Age, Biography and Wiki
Louise Brooks (Mary Louise Brooks) was born on 14 November, 1906 in Cherryvale, Kansas, U.S., is an American actress (1906–1985). Discover Louise Brooks's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 78 years old?
Popular As |
Mary Louise Brooks |
Occupation |
Actress
dancer
writer |
Age |
78 years old |
Zodiac Sign |
Scorpio |
Born |
14 November 1906 |
Birthday |
14 November |
Birthplace |
Cherryvale, Kansas, U.S. |
Date of death |
8 August, 1985 |
Died Place |
Rochester, New York, U.S. |
Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 14 November.
She is a member of famous Actress with the age 78 years old group.
Louise Brooks Height, Weight & Measurements
At 78 years old, Louise Brooks height is 5' 2" (1.57 m) .
Physical Status |
Height |
5' 2" (1.57 m) |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Louise Brooks's Husband?
Her husband is A. Edward Sutherland (m. 1926-1928)
Deering Davis (m. 1933-1938)
Family |
Parents |
Not Available |
Husband |
A. Edward Sutherland (m. 1926-1928)
Deering Davis (m. 1933-1938) |
Sibling |
Not Available |
Children |
Not Available |
Louise Brooks Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Louise Brooks worth at the age of 78 years old? Louise Brooks’s income source is mostly from being a successful Actress. She is from United States. We have estimated Louise Brooks's net worth, money, salary, income, and assets.
A Social Celebrity (1926) | $250 per week |
The Canary Murder Case (1929) | $250 /week |
Windy Riley Goes Hollywood (1931) | $500 for 3 days' work |
Empty Saddles (1936) | $300 |
Overland Stage Raiders (1938) | $300 |
Louise Brooks Social Network
Timeline
Mary Louise Brooks (November 14, 1906 – August 8, 1985) was an American film actress during the 1920s and 1930s.
She is regarded today as an icon of the flapper culture, in part due to the bob hairstyle that she helped popularize during the prime of her career.
At the age of 15, Brooks began her career as a dancer and toured with the Denishawn School of Dancing and Related Arts where she performed opposite Ted Shawn.
After being fired, she found employment as a chorus girl in George White's Scandals and as a semi-nude dancer in the Ziegfeld Follies in New York City.
While dancing in the Follies, Brooks came to the attention of Walter Wanger, a producer at Paramount Pictures, and signed a five-year contract with the studio.
In 1919, Brooks and her family moved to Independence, Kansas, before relocating to Wichita in 1920.
Brooks began her entertainment career as a dancer, joining the Denishawn School of Dancing and Related Arts modern dance company in Los Angeles at the age of 15 in 1922.
The company included founders Ruth St. Denis and Ted Shawn, as well as a young Martha Graham.
As a member of the globe-trotting troupe, Brooks spent a season abroad in London and in Paris.
In her second season with the Denishawn company, she advanced to a starring role in one work opposite Shawn.
But one day, a long-simmering personal conflict between Brooks and St. Denis boiled over, and St. Denis abruptly fired Brooks from the troupe in the spring of 1924, telling her in front of the other members: "I am dismissing you from the company because you want life handed to you on a silver salver."
Thanks to her friend Barbara Bennett, the sister of Constance and Joan Bennett, Brooks almost immediately found employment as a chorus girl in George White's Scandals, followed by an appearance as a semi-nude dancer in the 1925 edition of the Ziegfeld Follies at the Amsterdam Theater on 42nd Street.
As a result of her work in the Follies, Brooks came to the attention of Walter Wanger, a producer at Paramount Pictures.
An infatuated Wanger signed her to a five-year contract with the studio in 1925.
Soon after, Brooks met movie star Charlie Chaplin at a cocktail party given by Wanger.
Chaplin was in town for the premiere of his film The Gold Rush (1925) at the Strand Theatre on Broadway.
Chaplin and Brooks had a two-month affair that summer while Chaplin was married to Lita Grey.
When their affair ended, Chaplin sent her a check; she declined to write him a thank-you note.
Brooks made her screen debut in the silent The Street of Forgotten Men, in an uncredited role in 1925.
Soon she was playing the female lead in a number of silent light comedies and flapper films over the next few years, starring with Adolphe Menjou and W. C. Fields, among others.
After her small roles in 1925, both Paramount and MGM offered her contracts.
She appeared in supporting roles in various Paramount films before taking the heroine's role in Beggars of Life (1928).
During this time, she became an intimate friend of actress Marion Davies and joined the elite social circle of press baron William Randolph Hearst at Hearst Castle in San Simeon.
Dissatisfied with her mediocre roles in Hollywood films, Brooks went to Germany in 1929 and starred in three feature films that launched her to international stardom: Pandora's Box (1929), Diary of a Lost Girl (1929), and Miss Europe (1930); the first two were directed by G. W. Pabst.
By 1938, she had starred in 17 silent films and eight sound films.
After retiring from acting, she fell upon financial hardship and became a paid escort.
These words made a strong impression on Brooks; when she drew up an outline for a planned autobiographical novel in 1949, "The Silver Salver" was the title she gave the tenth and final chapter.
Brooks was 17 years old at the time of her dismissal.
Following the rediscovery of her films by cinephiles in the 1950s, a reclusive Brooks began writing articles about her film career; her insightful essays drew considerable acclaim.
She published her memoir, Lulu in Hollywood, in 1982.
Three years later, she died of a heart attack at age 78.
Brooks was born in Cherryvale, Kansas, the daughter of Leonard Porter Brooks, a lawyer, who was usually preoccupied with his legal practice, and Myra Rude, an artistic mother who said that any "squalling brats she produced could take care of themselves".
Rude was a talented pianist who played the latest Debussy and Ravel for her children, inspiring them with a love of books and music.
Brooks described the hometown of her childhood as a typical Midwestern community where the inhabitants "prayed in the parlor and practiced incest in the barn."
When Louise was nine years old, a neighborhood man sexually abused her.
Beyond the physical trauma at the time, the event continued to have damaging psychological effects on her personal life as an adult and on her career.
That early abuse caused her later to acknowledge that she was incapable of real love, explaining that this man: "must have had a great deal to do with forming my attitude toward sexual pleasure ... For me, nice, soft, easy men were never enough—there had to be an element of domination."
When Brooks at last told her mother of the incident, many years later, her mother suggested that it must have been Louise's fault for "leading him on".