Jex Blackmore

The show was held on the 49th anniversary of Roe v. Wade.

In an email to The Washington Post, Blackmore confirmed that this was their third medical abortion and stated: "Abortion is a common and safe medical procedure surrounded by stigma. Stigma keeps people silent about their personal experiences and creates space for harmful, inaccurate narratives. My action was intended to dispel some of those myths, misinformation, and stigma."

Jex Blackmore (born 1986) is an American pro-choice activist, performance artist, and Satanist, affiliated with The Satanic Temple between 2014 and 2018.

Jex Blackmore was born in 1986 in Southfield, Michigan, and is based in Detroit.

Their father owned a funeral home and they read books about embalming and disease, which influenced their approach to death and the human body.

Blackmore's mother was a theater director.

Blackmore graduated from the University of Michigan with a BA in classical archaeology and art history.

Blackmore's TST chapter set up a Satanic display on the grounds of the Michigan State Capitol in December 2014, alongside a conventional Christian nativity scene.

The "Snaketivity" display included a pentagram and cross bearing the phrase "The Greatest Gift is Knowledge", alluding to the biblical story of the snake and the Tree of Knowledge.

As a TST spokesperson, Blackmore gave voice to a feminist approach to Satanism.

Without explicitly naming the pioneering Church of Satan, they criticized Satanism as sexist, "modern Satanism has been primarily associated with strength, masculinity and power. Reinforcing chauvinistic conceptions of the abilities of women, with a particular focus on male sexuality, modern Satanism has continued to emphasize traditional gender roles."

Blackmore also spoke to the media, on behalf of TST, about its abortion rights lawsuit for a woman in Missouri.

During this period, Blackmore designed actions that were not endorsed by the national TST.

For example, they protested Texas abortion restrictions with a campaign to send semen in socks to the Governor.

Scholars term their effort as a grotesque protest, defined as using "the body’s fluids to push back against attempts to legislate bodies."

In interviews from 2014 through 2022, Blackmore mentioned their affinity for Black Sabbath, their cat named for a goat in The Witch, and their shift away from church as a teenager.

They had a blog about radical activists, Raw Pussy, before joining The Satanic Temple.

Blackmore has also expressed concern about threats of violence against their performances.

Blackmore was a prominent member of the The Satanic Temple (TST) as leader of the active chapter in Detroit, and organized the first public unveiling of the Statue of Baphomet in 2015, the "largest public satanic ceremony in history."

In 2015, Blackmore wrote a series of detailed blog posts leading up to their abortion on November 26.

Blackmore called it the Unmother Project and used it as an opportunity to oppose abortion restrictions in their home state of Michigan.

At the time, Blackmore was uninsured and they began their project only 12 days before the abortion.

Blackmore led the Detroit TST chapter on abortion rights counter-protests, including the The Future of Baby is Now with "'fetish babies' – adults in baby masks, diapers, and BDSM gear."

Before their second abortion, Blackmore livestreamed a performance, One hundred pounds of rotten fruit while awaiting her second abortion, in which they were pelted with one hundred pounds of rotten fruit.

In a performance art journal, Blackmore wrote, "As overripe pulp exploded painfully against my skin, I was reminded that my womb shared a resemblance of fruit deemed unnatural and spoiled. Each blow echoed the weight of violence championed by political powers that tell us our lives and dignity matter less than that of a fetus... The bruises that camouflaged my body from this performance remained visible until the day following my abortion, which left none."

In February 2016, with the release of the film The Witch, Blackmore developed three interactive ritual performances in Austin, Hollywood, and New York City, titled the Sabbat cycle.

The cycle refers to three phases of Satanism: Awaken, Rebel, and Convoke.

During the Sabbat performance in Austin, Blackmore preached a "satanic jeremiad" (in the words of scholar Joseph P. Laycock) that warned of a Christian theocracy in America.

In 2018, Blackmore resigned from the national TST, or they removed Blackmore, after statements deemed too extreme, as shown in the documentary Hail Satan? During the 2018 "Subversive Autonomous" performance, they stated "We are going to storm press conferences, kidnap an executive, release snakes in the governor's mansion, execute the president."

In 2018, Blackmore debated five members of the Westboro Baptist Church at Central Michigan University class on media law.

The student audience reportedly preferred Blackmore's Satanism to the Westboro Baptists' controversial views.

Originally titled The Dignity of Every Human Life, the performance responded to the January 18, 2019 March for Life, whose livestream was projected onto Blackstone during their performance.

In January 2022, Blackmore took an abortion medication on live television, Fox TV channel WJBK in Detroit.

Blackmore was in the process of explaining to the host, Charlie Langton, their view of the Food and Drug Administration's position on mailing medical abortion pills, mifepristone.

In 2019, a Roman Catholic church protested their Sex Militant exhibit and ritual, which included a spoken word performance, "a glowing cross being pulled by performers in fetish play," and American flags in an effort to link state violence and eroticism.

In March 2021, the Ann Arbor Film Festival showed their film, An Undue Burden, described as "an endurance work that follows the experience of a pregnant woman as she awaits her abortion procedure in a hotel room over the course of twenty-four hours."

In a 2020 interview, they criticized TST as corrupt and stated, "The organization badly yearns to be deemed legitimate in the eyes of those in power but they will never achieve this aim, even if their litigious activities are successful. Our work, whatever it is, must come from a place of authenticity."