Age, Biography and Wiki
Lisa Oppenheim was born on 1975 in New York City, is a Lisa Oppenheim is American multimedia artist American multimedia artist. Discover Lisa Oppenheim's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 49 years old?
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49 years old |
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New York City |
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United States
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She is a member of famous artist with the age 49 years old group.
Lisa Oppenheim Height, Weight & Measurements
At 49 years old, Lisa Oppenheim height not available right now. We will update Lisa Oppenheim's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Lisa Oppenheim Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Lisa Oppenheim worth at the age of 49 years old? Lisa Oppenheim’s income source is mostly from being a successful artist. She is from United States. We have estimated Lisa Oppenheim's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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artist |
Lisa Oppenheim Social Network
Timeline
Lisa Oppenheim (born 1975) is an American multimedia artist.
Lisa Oppenheim was born in New York City in the year of 1975.
She earned her Bachelor's degree from Brown University in 1998, concentrating in Modern Culture and Media, Art and Semiotics.
In 2001, she earned her MFA in Film and Video from Milton Avery Graduate School of the Arts, Bard College.
She completed a Whitney Museum Independent Study Program in 2003.
She also completed the Rijksakademie van beeldedne kunsten in Amsterdam from 2004-2006.
Oppenheim's work plays with the process of creating photographs and film.
Her pieces often question the documentary genre as well as the concept of an archives.
In utilizing archival sources, she interrogates and reappropriates the archival function of narrative-making and -omitting, and how narrative and imagery are intertwined but ultimately separate.
Oppenheim's solo exhibitions include Open Source, University of California, Riverside, California Museum of Photography (2009); Blood to Ghosts, Klosterfelde, Berlin (2010); Vapours and Veils, Klosterfelde, Berlin (2012); Intervention: Lisa Oppenheim, 21er Haus, The Belvedere Museum, Vienna (2012); Forever is Composed of Nows, Kunstverein in Hamburg, Germany (2014); From Abigail to Jacob (Works 2004–2014) at Grazer Kunstverein (2014) Graz, Austria.; Spine, MOCA Cleveland, Cleveland, Ohio (2017).
Curated by Andria Hickey, the exhibition, explored the human spine in nature, in the body, and in labor.
It featured repurposed photographs by Lewis Hine, textiles based on Pre-Columbian textiles in the collection of the Cleveland Museum of Art, and landscape portraits.
In work such as Lunagrams, 2010, in which she exposed archival glass negatives using moonlight, Oppenheim experiments with time as a force of art and imagery.
She has done works in fiber arts which is art created using strings, ropes and fabric.
Her works in fiber arts were displayed in her Gramma exhibition at Tanya Bonakdar Gallery.
Oppenheim has had the honor of many solo and group exhibitions at international venues including the Guggenheim Museum, Museum of Modern Art and the New Museum in New York City, the FRAC Champagne-Ardenne in France, Guggenheim Museum Bilbao in Spain, the Museum of Modern Art of Republika Srpska in Bosnia, and the Royal Academy of Arts in London.
- In 2014, Oppenheim was the recipient of the AIMIA/AGO Photography prize from the Art Gallery of Ontario.
- Shpilman International Photography prize from the Israel Museum.
Her work is included in the public collections of:
A more recent exhibitions was The American Colony, The Approach, London (2019).
