Age, Biography and Wiki
John McGrath (playwright) was born on 1 June, 1935, is a Socialist playwright and drama theorist. Discover John McGrath (playwright)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 67 years old?
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67 years old |
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Gemini |
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1 June 1935 |
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1 June |
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2002 |
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We recommend you to check the complete list of Famous People born on 1 June.
He is a member of famous playwright with the age 67 years old group.
John McGrath (playwright) Height, Weight & Measurements
At 67 years old, John McGrath (playwright) height not available right now. We will update John McGrath (playwright)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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John McGrath (playwright) Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is John McGrath (playwright) worth at the age of 67 years old? John McGrath (playwright)’s income source is mostly from being a successful playwright. He is from . We have estimated John McGrath (playwright)'s net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Under Review |
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Pending |
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Under Review |
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playwright |
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Timeline
He adapted the satirical morality play A Satire of the Three Estates (1540) by David Lyndsay as a contemporary morality A Satire of the Four Estaites, which was presented by Wildcat Theatre Company at the Edinburgh International Conference Centre as part of the Edinburgh International Festival in 1996.
John Peter McGrath (1 June 1935 – 22 January 2002) was a British playwright and theatre theorist who took up the cause of Socialism in his plays.
From an Irish Catholic background, McGrath was born in Birkenhead, and educated in Mold and, after his National Service, at St John's College, Oxford.
During the early 1960s he worked for the BBC, and wrote and directed many of the early episodes of the corporation's police series Z-Cars which began in 1962.
McGrath is best remembered as a playwright and for his theoretical formulation of the principles of a radical, popular theatre.
In 1962 he had married Elizabeth MacLennan, the Scottish actress, whom he had met while they were both at Oxford University; the couple had two sons and a daughter.
His play Soft Or A Girl was performed at the Liverpool Everyman Theatre in the early 1970s with great success.l, including in the cast the actor Alison Steadman.
The play dealt with, amongst other things, the role of the city council in continuing, as the play claims, Hitler's destruction of large parts of the inner city and, with it, parts of its history The 7:84 Theatre Company was established in 1971 by McGrath, his wife (Elizabeth MacLennan) and her brother (David MacLennan), and The Cheviot, the Stag, and the Black Black Oil (1973), his best-known play, was created with these principles in mind.
It utilizes some of the dramaturgical and theatrical techniques of epic theatre – actors take on multiple roles and frequently slip out of character – of the type associated with the German dramatist Bertolt Brecht, but which McGrath argued have a genealogy that stretches far further back through the history of popular traditions of performance.
The title of the play refers to three pivotal periods in the history of class struggle in Scotland: the clearing of the Scottish highlands to make way for grazing land, the subsequent use of this land by the wealthy for shooting, and its current exploitation in the oil market.
These changes are identified as forming a recurrent pattern of abuse of the land and the exploitation of the people by outsiders and by wealthier locals.
It was broadcast in the BBC's Play for Today series in 1974.
McGrath died from leukemia in January 2002.
In McGrath's obituary published by The Guardian, Michael Billington wrote: "No one since Joan Littlewood did more to advance the cause of popular theatre in Britain than John McGrath".