Age, Biography and Wiki

John Ottman was born on 6 July, 1964 in San Diego, California, U.S., is an American film composer and editor (born 1964). Discover John Ottman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 59 years old?

Popular As N/A
Occupation Composer and film editor
Age 59 years old
Zodiac Sign Cancer
Born 6 July 1964
Birthday 6 July
Birthplace San Diego, California, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 6 July. He is a member of famous Composer with the age 59 years old group.

John Ottman Height, Weight & Measurements

At 59 years old, John Ottman height not available right now. We will update John Ottman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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John Ottman Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is John Ottman worth at the age of 59 years old? John Ottman’s income source is mostly from being a successful Composer. He is from United States. We have estimated John Ottman's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Composer

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Timeline

1964

John Ottman (born July 6, 1964) is an American film composer, director, and editor.

1988

He attended De Anza College and then transferred to the School of Cinematic Arts of the University of Southern California, where he graduated in 1988.

One of his first assignments was to provide original music for the computer game I Have No Mouth, and I Must Scream.

1993

He is best known for collaborating with director Bryan Singer, composing and/or editing many of his films, including Public Access (1993), The Usual Suspects (1995), Superman Returns (2006), Valkyrie (2008) and Jack the Giant Slayer (2013), as well as the X-Men film series.

2000

He also directed (in addition to editing and scoring) the 2000 horror film Urban Legends: Final Cut.

He won a BAFTA Award for Best Editing for The Usual Suspects, as well as two Saturn Awards for Best Music for The Usual Suspects and Superman Returns.

2005

Other notable films he worked on as composer are Snow White: A Tale of Terror, the 2005 remake of House of Wax, Kiss Kiss Bang Bang, Fantastic Four and its sequel Fantastic Four: Rise of the Silver Surfer, The Invasion, and Astro Boy.

2007

In 2007, Ottman appeared in the documentary Finding Kraftland for his agent Richard Kraft.

He is best known for his multi-tasking as editor and composer for Bryan Singer's films, and on a few occasions, producer roles to boot.

The Usual Suspects, Apt Pupil, X2, Superman Returns (including adapting themes originally composed by John Williams), Valkyrie, Jack the Giant Slayer, X-Men: Days of Future Past and X-Men: Apocalypse.

2018

For his work on Singer's 2018 Queen biopic Bohemian Rhapsody, Ottman won the Academy Award for Best Film Editing.

Ottman was born in San Diego, California.

Growing up in San Jose, Ottman made many amateur films garnering local attention in the community.

2019

In 2019, he was nominated for a BAFTA Award for Best Editing and won the ACE Eddie Award and the Academy Award his work on Bohemian Rhapsody, a film Ottman saw through on his own after both directors' departure (Bryan Singer being fired and Dexter Fletcher beginning pre-production on "Rocketman" shortly after finishing the shoot.) Ottman navigated the film's development in post and the tricky waters between film-maker and studio, working with producer Graham King and Dennis O'Sullivan.

Upon Bohemian Rhapsody getting nominated for, and winning its Best Editing awards, a scene of the band outside a pub went viral online after a post by Youtuber Thomas Flight, who was critical of the editing style.

Ottman, aware of the clip, explained that for a test screening, a heightened pace for the first act was asked for by the studio.

After the test, Ottman returned the scene to its original pace and design.

Ottman regretted that he missed returning the scene outside the pub closer to his original version.

The scene (directed by Fletcher) contained no master shot of the band at the table.