Age, Biography and Wiki
Luigi Infantino was born on 24 April, 1921 in Racalmuto, Italy, is an Italian opera singer. Discover Luigi Infantino's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?
| Popular As |
N/A |
| Occupation |
actor,soundtrack |
| Age |
70 years old |
| Zodiac Sign |
Taurus |
| Born |
24 April 1921 |
| Birthday |
24 April |
| Birthplace |
Racalmuto, Italy |
| Date of death |
22 June, 1991 |
| Died Place |
Rome, Italy |
| Nationality |
Italy
|
We recommend you to check the complete list of Famous People born on 24 April.
He is a member of famous Actor with the age 70 years old group.
Luigi Infantino Height, Weight & Measurements
At 70 years old, Luigi Infantino height not available right now. We will update Luigi Infantino's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Luigi Infantino's Wife?
His wife is Sarah Ferrati (m. 1948–1982), Raina Nikolova (m. ?–1991)
| Family |
| Parents |
Not Available |
| Wife |
Sarah Ferrati (m. 1948–1982), Raina Nikolova (m. ?–1991) |
| Sibling |
Not Available |
| Children |
Not Available |
Luigi Infantino Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Luigi Infantino worth at the age of 70 years old? Luigi Infantino’s income source is mostly from being a successful Actor. He is from Italy. We have estimated Luigi Infantino's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Actor |
Luigi Infantino Social Network
Timeline
Luigi Infantino (24 April 1921 – 22 June 1991) was an Italian operatic tenor, particularly associated with the lyric Italian and French repertories.
Luigi Infantino was born in Racalmuto, and studied at the Parma Conservatory with Italo Brancucci.
He made his debut in 1943, at the Teatro Regio in Parma, as Rodolfo in La bohème, which was also his debut role at the Teatro San Carlo in Naples, in 1945.
With that company, he appeared in London as the Duke in Rigoletto, and Rodolfo.
A stylish lyric tenor with an attractive voice, Infantino can be heard in complete recordings of La traviata (EMI, 1946) and Il barbiere di Siviglia (Cetra, 1950, opposite Giuseppe Taddei and Giulietta Simionato).
The tenor sang regularly in Naples and Bologna, and made guest appearances at the New York City Opera in 1947: La traviata (with Enzo Mascherini as Giorgio), Rigoletto (opposite Giuseppe Valdengo and Virginia MacWatters), Madama Butterfly, La bohème, Il barbiere di Siviglia (conducted by Julius Rudel) and Don Giovanni (in Theodore Komisarjevsky's production).
In 1948, he made his debut at the Teatro alla Scala in Milan, as Nadir in Les pêcheurs de perles, later singing Ramiro in La cenerentola, which he also sang that same year at the Verona Arena.
In 1949, the tenor went on a concert-tour of England and Australia.
In 1954, at the Teatro Fenice in Venice, Infantino sang Edgardo to the Lucia of Maria Callas, in Lucia di Lammermoor.
Infantino toured England again in 1957 giving a concert at Cheltenham among others.
At the Teatro dell'Opera di Roma, he created Amleto, by Mario Zefred, in 1961, and La stirpe di Davide by Franco Mannino, in 1962.
There is also a live recording of Die Meistersinger von Nürnberg, sung in Italian (Melodram, 1962).
Infantino died in Rome, aged 70.
In 1964 Infantino reprised his role of Edgardo at the Bombay Opera in India, with soprano Celia Baptista as his Lucia.
He was also active throughout his career singing on Italian Radio (RAI), where he gave his last performance in 1973, in Mannino's Il diavolo in giardino.
