Age, Biography and Wiki

Kevin Abosch was born on 1 December, 1969, is an Irish conceptual artist. Discover Kevin Abosch's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 55 years old?

Popular As N/A
Occupation N/A
Age 55 years old
Zodiac Sign Sagittarius
Born 1 December 1969
Birthday 1 December
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 1 December. He is a member of famous artist with the age 55 years old group.

Kevin Abosch Height, Weight & Measurements

At 55 years old, Kevin Abosch height not available right now. We will update Kevin Abosch's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Kevin Abosch Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Kevin Abosch worth at the age of 55 years old? Kevin Abosch’s income source is mostly from being a successful artist. He is from . We have estimated Kevin Abosch's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1969

Kevin Abosch (born 1969) is an Irish conceptual artist and pioneer in cryptoart known for his works in photography, blockchain, sculpture, installation, AI and film.

Abosch's work addresses the nature of identity, value and human currency and has been exhibited throughout the world, often in civic spaces, including The Hermitage Museum, The National Gallery of Ireland, The National Museum of China, The Irish Museum of Modern Art, The Museum of Contemporary Art Vojvodina, The Bogotá Museum of Modern Art, ZKM, Galerie nationale du Jeu de Paume, and Dublin Airport.

2010

The photo was taken in 2010 and is one of three versions of the print in existence.

2013

In December 2013 the National Gallery of Ireland acquired three photographic portraits by Abosch for inclusion in the permanent National Portrait Collection.

The portraits are of Bob Geldof, Olwen Fouéré and Brian O'Driscoll.

Kevin Abosch is creative director for Animoca Brands.

2015

In 2015, Abosch's photographic work of a potato, "Potato #345" was reportedly sold to an unnamed businessman in Europe for a €1,000,000,.

2016

On 28 October 2016 Abosch installed a work entitled "Impossible Promises" consisting of 100 painted oil barrels in the Millennium Park at the Bogotá Museum of Modern Art

2018

In January 2018 Abosch created 10,000,000 virtual artworks consisting of crypto-tokens on the Ethereum Blockchain.

On 14 February 2018 Abosch's virtual artwork "Forever Rose", consisting of a single ERC-20 token on the Ethereum blockchain, sold to a group of ten art collectors for a record-breaking USD$1 million.

The artwork is composed of 42 inline alphanumerics in yellow neon representing the blockchain contract address for a crypto token called YLAMBO, which Abosch also created.

Abosch named the artwork after the hashtag #lambo, which cryptocurrency enthusiasts often use in online forums.

On 26 April 2018, at the If So, What?

art fair in San Francisco, California, Abosch's sculpture entitled "Yellow Lambo" was sold to former Skype COO Michael Jackson for US$400,000, more than the base price of a 2018 Lamborghini Aventador motor car.

A collaboration between Abosch and Chinese artist Ai Weiwei primarily made up of two standard ERC-20 tokens on the Ethereum blockchain, called PRICELESS (PRCLS is its symbol).

One of these tokens is forever unavailable to anyone, but the other is meant for distribution and is divisible up to 18 decimal places, meaning it can be given away one quintillionth at a time.

A nominal amount of the distributable token was “burned” (put into digital wallets with the keys thrown away), and these wallet addresses were printed on paper and sold to art buyers in a series of 12 physical works.

Each wallet address alphanumeric is a proxy for a shared moment between Abosch and Ai.