Age, Biography and Wiki

Joan Field was born on 28 April, 1915, is an American violinist (1915–1988). Discover Joan Field's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 73 years old?

Popular As N/A
Occupation Violinist
Age 73 years old
Zodiac Sign Taurus
Born 28 April 1915
Birthday 28 April
Birthplace N/A
Date of death 1988
Died Place N/A
Nationality

We recommend you to check the complete list of Famous People born on 28 April. She is a member of famous with the age 73 years old group.

Joan Field Height, Weight & Measurements

At 73 years old, Joan Field height not available right now. We will update Joan Field's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Husband Not Available
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Joan Field Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Joan Field worth at the age of 73 years old? Joan Field’s income source is mostly from being a successful . She is from . We have estimated Joan Field's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1698

Her instrument during those years was a 1698 "long pattern" Stradivarius once owned by Joseph Joachim She also appeared as piano accompanist with string player colleagues.

1915

Joan Field (April 28, 1915 – March 18, 1988) was an American violinist.

Joan Field was born in Long Branch, New Jersey.

She began violin studies at the age of 5.

She was a pupil of Franz Kneisel, Albert Spalding and Michel Piastro in the United States and spent four years in Paris during her teens studying with Jacques Chailley, Jacques Thibaud and George Enescu at the École Normale de Musique.

1934

She made her recital debut in Town Hall in New York City in 1934.

About that evening, The New York Times wrote, "Miss Field's playing is that of a thoughtful, sensitive and fastidious musician."

1937

In 1937 she played in recital for President and Mrs. Franklin D. Roosevelt at the White House.

1940

During the 1940s Field was a regular on the New York City music scene.

1941

She made her orchestra debut in November, 1941, playing the Saint-Saens Concerto #3 with Sir John Barbirolli and the New York Philharmonic.

She went on to perform with major orchestras in the United States, including the American Symphony Orchestra, the Detroit Symphony, the St. Louis Symphony, the Boston Symphony, the Cincinnati Symphony, the Cleveland Orchestra, the Philadelphia Orchestra and the Washington Symphony; and five solo performances with the New York Philharmonic at Lewisohn Stadium and Carnegie Hall.

1944

In 1944 she began a successful radio career at New York classical station WQXR, writing and producing more than 200 episodes of her own performance-interview program "Notes and Quotes" on Sunday afternoons and appearing as soloist and concertmistress of the Stromberg-Carlson string orchestra.

She made the first recording of the Charles Ives Sonata No. 1 for violin and piano along with the 3rd Sonata with pianist Leopold Mittman.

1947

She was concertmistress for the U.S. tour of the Ballet Russe de Monte Carlo during World War II, reprising that position for the original Broadway production of Brigadoon in 1947.

1948

She also gave first performances of the violin concertos of Nicolai Berezowsky, Mana Zucca and Dai-Keong Lee, and in 1948 the first American performance of the Prokofiev Violin Sonata No. 2 in Washington, DC.

1950

Field performed and recorded extensively in Europe during the 1950s and early 1960s, notably with expatriate American conductor Dean Dixon.

1956

Her annual Town Hall recital in 1956 elicited this commentary in The New York Times: "Miss Field is a rare combination, an extremely facile technician who also comprehends that the task of the performer is to make music rather than to set a new record for the track. It is true that in bravura playing Miss Field is by no means found wanting; but mere technique is never allowed to get in the way of the music."

1965

A longtime resident of Miami Beach, Florida, she retired from the concert stage in 1965.

1988

She died in Miami Beach in 1988

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