Age, Biography and Wiki
Laura Kikauka was born on 1963 in Hamilton, Ontario, Canada, is an A 21st-century canadian women artist. Discover Laura Kikauka's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 61 years old?
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61 years old |
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Hamilton, Ontario, Canada |
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Canada
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She is a member of famous artist with the age 61 years old group.
Laura Kikauka Height, Weight & Measurements
At 61 years old, Laura Kikauka height not available right now. We will update Laura Kikauka's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Laura Kikauka Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Laura Kikauka worth at the age of 61 years old? Laura Kikauka’s income source is mostly from being a successful artist. She is from Canada. We have estimated Laura Kikauka's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
| Net Worth in 2023 |
Pending |
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Under Review |
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artist |
Laura Kikauka Social Network
Timeline
Laura Kikauka (born 1963, Hamilton, Ontario) is a Canadian installation and performance artist.
Kikauka is known for her sculptural installations and performances incorporating found objects and electronics.
Kikauka is known for functioning hand-etched electronic circuits.
Her aesthetic has been described as kitsch, while also being compared to self-organizing systems.
She has lived and worked in New York City, and for nearly two decades in Berlin.
She currently works in Ontario on her long-term project the Funny Farm.
Her 1988 performance collaboration with artist Norman White, Them Fuckin' Robots involved two robots, a "female" one by Kikauka and a "male" one by White.
Both robots were assembled and activated in a single day in front of an audience.
Kikauka's robot was an abstract, cloud-like assemblage hanging from the ceiling, powered by an electronic sequencer that activated various combinations of found objects.
Her robot produced electromagnetic fields that charged the anthropomorphic "male" robot's capacitor, resulting in an eventual robot orgasm.
Kikauka has built two long-term found object installations, both titled Funny Farm, in her homes in Meaford, Ontario, and Berlin, Germany.
She has two permanent installations in Germany: one at the Wolfsburg Science Museum in Wolfsburg, Germany, the other at the Institut für Auslandsbeziehungen in Berlin.
In 1995 the "antipreneurial" one-man artist group Stiletto (artist) presented LESS function IS MORE fun as a post-neoist special waste sale of interpassive design-defuncts in Kikauka's so-called Spätverkauf installation at the Volksbühne Berlin, which she claimed as one of her projects of Maximalism.
With her long-term partner Gordon Monahan, Kikauka organizes the annual Electric Eclectics festival in Ontario.
Performers have included artist Tony Conrad, thereminist Dorit Chrysler or theremin and tabla playing foodist Gordon W., who they already had conspirated with for more than a decade, during their Berlin residency on several major projects, like Schmaltzwaldt, Fuzzy Love and Bahute Gemutlischkeit.
Further on artist John Kilduff, electronic music pioneer Suzanne Ciani, Mary Margaret O'Hara and the Nihilist Spasm Band.
Kikauka's 1996 piece Hairbrain 2000 presented an early "virtual reality" headset based on an analog system of electronic relays activated by ball bearings as the viewer moved their head.
