Age, Biography and Wiki

Jennifer Maestre was born on 1959 in Johannesburg, South Africa, is an American artist (born 1959). Discover Jennifer Maestre's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 65 years old?

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Age 65 years old
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Birthplace Johannesburg, South Africa
Nationality United States

We recommend you to check the complete list of Famous People born on . She is a member of famous artist with the age 65 years old group.

Jennifer Maestre Height, Weight & Measurements

At 65 years old, Jennifer Maestre height not available right now. We will update Jennifer Maestre's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Jennifer Maestre Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Jennifer Maestre worth at the age of 65 years old? Jennifer Maestre’s income source is mostly from being a successful artist. She is from United States. We have estimated Jennifer Maestre's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1959

Jennifer Maestre (born 1959 in Johannesburg, South Africa) is a Massachusetts-based artist.

She is best known for her pencil sculptures.

Maestre was originally inspired by the form and function of the sea urchin.

In her artist statement, she writes: "The spines of the urchin, so dangerous yet beautiful, serve as an explicit warning against contact. The alluring texture of the spines draws the touch in spite of the possible consequences. The tension unveiled, we feel push and pull, desire and repulsion. The sections of pencils present aspects of sharp and smooth for two very different textural and aesthetic experiences...There is true a fragility to the sometimes brutal aspect of the sculptures, vulnerability that is belied by the fearsome texture."

Maestre uses a variety pencils, nails and stitching to make the sculptures.

She takes hundreds of pencils, cuts them into small 1-inch sections, drills a hole in each section, sharpens them all and sews them together.

Her work is in the permanent collections of the New Britain Museum of American Art.

the Krannert Art Museum, and the DeCordova Museum and Sculpture Park.

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