Age, Biography and Wiki

Luis Advis was born on 10 February, 1935 in Chile, is a Luis Advis Vitaglich was professor of philosophy. Discover Luis Advis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?

Popular As N/A
Occupation N/A
Age 69 years old
Zodiac Sign Aquarius
Born 10 February 1935
Birthday 10 February
Birthplace N/A
Date of death 9 September, 2004
Died Place N/A
Nationality Chile

We recommend you to check the complete list of Famous People born on 10 February. He is a member of famous professor with the age 69 years old group.

Luis Advis Height, Weight & Measurements

At 69 years old, Luis Advis height not available right now. We will update Luis Advis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Luis Advis Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Luis Advis worth at the age of 69 years old? Luis Advis’s income source is mostly from being a successful professor. He is from Chile. We have estimated Luis Advis's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income professor

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Timeline

1935

Luis Advis Vitaglich (10 February 1935 – 9 September 2004) was a Chilean professor of philosophy, and a noted composer of traditional and New Chilean music.

1979

In 1979 he published the book Displacer y Transendencia en el Arte (Displeasure and transcendence in Art).

1988

Prominent in his repertoire for vocalists are the cantata Santa María de Iquique (a milestone of the New Chilean Song movement), the Canto para una Semilla (Song for a Seed) based on poems by Violeta Parra (recorded by Inti-illimani, Isabel Parra and Carmen Bunster), and a symphony, Los Tres Tiempos de América, which was premiered and recorded in 1988 by Quilapayún with the Spanish singer Paloma San Basilio and an orchestra of Spanish musicians.

2002

Among his last projects was an arrangement for Del Salón al Cabaret la Belle Epoque Chilena (From the Saloon to the Cabaret the Chilean Belle Epoque) - this was a theatrical, musical and choreographic recreation of styles of that era, which involved 70 musicians and actors from the Escuela de Teatro de la Pontificia Universidad Católica(Theatrical School of the Pontifical Catholic University of Chile); it was recorded in 2002.

He composed Cinco danzas breves (Five brief dances) (cha-cha-chá, Cuban son, waltz, habanera and rag-time) for the Saxophonic Quartet Villafruela, which were released in the Saxofonos de Latinoamérica (Saxophones of Latin America) CD.

In his final days he completed an oratorio titled La Pampa del Tamarugal, which has not yet premiered.

Advis recognized the importance of popular-folk music when he began to listen to Violeta Parra.

Advis – like Sergio Ortega - provided the sound of Chile, a sound conveyed by the fundamental works of the Nueva canción Chilena: Santa María de Iquique and Canto para una Semilla.

Other compositions include the orchestral Suite Latinoamericana, a wind quintet, music for theatre, cinema and television, in a musical catalogue that comprises more than 150 works that covers all spheres and goes from the classical to the popular-folk.

Advis was a fundamental figure in Latin American art for his music.

2003

He was officially recognized as a fundamental figures of Chilean music in 2003.

Advis was born in Iquique in northern Chile.

He graduated in Philosophy from the Universidad de Chile and held numerous academic posts in various schools of higher learning in his country.

Advis did not formally study music or composition at university, but he studied piano with Alberto Spikin and composition with Chilean academic and musician Gustavo Becerra-Schmidt (to whom the amalgamation of the European classical music traditions with Latin American musical expressions is owed).

Although Advis recognized his appreciation of traditional classical music, he felt the need to revitalize and develop popular and folk music through works such as cantatas and symphonies.