Laney Stewart

Laney Stewart (born January 10, 1966) is an American songwriter, music producer, musician, music publisher, music executive, manager and youth mentor.

He has written, produced and published hits for some of the biggest names in R&B, hip hop and pop music over the past three decades.

Philip Lane Stewart II was born in 1966 in the South Side suburbs of Chicago, Illinois.

His mother, Mary Ann Stewart, was a singer who had sung backgrounds for the Ohio Players, Curtis Mayfield and Aretha Franklin.

His uncle, Morris "Butch" Stewart, was a musician and producer.

By age nine, Stewart had taught himself to play piano and drums.

In Chicago's booming advertising industry he started singing on jingles at the age of 12, and began writing and composing jingles as a teenager.

By age 15 he had his first commercially released songs on CBS Records with Ramsey Lewis's "This Ain't No Fantasy."

At the age of 16 he became a regular in the burgeoning Chicago underground house music scene, and was one of the early house producers, producing songs for Arrogance such as "Crazy," which was released on DJ International Records in 1986.

He began working as a session musician with his uncle, Wayne Stewart, Tony Brown; and with Patrick Leonard, known for his work with Madonna, who became his most significant keyboard influence.

At age 18, Stewart and partner Kenneth Hale formed their own jingle company, Minute Men, composing popular spots for Bud Light, McDonald's and Coca-Cola.

They became the "go to" guys for urban-based spots for advertising companies such as the Burrell ad agency and DDB Needham, and they won an award for their work on the California Lottery ad campaign.

Stewart was working House clubs at night and jingle sessions and meetings with ad executives by day.

In 1988, with help from ad executive and author Michelle McKinney Hammond, Stewart signed his first publishing deal with Famous Music (now Sony/ATV Music Publishing).

He worked with songwriting partner Tony Haynes on a string of placements and upgraded his deal to joint venture with Famous Music.

He decided to focus his career on working with recording artists instead of jingles.

In 1990, he and Haynes formed The Groove Asylum, and worked in the studio with Jimmy Jam and Terry Lewis, who influenced Stewart's songwriting and production style.

Stewart co-produced songs with Jimmy Jam and Terry Lewis and worked with well-known recording artists.

He signed a group of young writers, his younger brother, Tricky Stewart, Kuk Harrell and Sean Hall, to his production company.

His other younger brother, Mark E. Stewart, joined the company on the business side.

Stewart's next influence was MCA Records executive, Louil Silas Jr.. Stewart worked with executives like Sylvia Rhone, Benny Medina and Quincy Jones on a run of successful songs, including "Never Let Them See You Sweat" by Go West, which was featured in White Men Can't Jump, and "Candlelight and You" by Keith Washington featuring Chante Moore, which was featured in House Party 2.

In 1992, Stewart relocated his company from Chicago to Los Angeles, CA. He and his brothers Tricky and Mark become founding partners in RedZone Entertainment in 1994.

In 1996, Stewart entered into a publishing deal and writing/production relationship with Kenneth "Babyface" Edmonds and his Edmonds Music Publishing company.

This relationship led to him working with Madonna, Shanice, and Tony! Toni! Toné! He wrote and produced songs for the feature film Soul Food, and wrote and produced the top 10 hit "Last Nights Letter" for K-Ci & JoJo’s Quadruple platinum album Love Always.

In 1999 Stewart moved to Atlanta GA and joined his brothers as a partner in RedZone Entertainment and Triangle Sound Studios.

RedZone helped to put Atlanta on the map as a music city, with hits like Blu Cantrell's "Hit ‘Em Up Style," Sole's "4,5,6", TLC's "No Scrubs", Toni Braxton's "Love Me Some Him," and Destiny's Child's "Bills, Bills, Bills."

Stewart took over as president of RedZone, overseeing the day-to-day operations of the company and keeping it active.

Hit songwriter Ester Dean joined Redzone's publishing side.

Stewart continued to write and produce hit songs, including, # 1 A.C. smash "Without You" by Charlie Wilson, and "Everything", which appears on multi-platinum selling B2K’s Pandemonium and Greatest Hits albums.

In his role as publisher Stewart worked with the writers, developing their skills and building an extensive catalog.

He mentored "Tricky" Stewart, Kuk Harrell and Sean Hall, passing on the secrets of consistent hitmaking that he had learned from Jam & Lewis and Babyface and others.

He published songs by Britney Spears, Usher, Pink, Sisqo, Toni Braxton, Tyrese, and the 1999 ASCAP Rap song of the year, "Who Dat" by JT Money, which reached #5 on the Billboard pop charts.

One of the biggest R&B tracks in the catalog was "I Love Me Some Him" from Toni Braxton's "Secrets" album, which went 8 x Platinum.

"Me Against The Music", a duet of Britney Spears and Madonna, peaked at #1 on the Billboard Hot Dance Club Songs chart, was featured in an episode of Fox's "Glee."

Pink's "Can't Take Me Home", and added a double platinum plaque to Stewart's collection.

In 1999 there was 3LW’s "No More"; in 2001 B2K’s premier smash "Uh-Huh," the number 1 selling single in the US that year.

Stewart entered into another publishing joint venture with Peer Music, forming Morningside Trail Music in 2003.

He discovered and signed writer/producer Terius "The-Dream" Nash, and Nash and Stewart's first studio work resulted in the song "Everything," which appeared on B2K's album.

Other pop hits included "Case of the Ex" by Mýa, which peaked at number 2 in its 16th week on the Billboard Hot 100 chart and at #1 on Billboard's R&B chart.

It spent three weeks at number 2 and 29 consecutive weeks on the Billboard Hot 100 chart, and was an international success.