Age, Biography and Wiki
Manuel Espinosa was born on 1912 in Buenos Aires, Argentina, is an Argentine artist. Discover Manuel Espinosa's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 94 years old?
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Age |
94 years old |
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Born |
1912 |
Birthday |
1912 |
Birthplace |
Buenos Aires, Argentina |
Date of death |
2006 |
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Nationality |
Argentina
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We recommend you to check the complete list of Famous People born on 1912.
He is a member of famous artist with the age 94 years old group.
Manuel Espinosa Height, Weight & Measurements
At 94 years old, Manuel Espinosa height not available right now. We will update Manuel Espinosa's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Manuel Espinosa Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Manuel Espinosa worth at the age of 94 years old? Manuel Espinosa’s income source is mostly from being a successful artist. He is from Argentina. We have estimated Manuel Espinosa's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Source of Income |
artist |
Manuel Espinosa Social Network
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Timeline
Manuel Espinosa (Buenos Aires, 1912 - Buenos Aires, Argentina, 2006) was an Argentinian painter.
Espinosa graduated from the Escuela Nacional de Artes and finished his studies in the Escuela Superior de Bellas Artes.
He is one of the leaders of the geometric art in Argentina.
Since 1939 he carried out many individual and collective exhibits, among them:
He was a founding member of the asociación de Arte Concreto-Invención which was established in Buenos Aires in 1943.
Averaging the 2nd World War, the group proposed a rupture as an alternative.
Said rupture was related to the search for a new visual language corresponding to the exigencies of a new technological, industrial society.
The group sustained common goals: the art should be non-figurative art, the painting flat, and the illusions and appearances banished, moving away from traditional painting.
They looked for the worth of the painting itself.
In 1951 he traveled to Europe and met Vantongerloo in Paris and Vordemberge-Gildewarth in Amsterdam, who guided him in his pursuit.
Upon the dissolution of the group, Espinosa left the common goals but remained faithful to the spirit of non-figuration and produced a painting constructed from geometric elements, characterized by a rigorous system of order and by the perfection of their registers.
Clarity, moderation, are attributes of his painting, which with minimal elements arranged serially produce subtle effects of color and space and a dynamic tension that creates an impression of depth.
It employs transparencies, juxtapositions superpositions that generate an optical effect of unquestionable interest.
He is one of the painters who most enjoys the game aroused by reason and sensitivity, a consequence of his special relationship with music and literature.
"'I believe all the work of men is moved by love. If I could enunciate in painting what Erik Satie expressed in his Trois Gmnopedies and Trois Gnossiennes, I would consider myself happy.'"
He is a founding member of the group Arte Concreto-Invención.