at Northwestern University in 2010, and Visiting Professor at the University of Pennsylvania in 2018.

Balter's eclectic and unique compositional voice draws from several sources ranging from Spectral Music to Postminimalism, with a special emphasis on unusual sound colors and complex rhythmic patterns.

His music often blurs the boundaries between Modernism and Post-Modernism, and is embraced by a wide array of musical trends.

His works frequently explore the individualistic qualities of the performers for whom they are written.

To that extent, his particularly close relationship with artists like the International Contemporary Ensemble, Ensemble Dal Niente, flautist Claire Chase, and violist Nadia Sirota have decidedly shaped his musical language into what critics describe as "a fiercely imaginative palette of instrumental and vocal sounds rare in today's dour, post-classical new music" (The Chicago Tribune), "surrealistic" (The New York Times), and "a virtuosic equilibrium of colliding particles" (Boston Globe).

His catalogue includes works for solo instruments, electroacoustic music, chamber music, and orchestral works.