Age, Biography and Wiki
John Berndt was born on 1967, is a John Berndt is musician and organizer based in Baltimore. Discover John Berndt's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 57 years old?
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He is a member of famous musician with the age 57 years old group.
John Berndt Height, Weight & Measurements
At 57 years old, John Berndt height not available right now. We will update John Berndt's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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John Berndt Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is John Berndt worth at the age of 57 years old? John Berndt’s income source is mostly from being a successful musician. He is from . We have estimated John Berndt's net worth, money, salary, income, and assets.
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$1 Million - $5 Million |
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Pending |
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Under Review |
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musician |
John Berndt Social Network
Timeline
John Berndt (born 1967) is a musician and organizer based in Baltimore, Maryland who is best known as an extended-technique experimental saxophonist and electronic musician.
He participated in the second wave of the neoism cultural movement, the first wave having consisted of Monty Cantsin, Istvan Kantor, and Blaster Al Ackerman, amongst many others.
Berndt's participation in Neoism began after the 1st eight Neoist Apartment Festivals (1980 to 1984) during the "64th International Neoist Apartment Festival" in 1986 in Berlin and subsequently in the "One Millionth" in New York City in late 1988 and the "13th" in Paris in 1994.
Occupation: 1980-1990, Heresee, 2007
Plagiarism: Art As Commodity and Strategies for Its Negation, Stewart Home, AK Press, London, 1987
Ist edition Aporia Press and Unpopular Books, London 1988.
How to Write a Résumé - Volume II: Making a Good First Impression (1st edition), tENTATIVELY, a cONVENIENCE, Apathy Press, Baltimore, 1989
2nd UK edition AK Press, 1991.
The Recordings, Recorded, 1994
AK Press, London & Edinburgh 1995
As the founder of, and a member of the Red Room -- a collective of artists and improvising musicians operating much in the spirit of the Los Angeles Free Music Society that is now called The High Zero Foundation—-Berndt co-curates the Red Room experimental performance series, which has presented weekly events since 1996, as well as the High Zero Festival of Experimental Improvised Music, a large annual improvised music festival begun in 1999 in Baltimore known for its qualification that improvising performers play in ad hoc groups organized specifically for the festival.
Conceptual work by Berndt was shown at Documenta X, in Kassel, in 1997.
Oliver Marchart Neoismus Edition Selene, Wien, 1997, S. 16
THE ASSAULT ON CULTURE: UTOPIAN CURRENTS FROM LETTRISM TO CLASS WAR by Stewart Home.
That Nothing Is Known (Quartet Improvisations), Recorded, 1998
The Hermeneutic Ubermenschen... Sing!
This group became a 501(c)3 nonprofit organization, High Zero Foundation, in 2001.
Berndt is the musical creator of the "Relabi" style, an approach to rhythm which suggests but ultimately denies a stable, regular pulse.
He is also director of the Afro-Germanicist ensemble Multiphonic Choir, Second Nature improvising orchestra, and performance-art group Geodesic Gnome.
(Thus), Field Recordings, 2001
In A Human Mood, Field Recordings 2002
The Montreal Concert, Stereosupremo (Italy), 2002
Tripod Mind (THUS), Recorded,2005
Portzeibe (THUS), Recorded, 2006
The Private Language Problem, Abstract on Black, 2008
In 2009, The Emily Harvey Foundation in NYC held a retrospective show of Berndt's visual, language, audio and installation work.
A festival of Berndt's music including collaborations with Elliott Sharp, Peter Zummo, Katt Hernandez, and Second Nature was held concurrently.
Berndt runs the "Recorded" record label which has issued twenty-five CDs of experimental music, including four discs by Berndt's collaborator Henry Flynt.
Recorded was the first CD publisher of the music of Henry Flynt on CD, issuing four CDs of his music to date.
A Neoist Research Project N.O. Cantsin, OpenMute, 2010
New Logic for Old Saxophones, Creative Sources Recordings, 2011
