Age, Biography and Wiki
Lyne Lapointe was born on 1957 in Montreal, Canada, is a French-Canadian artist (born 1957). Discover Lyne Lapointe's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 67 years old?
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67 years old |
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Montreal, Canada |
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Canada
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She is a member of famous artist with the age 67 years old group.
Lyne Lapointe Height, Weight & Measurements
At 67 years old, Lyne Lapointe height not available right now. We will update Lyne Lapointe's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Lyne Lapointe Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Lyne Lapointe worth at the age of 67 years old? Lyne Lapointe’s income source is mostly from being a successful artist. She is from Canada. We have estimated Lyne Lapointe's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
| Net Worth in 2023 |
Pending |
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Under Review |
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Not Available |
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Not Available |
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artist |
Lyne Lapointe Social Network
Timeline
(such as Casa Yaya, home of 1887 Dona Sebastiana de Mello Freire; These The Pearls, London; Duda, The Library in Emir Mohammed Park, Madrid; La Donna Deliquenta, Vaudeville Theatre, Montreal).
Lyne Lapointe (born 1957) is a French-Canadian artist.
Lapointe studied art history and visual arts at Old Montreal and Rosemont colleges, and in 1978 attained a Bachelor of Fine Art at Carleton University of Ottawa.
Throughout the 1980s and early 1990s, Lapointe lived and worked in Montreal with collaborative partner Martha Fleming.
Her work ranges from site-specific installations (1981–1995), found-objects, drawings, and paintings, with focuses on art history, museology, botany, and feminism.
She has exhibited extensively in Montreal, Quebec, and New York City, New York, and across Canada.
She now lives and works in Mansonville, Quebec.
She was born in Montreal, Quèbec.
The two were together from 1981 to 1995.
Lapointe and Fleming's collaborations were rooted in the politics of radical feminism, marginalization, and museum practices.
Their works combined site-specific histories, art historical references, female sexuality and desire, and botany, in order to critically analyze social politics.
From 1981 to 1995 Lapointe and Fleming executed several site-specific installations in politically charged architectural and abandoned buildings across Montreal, New York City, and São Paulo.
Addressing systemic marginalization with museum and gallery practices through a feminist lens, these installations engaged the social issues historically embedded at such sites.
The two ended their relationship in 1995.
In 1997, The Musee d’Art Contemporain exhibited a retrospective for Lapointe and Fleming titled, "Studiolo".
The exhibit marked their 15-year collaboration, showcasing their polemic research and creative processes.
Complementary to the retrospective was a publication, also Studiolo, which represented the political and philosophical frameworks from which they worked.
The exhibit was subsequently exhibited at the Art Gallery of Windsor in 1998, invited by curator (at the time) Helga Pakasaar.
In 2007, Carlton University Art Gallery held a solo exhibition for Lapointe titled, La Perle.
The exhibit engaged Lapointe's interest of sound, optics, and museum history, with 23 individual works of painting, drawings, and found-objects.
The installation of works, drawn from images of botany, medical, art-historical sources and encyclopedias, were intended to challenge practices of museology and display methods.
In 2011, the Pierre-Francois Oulette Art Contemporain exhibited 7 selected paintings from Lapointe's series La Pierre Patiente (The Patient Stone).
Lapointe used acupuncture needles, formally intended to reestablish a human internal balance of energy, to address the tension between humans’ link to the environment and other species.
These works were painted on glass with Phosphorescent pigments (a technique seen in earlier works), to suggest the shift between light and darkness, and the fragility of memory and disembodiment.
In 2021, she was one of the participants in John Greyson's experimental short documentary film International Dawn Chorus Day.
Her work is collected in Canadian art institutes.
She is represented by Roger Bellemare/Christian Lambert Gallery in Montreal, and has artworks at the Jack Shainman Gallery in New York City.
