Madhur Bhandarkar

Madhur was conferred PL Deshpande Award a.k.a. Zenith Asia Award for significantly shaping the film making culture in his unique works and he has been described as 'the Film Maker of the First Decade of the 21st Century'.

On the Silver Jubilee Year of Aashay Film Club, award ceremony took place on 16 Nov at National Film Archive Theatre during the eighth Pulotsav – An Art Festival in Pune.

PL Deshpande was a renowned writer, stage and film actor and his literary works are still revered in Maharashtra and others parts of the world.

In his honour, Zenith Asia Award was given to Madhur Bhandarkar and his film Chandni Bar was also screened during the fest amongst landmark 25 films from world cinema.

Madhur Bhandarkar (born 26 August 1968) is an Indian film director, script writer, and producer.

He even played his first cameo in Varma's romantic comedy Rangeela (1995), where he was the associate director to Varma.

A couple of years later he made his directorial debut with Trishakti (1999) which took more than three years to make.

The film had a relatively low key cast and was largely ignored at the box office.

He is known for directing the critically acclaimed crime drama Chandni Bar (2001), won him the National Film Award for Best Film on Social Issues, the dramas Page 3 (2005), Traffic Signal (2007), and Fashion (2008), winning the National Film Award for Best Feature Film for the first, and the National Film Award for Best Direction for the second, whilst earning Filmfare Award nominations for Best Director and Best Screenplay for the lattermost.

Bhandarkar also co – produced a Bengali film Avijatrik (2021) based on the novel Aparajito by Bibhutibhushan Bandyopadhyay, which won the National Film Award for Best Feature Film in Bengali.

He has also been nominated as society member of the Satyajit Ray Film and Television Institute by the Information and Broadcasting Ministry.

Bhandarkar worked in a video cassette library in Khar, a suburb of Mumbai.

This gave him access to a large collection of movies and he studied film – making through it.

After trying his skills with small – time filmmakers as an assistant, Bhandarkar landed up as an assistant to Ram Gopal Varma.

In 2001, he directed the crime drama Chandni Bar starring Tabu and Atul Kulkarni in lead roles.

The film depicted the gritty life of the Mumbai underworld, including prostitution, dance bars and gun crime.

It received high critical acclaim upon release, and emerged as a commercial success, elevating Bhandarkar into the top league of filmmakers of Bollywood.

The film earned him the National Film Award for Best Film on Social Issues.

In 2005, Bhandarkar directed the drama Page 3 starring Konkona Sen Sharma, which revolved around the Page 3 culture and media in the city of Mumbai.

Upon release, the film received high critical acclaim and emerged as a commercial success at the box office.

It also earned Bhandarkar the National Film Award for Best Feature Film and the Filmfare Award for Best Screenplay, in addition to his first nomination for the Filmfare Award for Best Director.

After helming the corporate drama Corporate (2006) starring Bipasha Basu and Kay Kay Menon, he directed the social drama Traffic Signal (2007) starring Kunal Khemu and Konkona Sen Sharma.

The film depicted the lives and travails of people living around a fictitious traffic signal in Mumbai.

Upon release, it received high critical acclaim, but emerged as a middling commercial success at the box office.

It earned Bhandarkar the National Film Award for Best Direction.

Bhandarkar's next directorial venture, the drama Fashion (2008) starring Priyanka Chopra, Kangana Ranaut and Mugdha Godse in lead roles, emerged as his biggest commercial success to date.

The film, which explored feminism and female power in the world of Indian fashion, received widespread critical acclaim upon release.

Fashion has widely been regarded as one of the best women-centric films in Bollywood.

He next directed the prison drama Jail (2009), starring Neil Nitin Mukesh and Mugdha Godse, which depicted the lives of wrongful convicts in Indian jails.

The film received mixed reviews from critics and emerged as a below average commercial success at the box office.

In Nov, 2010 National Film Archive of India (NFAI) announced to preserve all the films of Madhur Bhandarkar.

Chandni Bar, Page – 3, Corporate, Traffic Signal, Fashion and Jail found space in Government's Archival data for Indian films.

Bhandarkar hails from a Marathi and Konkani speaking Gaud Saraswat Brahmin family.

He is a school drop – out.

He came from a middle – class family.

As a result, Madhur had to take up various jobs.

His next directorial venture, the drama film Heroine (2012), was based on the glamorous world of the Hindi film industry (Bollywood).

Initially set to star Aishwarya Rai in the lead role, the film starred Kareena Kapoor as a once – successful film actress whose career is on the decline.

Upon release, the film received mixed – to – positive reviews, with Kapoor's performance and Bhandarkar's direction receiving high praise; it also emerged as a commercial success at the box office.

In 2016, Bhandarkar was honoured with the Padma Shri, the fourth highest civilian honour, by the Government of India.