Jimmy Sabater

Jimmy Sabater (April 11, 1936 – February 8, 2012) was an American musician of Puerto Rican ancestry.

A three-time winner of the ACE Awards, he was a singer and timbales player.

From the late 1950s and into the early 1960s the Sextet recorded on the Mardi Gras label, constantly increasing their popularity.

It was during a 1951 stickball game between the Devils and the 112th Street Viceroys that Sabater's life would make a historic turn.

A young man named Gilberto Calderón of the Devils met Sabater and invited him to a party.

The two became fast friends.

They had a lot in common.

Both wanted to be musicians after being influenced by the music of Machito, Marcelino Guerra, Noro Morales, Tito Puente and Tito Rodríguez.

1954 saw the Joe Panama Sextet as one of Spanish Harlem's most popular music groups.

When Panama's conguero, or conga drummer, left the group, Sabater recommended his friend Gilberto for the job.

Soon after, bandleader Joe Panama fired his sidemen and replaced them with others.

The now unemployed musicians, which included vocalist Willie Torres and pianist Nick Jiménez, formed a group which included bassist Roy Rosa, vibraphonist Tommy Berríos, Sabater, and conguero Gilberto Calderón (who had been selected by the musicians to direct the band).

One evening, the group appeared at La Bamba Club in midtown Manhattan under the name of "The Joe Panama Sextet".

When Panama's mother threatened to sue Gilberto if he continued using the name, promoter Catalino Rolón recommended that the group change its name to "The Joe Cuba Sextet".

They played gigs in the clubs of "El Barrio", as well as upstate New York venues such as The Pines Resort.

The popularity of Cuba's sextet began to rise when José "Cheo" Feliciano joined the group.

This occurred when José Curbelo's vocalist Santitos Colón replaced Gilberto Monroig in Tito Puente's band.

Willie Torres then left Joe Cuba's Sextet, and replaced Santitos in Curbelo's orchestra.

This opened the door for Cheo with Joe Cuba.

This worked out perfectly for Cuba.

Feliciano was selected to sing songs with Spanish lyrics, while Sabater was selected to sing songs with English lyrics.

He gained international fame thanks to his work with the Joe Cuba Sextet in the 1960s and '70s, and later became the lead singer of various groups including Charlie Palmieri's Combo Gigante.

His son, Jimmy Sabater Jr., is a trumpeter and bandleader.

Sabater was the son of Néstor Sabater and Teresa González of Ponce, Puerto Rico.

Born Jaime Sabater in Harlem Hospital, New York City, he grew up in East Harlem, the Spanish Quarter of New York City known as "El Barrio".

Like most teenagers in the neighborhood, he played stickball, flew kites, and harmonized the tunes of the popular R&B groups and vocalists of the day such as Nat King Cole.

He was inspired by percussionists such as Willie Bobo, Uba Nieto, Papi Pagani, Monchito Muñoz, and Willie Rodríguez.

With encouragement from many of these same drummers who were from "El Barrio", Sabater practiced playing the timbales, the standing drum kit made famous by the "Rey del Timbal", Tito Puente.

In 1962, Seeco Records recorded Joe Cuba's album "Steppin' Out".

This album would become a "monster hit", and Sabater would become part of history, as on the album he sang "To Be With You", by Willie Torres, and also wrote and sang the song "Salsa y Bembe", which may be the first known reference to "Salsa" as a music genre.

Nick Jimenez composed the melody, but Cuba's decision to have Sabater sing the lyrics thrust him into almost immediate international recognition.

Cuba's sextet signed with Tico Records in 1964.

By showcasing the smooth vocal style of Sabater, the group had achieved tremendous fame, both in the United States and around the world.

In 1966, they recorded two albums, We Must Be Doing Something Right, and Wanted Dead or Alive.

…Something Right scored big because of the hit composition "El Pito (I'll Never Go Back to Georgia)".

Wanted… was a landmark recording because it was the first "boogaloo" style album to sell one million records.

This happened largely because of another smash composition of Sabater and Jiménez called "Bang Bang".

Throughout the 1970s and 1980s, Sabater also had a flourishing career as a soloist, releasing the albums The Velvet Voice of Jimmy Sabater, El Hijo de Teresa, and Solo.

In 1977, Sabater left the Joe Cuba Sextet.

From 1977 to 1981, he was the lead vocalist for Al Levy.