Age, Biography and Wiki
Kimiko Hahn was born on 5 July, 1955 in Mount Kisco, New York, is an American poet. Discover Kimiko Hahn's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 68 years old?
Popular As |
N/A |
Occupation |
Poet |
Age |
68 years old |
Zodiac Sign |
Cancer |
Born |
5 July 1955 |
Birthday |
5 July |
Birthplace |
Mount Kisco, New York |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 5 July.
She is a member of famous Poet with the age 68 years old group.
Kimiko Hahn Height, Weight & Measurements
At 68 years old, Kimiko Hahn height not available right now. We will update Kimiko Hahn's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Kimiko Hahn's Husband?
Her husband is Ted Hannan
Harold Schechter
Family |
Parents |
Not Available |
Husband |
Ted Hannan
Harold Schechter |
Sibling |
Not Available |
Children |
2 |
Kimiko Hahn Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Kimiko Hahn worth at the age of 68 years old? Kimiko Hahn’s income source is mostly from being a successful Poet. She is from United States. We have estimated Kimiko Hahn's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Poet |
Kimiko Hahn Social Network
Timeline
Kimiko Hahn (born July 5, 1955) is an American poet and distinguished professor in the MFA program of Queens College, CUNY.
Her works frequently deal with the reinvention of poetic forms and the intersecting of conflicting identities.
Hahn was born in Mount Kisco, New York on July 5, 1955.
Her parents are both artists.
Her mother, Maude Miyako Hamai, was a Japanese American from Maui, Hawaii; her father, Walter Hahn, was a German American from Wisconsin.
They met in Chicago, where Walter was a friend of the notable African American author Ralph Ellison.
Her sister is Tomie Hahn, a performer and ethnologist.
Hahn grew up in Pleasantville, New York, and between 1964 and 1965, the Hahns later lived in Tokyo, Japan.
As a teen, she became involved in the New York City Asian American movement of the 1970s.
Zhou Xiaojing has commented that her racially mixed background influenced "her profound understanding of the politics of the body" as seen in her poetry (113).
In the U.S., her Asian appearance made some schoolmates "called her Chinese or Japanese, never regarding her as an American like them. Yet when she went to Japan … her schoolmates [there] called her American or 'gaijin'" (113).
Hahn received a bachelor's degree in English and East Asian Studies from the University of Iowa and an M.A. in Japanese Literature from Columbia University.
She is a distinguished professor at Queens College, CUNY and has also taught at New York University, Sarah Lawrence College, and University of Houston.
Hahn has two daughters, Miyako Tess (b. 1987) and Reiko Lily (b. 1990), from her second marriage to Ted Hannan.
Aside from poetry, Hahn has written for film such as the 1995 two-hour HBO special, "Ain't Nuthin' But a She-Thing" (for which she also recorded the voice-overs); and most recently, a text for "Everywhere at Once," Holly Fisher's film based on Peter Lindbergh's still photos and narrated by Jeanne Moreau.
In 1996, her poem "Possession: A Zuihitsu" (originally published in Another Chicago Magazine) was included in the anthology the Best American Poetry, and The Unbearable Heart received an American Book Award.
Other honors for her work include the Lila Wallace–Reader's Digest Writer's Award, the Shelley Memorial Prize, and the PEN/Voelcker Award.
She has received fellowships from the National Endowment for the Arts, Guggenheim Foundation, and the New York Foundation for the Arts.
The major themes of Hahn's poetry explores Asian American female desire and subjectivity.
The judges' citation from the Pen/Voelcker Award noted: "With wild courage Kimiko Hahn's poems voyage fearlessly into explorations of love, sexuality, motherhood, violence, and grief and the way gender inscribes us."
The title of The Narrow Road to the Interior (W.W. Norton, 2006), for instance, is drawn from Bashō's Oku no Hosomichi. In an interview with Laurie Sheck for Bomb, Hahn discussed how she combines a variety of genres in her work, including Japanese forms, such as zuihitsu in her poetry collection, The Narrow Road to the Interior: "The Japanese view it [zuihitsu]as a distinct genre, although its elements are difficult to pin down. There's no Western equivalent, though some people might wish to categorize it as a prose poem or an essay. You mentioned some of its characteristics: a kind of randomness that is not really random, but a feeling of randomness; a pointed subjectivity that we don't normally associate with the essay. The zuihitsu can also resemble other Western forms: lists, journals. I've added emails to the mix. Fake emails....The technique of collage is really compelling to me.
Letter writing, diary form—real and invented—I like to use within the zuihitsu itself."
Her poems were first published in We Stand Our Ground: Three Women, Their Vision, Their Poems, which she co-created with Gale Jackson and Susan Sherman.
The latter premiered at the 2007 Cannes Film Festival and presented at the 2008 Tribeca Film Festival.
With Gale Jackson and Susan Sherman
Since then, she has authored multiple collections of poetry, including Toxic Flora (2010), The Narrow Road to the Interior (2006), The Artist's Daughter (2002), Mosquito and Ant (1999), Volatile (1998), The Unbearable Heart (1995), and Earshot (1992).
The latter, Earshot, received the Theodore Roethke Memorial Poetry Prize and an Association of Asian American Studies Literature Award.