John Seward Johnson II

John Seward Johnson II (April 16, 1930 – March 10, 2020), also known as J. Seward Johnson Jr. and Seward Johnson, was an American artist known for trompe-l'œil painted bronze statues.

He was a grandson of Robert Wood Johnson I, the co-founder of Johnson & Johnson, and of Colonel Thomas Melville Dill of Bermuda.

He designed life-size bronze statues that were castings of living people, depicting them engaged in day-to-day activities.

A large staff of technicians did the fabrication of the works he designed.

Computers and digital technology often were used in the manufacturing process.

Sometimes the manufacture was contracted in China.

He was the founder of Grounds For Sculpture, a 42 acre sculpture park and museum located in Hamilton Township, Mercer County, New Jersey.

Johnson was born in New Brunswick, New Jersey on April 16, 1930.

His father was John Seward Johnson I, and his mother was Ruth Dill, the sister of actress Diana Dill, making him a first cousin of actor Michael Douglas.

Johnson grew up with five siblings: Mary Lea Johnson Richards, Elaine Johnson, Diana Melville Johnson, Jennifer Underwood Johnson, and James Loring "Jimmy" Johnson.

His parents divorced around 1937.

His father remarried two years later, producing his only brother, Jimmy Johnson, making him an uncle to film director Jamie Johnson.

Johnson attended Forman School for dyslexics.

Later, he attended the University of Maine, where he majored in poultry husbandry, but did not graduate.

Johnson also served four years in the United States Navy during the Korean War.

Johnson worked for Johnson & Johnson until 1962, when he was fired by his uncle Robert Wood Johnson II, who had turned the family business into one of the world's largest healthcare corporations.

Johnson maintained a studio in Princeton, New Jersey and later, another at a site in Mercerville, New Jersey that formerly had been used for the New Jersey State Fair.

Johnson was the chairman and CEO of The Atlantic Foundation, the foundation created by his father, John Seward Johnson I, in 1963.

His early artistic efforts focused on painting, after which he turned to sculpture in 1968.

Examples of his statues include:

For statues made in a series named, Iconic, by Johnson, many of which are very large, a computer program is employed that translates two-dimensional images into statues that are constructed by a machine driven by the program.

Often, these subjects are images that already are well known as the works of others, generating heated ethical controversies regarding copyright infringement and derivative works due to substantial similarity issues.

Johnson created the Johnson Atelier Technical Institute of Sculpture, an educational, nonprofit casting and fabrication facility in 1974 as a means of fostering young sculptors' talents, while creating a foundry designed to construct his statues that is so well-equipped and staffed that it is chosen by many renowned sculptors.

Johnson's work was labeled as "kitsch" in a 1984 article by an art professor and critic at Princeton University, who explained its rejection as he was commenting on a controversy raging about the work in New Haven, Connecticut.

In 1987, he published Celebrating the Familiar: The Sculpture of J. Seward Johnson, Jr.

Johnson's works were selected by the United States Information Agency to represent the freedoms of the United States in a public and private partnership enterprise representation sponsored by General Motors and many other US corporations at the World EXPO celebration in Seville, Spain during 1992.

Under Johnson's direction, The Atlantic Foundation purchased the old New Jersey Fairgrounds in Hamilton, New Jersey and in 1992 founded the Grounds For Sculpture to display work completed at the Johnson Atelier and other outdoor exhibitions.

In 2000 park operations were transferred to a new public charity with the same intent that continues to operate the park.

He was president of the International Sculpture Center of Hamilton, New Jersey, which publishes a magazine out of offices in Washington, D.C.

Johnson also was the president of a large oceanographic research institution in Florida that had been founded by his father.

The institution published a science magazine.

Johnson and his wife funded the construction of The Joyce and Seward Johnson Theater for the Theater for the New City, an Off-Broadway theater in New York City.

Johnson was excluded from his father's will, which left the bulk of his fortune to Barbara Piasecka Johnson, his father's wife and former chambermaid.

He and his siblings sued on grounds that their father was not mentally competent at the time he signed the will.

It was settled out of court, and the children were granted about 12% of the fortune.

His 2003 show at the Corcoran Gallery of Art, Beyond the Frame: Impressionism Revisited, which presented his statues imitating famous Impressionist paintings, was a success with audiences, but was panned nationally by acknowledged art critics such as Blake Gopnik writing for The Washington Post and drew strong criticism from curators at other museums about a prominent museum of fine art presenting an exhibit of his work.

Educational programs at the Atelier ceased in 2004.

The Johnson Atelier now operates as a division of The Sculpture Foundation.

Johnson continued to make his sculpture at the facility but casting often was performed off premises, with some of his larger works being cast in the People's Republic of China.

He also founded an organization named "The Sculpture Foundation", to promote his works.