Kim Shillinglaw

Kim Danila Shillinglaw (born 1969) is a British media executive and non-executive director.

A former controller of BBC Two and BBC Four, head of science and natural history commissioning at the BBC, and commissioner for children's entertainment at CBBC, she later became director of factual businesses at Endemol Shine.

She is known for having transformed popular science on television.

Born in London, Shillinglaw spent her early years in Cameroon and Spain, countries in which her parents worked during the 1970s.

After her family's return to Britain, she attended Holland Park Comprehensive and then read history at Wadham College, Oxford.

After her graduation, she worked in strategy and the music industry then joined Observer Films (for a time part of the Guardian Media Group) as a researcher, eventually becoming a series producer.

Following this, she worked for ITV and Channel 4.

From 2006, Shillinglaw worked as an executive producer for BBC Factual and the commissioner of independent productions for CBBC.

Among shows that she developed and commissioned at CBBC was the Horrible Histories series.

Shillinglaw was responsible for changing the original pitch, a long-form drama idea about a ghost train, into a comedy proposal based on sketches with contemporary references to popular culture.

She also requested the recruitment of adult comedy writers.

Working under Karen O'Connor from late 2007, she then became one of 10 "creative leads" in London Factual and Executive Produced the Bafta-nominated Chemistry: A Volatile History with Jim Al Khalili, Blood and Guts with Michael Mosley and The Incredible Human Journey with Alice Roberts.

In 2009, Shillinglaw was promoted the BBC's commissioning editor and head of commissioning for science and natural history, responsible around 2012 for 200 hours of programming per year.

In 2010, she organised the BBC's Year of Science to raise the profile of science, which reportedly increased the BBC's science reach by more than four million people and doubled the number of searches for BBC Science.

On Dec 7th 2010 the Telegraph reviewed it as "a fantastic moment for science on tv" and "a glorious new age of science of television".

In a speech to the Royal Society the Science Minister David Willets MP said "The BBC has been doing a fantastic job" and DCMS identified 'the BBC's decision to make science a more prominent part of its schedules" as a 'key factor' in the growth of interest in science. Output she commissioned is said to have had a significant effect on the British public offscreen. Many of her science programmes have become staples of classroom teaching, and physics qualifications are said to have increased due to the ‘Brian Cox’ effect and sales of telescopes due to Stargazing Live.

The Times included Shillinglaw in a list of the top 100 influential people in British science, observing her role promoting more female presenters onto screen, as well as introducing Brian Cox to television.

"The fact that Shillinglaw has chosen presenters with serious academic backgrounds, as opposed to simple celebrity sparkle, also brings her respect among the scientific community".

In a 2011 article for The Guardian, she argued television had not done enough to include women onscreen.

Shillinglaw brought more diversity to screen, including Liz Bonin, Kevin Fong, Helen Czerski, Gabrielle Weston, Maggie Aderin-Pocock, Hannah Fry, and Saleyha Asan, among others.

She is reported as having tweeted: "Why are only women on Mock the Week compilations laughing cutaways? They never get to speak. Surely not because not funny?"

In 2012, Broadcast magazine's Hot 100 described her as "about as far from the stereotype of a BBC commissioner as you can get: enthusiastic, uncensored and jargon free".

Shillinglaw has a long-standing involvement in tech innovation but has also expressed scepticism about hype.

She ran experimentation with VR, AR and 3D for The BBC, including 3D versions of Dr Who, Wimbledon and David Attenborough, and was quoted as saying "watching 3D is quite a hassly experience in the home".

Shillinglaw has also contributed to tech education and innovation policy on the Board of the innovation think tank NESTA, which she joined in 2012 and the Board of the Raspberry Pi Foundation.

She chaired an R&D taskforce funded by the Wellcome Trust.

Other roles during this time included various public-private partnerships, chairing the BBC's Commercial Genre Board which increased long term commercial funding for Natural History output, and chairing the BBC's DQF Taskforce on Commercial Income which drew up a strategy for integrated public-private working between the BBC and BBC Worldwide and eventually led to the creation of BBC Studios.

She turned the Planets programmes into a returning brand with Planet Earth II and Blue Planet II (originally known as Oceans) which she commissioned at the 2013 Jackson Hole Wildlife Film Festival.

and grew popular franchises such as Autumnwatch and Winterwatch, Gordon Buchanan's ...And Me series, Animals in Love and Nature's Weird Events.

She expanded the range of science subjects on TV to include more difficult topics such as maths and unusual programmes such as After Life: The Strange Science of Decay, a 90-minute film using timelapse cameras to record a glass kitchen full of decomposing food, which doubled BBC Four's usual ratings.

and was reported as "a winner with audiences" She brought the Royal Institution's Christmas Lecture back to the BBC after an absence of more than a decade.

She commissioned popular science series including Stargazing Live, which won its slot against drama on BBC One, Brian Cox's Wonders of the Universe, Trust Me I'm a Doctor, Supermarket Secrets, Bang Goes the Theory.

and factual drama such as Challenger starring William Hurt as physicist Richard Feynman which won the RTS Award for Best Single Drama.

The proportion of science-themed broadcasting on BBC One is said to have risen during Shillinglaw's period in charge of the department.

In 2013 Shillinglaw conceived and initiated Make it Digital, the largest BBC initiative of its kind, to inspire a new generation to get creative with coding and digital technology, which the BBC launched in 2015.

The project provided a free Micro Bit coding device to all year 7 children across the UK, one million devices in total, and apprenticeships, and created a season of output involving BBC brands such as Doctor Who, Eastenders, Radio 1 and BBC Weather.

Shillinglaw also commissioned a factual drama about video game Grand Theft Auto for BBC2, starring Daniel Radcliffe.

The project was backed by around fifty organisations, including ARM, Barclays, British Computing Society, BT, the DWP, Microsoft, the Sklls Funding Agency and Tech City UK.

In 2014 she was interviewed by technology magazine Wired where she speculated that "technology often asks us to work too hard".

She increased the number of natural history hours produced by the BBC, including new landmarks Frozen Planet, Africa, Hidden Kingdoms, Dynasties and The Hunt (2015 TV series).