Age, Biography and Wiki
Lars Woldt was born on 15 December, 1972, is a German operatic bass. Discover Lars Woldt's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 51 years old?
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51 years old |
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Sagittarius |
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15 December 1972 |
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15 December |
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We recommend you to check the complete list of Famous People born on 15 December.
He is a member of famous with the age 51 years old group.
Lars Woldt Height, Weight & Measurements
At 51 years old, Lars Woldt height not available right now. We will update Lars Woldt's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Lars Woldt Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Lars Woldt worth at the age of 51 years old? Lars Woldt’s income source is mostly from being a successful . He is from . We have estimated Lars Woldt's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Lars Woldt Social Network
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Timeline
Lars Woldt (born 15 December 1972) is a German operatic bass and voice teacher.
In 1997, he received a scholarship from the International Association of Wagner Societies, and in 2004 he was awarded the Eberhard Waechter Medal as a sponsorship prize from the Vienna State Opera.
After a first engagement at the Landestheater Detmold, artistic director Brigitte Fassbaender engaged him in 2000 at the Tyrolean State Theatre, where he was a member of the ensemble until 2003.
Several composers have dedicated works to him, including Giselher Klebe, whose Michelangelo Songs world premiered in 2001.
His concert repertoire includes Monteverdi's Vespro della Beata Vergine, J. S. Bach's St. Matthew Passion as well as the St. John Passion, the Christmas Oratorio and the B Minor Mass, Handel's Messiah, Haydn's The Creation and The Seasons, Mozart's Requiem, Beethoven's Symphony No. 9 and his Missa solemnis, Mendelssohn's Paulus and Elijah, Verdi's Messa da Requiem, Brahm's Ein deutsches Requiem, Dvořák's Stabat Mater, Puccini's Messa di gloria and Shostakovich's Michelangelo Suite.
Among others, he has performed with the WDR Symphony Orchestra Cologne, the NDR Radiophilharmonie, the Stuttgart Radio Symphony Orchestra, the Bamberg Symphony Orchestra, the Stuttgarter Philharmoniker, the Gürzenich Orchestra Cologne, the Munich Radio Orchestra, the Deutsche Kammerphilharmonie Bremen, the Schleswig-Holstein Musik Festival, the Berliner Philharmonie, the Kölner Philharmonie, the Wiener Musikverein, the Wiener Konzerthaus, the Leipzig Gewandhaus and the Auditorio Nacional de Música in Madrid.
Woldt has participated in several radio and CD recordings, including the recording of Richard Strauss' Elektra conducted by Semyon Bychkov) and Mendelssohn's Die erste Walpurgisnacht conducted by Helmuth Rilling.
Since the 2004/2005 season, he has been a member of the ensemble at the Volksoper Wien.
His interpretation of Kaspar in Der Freischütz impressed audiences and critics alike.
Guest appearances have taken him among others to the Hamburg State Opera, the opera houses of Copenhagen, Graz and Gothenburg, the Staatstheater Braunschweig and the Linz State Theatre.
His repertoire includes parts of the feature bass like Figaro, Baron Ochs, van Bett, Kezal, Falstaff, Plumkett, Don Magnifico and Zsupán - but also serious bass parts by Mozart, Beethoven and Richard Wagner, Tchaikovsky and Puccini (such as Sarastro, Rocco, Fasolt, King Marke, Gremin, Timur) and also the part of Salieri in Rimsky-Korsakov's Mozart and Salieri.
A main focus of his activity is 20th century music with roles such as Bottom in A Midsummer Night's Dream (Benjamin Britten), Director Hummel in Die Gespenstersonate (Aribert Reiman) and Ratefreund in Die Vögel (Walter Braunfels).
In November 2007, he made his debut as Mesner in Tosca at the Vienna State Opera.
Since the 2010/2011 season, he has been a member of the ensemble of the State Opera, where he has successfully appeared among others as Baron Ochs in Der Rosenkavalier, Waldner in Arabella, Rocco in Fidelio and Biterolf in Tannhäuser.
Since October 2011, Woldt has been professor of singing at the Hochschule für Musik Detmold, and since winter semester 2016/17, he has been teaching at the Hochschule für Musik und Theater München.
In 2014, he sang, to high acclaim, Baron Ochs in der Rosenkavalier at the Glyndebourne Festival.
In 2014 and 2015, engagements took him to the Opera de Paris, the Vienna State Opera, the Zurich Opera House, the Musikverein Graz, the Düsseldorf Opera and the Theater an der Wien.
For the best male lead role in Der Wildschütz at the Volksoper Wien as Baculus he received the Austrian Music Theatre Award 2014.