Josette Simon

Josette Patricia Simon is a British actor.

Her mother, from Anguilla, and her father, from Antigua, had both moved to the United Kingdom in the 1950s and worked at Thorn EMI.

Simon attended Mellor Street primary school, followed by Alderman Newton's Girls' School.

She became interested in acting after successfully auditioning, aged 14, with a friend for the choir for Joseph and the Amazing Technicolor Dreamcoat.

Josette Patricia Simon was born in 1960 in Leicester.

Simon later appeared in pantomimes before finishing secondary school, and played Martha in a 1976 production of The Miracle Worker directed by Michael Bogdanov at the Leicester Haymarket Theatre.

Alan Rickman, who was in the production of Joseph and the Amazing Technicolor Dreamcoat, encouraged Simon to apply for the Central School of Speech and Drama in London and she was accepted.

Simon won the part of Dayna Mellanby in the BBC 1 television sci-fi series Blake's 7 after being talent-spotted while still at the Central School of Speech and Drama.

She trained at the Central School of Speech and Drama in London and played the part of Dayna Mellanby in the third and fourth series of the television sci-fi series Blake's 7 from 1980 to 1981.

She played Mellanby in the third and fourth series, originally broadcast between January 1980 and December 1981.

The character was an expert combatant and highly knowledgeable about weapons.

Andrew Muir, author of a book about the series, felt that Simon provided "energy, vitality, innocence, danger, and a real physical presence" to the character.

Another author who wrote about the show, Tom Powers, felt that Mellanby and the other women heroes were often eclipsed by the male leads, and that over the series, Mellanby, who did not achieve her ambition to avenge her father's death by killing the villainous character Servalan, "lost her agency as a heroic figure of lex talionis".

She also featured in two other programmes in 1980: the sitcom The Cuckoo Waltz and the teen drama The Squad.

Simon has performed frequently with the Royal Shakespeare Company (RSC) and Royal National Theatre.

From the mid-1980s to the late 1990s, a time when it was unusual for black women to feature as leads in Shakespeare plays, Simon played several major roles for the RSC.

On stage, she has appeared in Royal Shakespeare Company (RSC) productions from 1982, playing Ariel in The Tempest, to 2018 when she was Cleopatra in Antony and Cleopatra.

The first black woman in an RSC play when she featured in 1982, Simon has been at the forefront of colour-blind casting, playing roles traditionally taken by white actors, including Maggie, a character that is thought to be based on Marilyn Monroe, in Arthur Miller's After the Fall at the National Theatre in 1990.

After taking part in a reading of Salvation Now by Snoo Wilson in 1982, she was cast as one of the three "weird sisters" in Macbeth alongside Kathy Behean and Lesley Sharp later that year.

She was the first black woman to appear in a Shakespeare play at the RSC.

In the same RSC season, she had roles in Much Ado About Nothing, as a spirit in The Tempest and as Iras in Antony and Cleopatra.

Simon's first leading role at the RSC, the first principal part filled by a black woman for the company, was as Rosaline, in Love's Labour's Lost, directed by Barry Kyle, in 1984.

Her first leading role, and the first for a black woman at the RSC, was as Rosaline, in Love's Labour's Lost, directed by Barry Kyle, in 1984.

Jami Rogers, in her book British Black and Asian Shakespeareans (2022) commented that in Kyle's production, where the women were dressed in Belle Époque-style silk dresses, Rosaline's clothing "immediately marked her as a woman of high status... For the first time on a major British stage, an African-Caribbean woman portrayed an intelligent, witty and strong leading Shakespearean character."

Rogers described the reviews of the production as "glowing".

In 1987, she appeared for the RSC again, in the lead role of Isabelle in Measure for Measure.

Simon won the Evening Standard Best Actress award, a Critics' Circle Theatre Award, and Plays and Players Critic Awards for After the Fall, and two film festival awards for her part in Milk and Honey (1988).

She noted that some reviewers and academics "treated Josette Simon's casting... as a novelty", criticising the description of integrated casting as an "experiment" as "deeply problematic as it infers the practice is an aberration rather than what it was [by 1990], a common practice".

She starred alongside Brenda Fricker in the two-part television series Seekers (1993), written by Lynda La Plante.

In 1997, Simon told academic Alison Oddey that working with Michael Gambon and, particularly, Helen Mirren on Antony and Cleopatra provided an early influence on her career.

She was with the RSC for two consecutive two-year season cycles.

In the second cycle her roles included Nerissa in The Merchant Of Venice and starring as Dorcas Ableman in Golden Girls, which became a breakthrough role for her.

The Financial Times reviewer Michael Coveney wrote of the latter role that "The immense power and beauty of this actress is at last given proper opportunity by the RSC."

Ros Asquith of The Observer felt that Simon's performance was amongst the most thrilling in London, and The Daily Telegraph critic Eric Shorter praised the cast's efforts but felt that the play suffered from overly slow pacing.

The central role of a black runner drew on Simon's own experience of being an athlete; the play's author, Louise Page, later related that the play had been rewritten from an ensemble piece, as "the sheer dynamism Josette brought to the role meant that it was her journey through the play with which the audience identified".

Simon has been at the forefront of colour-blind casting, playing roles traditionally taken by white actors.

Simon has portrayed senior police officers in Silent Witness (1998), Minder (2009), and Broadchurch (2017); and portrayed a defence lawyer in Anatomy of a Scandal (2022).

Later leading roles for the RSC saw her as Titania/Hippolyta in A Midsummer Night's Dream (1999–2000) and Cleopatra in Antony and Cleopatra (2017–2018).

She has played numerous other roles across stage, television, film, and radio.

She was made an Officer of the Order of the British Empire in 2000, for services to drama.