Age, Biography and Wiki

Janos Quittner was born on 27 September, 1941 in Bratislava–Vrakuňa, is a Slovakian choreographer. Discover Janos Quittner's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 82 years old?

Popular As N/A
Occupation N/A
Age 82 years old
Zodiac Sign Libra
Born 27 September 1941
Birthday 27 September
Birthplace Bratislava–Vrakuňa
Nationality Hungary

We recommend you to check the complete list of Famous People born on 27 September. He is a member of famous choreographer with the age 82 years old group.

Janos Quittner Height, Weight & Measurements

At 82 years old, Janos Quittner height not available right now. We will update Janos Quittner's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Janos Quittner Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Janos Quittner worth at the age of 82 years old? Janos Quittner’s income source is mostly from being a successful choreographer. He is from Hungary. We have estimated Janos Quittner's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income choreographer

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Timeline

1941

Quittner János (Ján Quittner) (hungary pronunciation: [Kwittna Jánosh]; slovak pronunciation: [Ján Kwittna]) (born September 27, 1941) is a Slovak dancer, choreographer and director.

Born in Pozsony–Vereknye (part of the current Bratislava, Slovakia), as the fourth child of a family living in this city for centuries.

His maternal grandfather, János Párkánynánay Cseresznyés, was also a high-ranked military officer (✟1941).

1942

His grandfather was a high ranked soldier, Jakab Pál Quittner (✟1942).

1943

His paternal grandmother Franciska Világi Álló was born in Nadasd, in the Csallóköz region (✟1943).

1947

In 1947–1952 he studied at the basic school of his native village Pozsony-Vereknye.

He was a student of the nine-grade state civil secondary art school in Pozsony.

It was his father who sent him to a school with Slovak as the language of instruction, with the intention to minimize the potential for possible conflicts with the state.

This art school made him love everything associated with scenic arts and dance.

As a secondary school student, he often attended folk dance rehearsals of the Felső-Csallóközi Folk Ensemble operating in Pozsonypüspöki, and later to the Csallóközi Folk Song and Dance Ensemble to Somorja.

1961

In 1961, at the age of 20, he married Rozália Tekauer, whom he met in the above-mentioned Csallóközi Folk Song and Dance Ensemble.

1962

So it happened that he, as a cadet at the age of 16 in World War I fell into the power of the Russians, and as a consequence of the Trianon Treaty could return to Pozsony only ten years later (✟1962).

Their children were born in Pozsony: Yvett Anna in 1962 and János Sándor in 1963.

1964

Between 1964–1973 he was a dancer and choreographer fellow at the Hungarian State Folk Ensemble.

1967

In 1967 he graduated from the four-year correspondence course of amateur choreography and leadership of ensembles.

This was acknowledged as a master course by the state cultural and educational institutions.

1969

In 1969, as the folk dance facilitator of Csemadok, he established the Szőttes Chamber Folk Dance Ensemble in Pozsony, he studied at and in December 1977 graduated from the Bratislava Academy of Music and Dramatic Arts as a director and choreographer.

1978

His mother, Irén Párkánynánay Cseresznyés died in 1978.

Both rest in the Márton cemetery, Pozsony.

1980

His grandparents on both sides were buried at the András cemetery, Bratislava but their tombs were dismantled together with many Hungarian and German tombs in the 1980s.

His father, Sándor Quittner, according to the family tradition, was designated to have a military career.

1983

During 1983, he emigrated to Australia and he worked as a factory stevedore in Melbourne, but as a side job, already in 1984 he established the New Szőttes Folk Dance Ensemble and with the help of the Melbourne Hungarian Community Centre he managed to run a dance school as well.

Later on he served as a lecturer in several Australian dance schools (Victorian College of the Arts, Priscilla's Character Dance School, Margaret Walker Folk Dance Centre, Blacktown Dancers).

On top of this, he ran the "QUJ" Character & Folkdance Theatre, which was founded by his students.

In Australia, he choreographed not only Hungarian, but also Slovak, Croatian and an Aboriginal dance ensemble.

1990

Quittner return to Europe and settled in Dunasziget, Hungary in 1990.

He worked as a guest choreographer in the Slovak Folk Art Ensemble (SĽUK).

1991

In 1991 he was asked by Hungarian community leaders to run for the post of director of the Ifjú Szivek State Folk Ensemble.

1993

He got the position and worked here two years, until 1993.

1994

He was a guest director in Germany for the Serbian National Ensemble in 1994, meanwhile he also serves as the art consultant for the director of the Hungarian State Folk Ensemble.

He returns to Australia one year later continuing his work in the "QUJ" Character & Folkdance Theatre and begins to organize and direct the Australian version of rock opera István a király (István, the King) in the C.U.B. Malthause theatre.

1996

At the end of 1996, he returned to Europe, where he directed in Germany ("Sleeping Knights", Alvó lovagok), works on a script and directs the Legend and Message (Rege és üzenet) programme for the Gombaszög Cultural Days, as well as the „We Light a Fire, We Spread Love" (Tüzet gyújtunk, szeretetet osztunk) dance theatre production for the „Tündérrózsa" Heritage Preservation Association in Dunasziget.

2000

He returned to Dunasziget in 2000, where he writes his script, then directs the Millennial Village Days under the title „The Fire Must Be Kept In" (A tűznek nem szabad kialudni). The next year's fruition was „The Meeting of Hungarians From the Two Shores of the Danube"(Magyarok találkozója a Duna két partjáról), then in 2002 his task was again the programming in Gombaszög, for the Hungarian national folk festival.

2006

The idea of the musical theatre was conceived in Mosonmagyaróvár, where he directed the play titled „Divas Playing Music" (Muzsikáló dívák). On one of the main city squares in Melbourne in 2006, he organized and directed the rock ballad Pro Patria, Pro Libertate on the anniversary of the Hungarian Revolution of 1956. In 2009, they perform „The Crucified" (A Megfeszített) rock opera in the Hungarian Community Centre.

After the premiere he returns to Europe.

Szőttes Kamara Néptáncegyüttes

Fórum Intézet

A mozgás mestersége, 2011, Microgramma ISBN 978-80-85751-08-6

Video DVD, Vereknyétől Melbourne-ig, 2011, Microgramma ISBN 978-80-85751-09-3

2011

Magyar Interaktív Televízió, 2011