Age, Biography and Wiki
Jake Xerxes Fussell was born on 1981 in Columbus, Georgia, U.S., is an American singer and guitarist (born 1981). Discover Jake Xerxes Fussell's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 37 years old?
| Popular As |
N/A |
| Occupation |
Singer |
| Age |
37 years old |
| Zodiac Sign |
N/A |
| Born |
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| Birthday |
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| Birthplace |
Columbus, Georgia, U.S. |
| Nationality |
United States
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We recommend you to check the complete list of Famous People born on .
He is a member of famous Singer with the age 37 years old group.
Jake Xerxes Fussell Height, Weight & Measurements
At 37 years old, Jake Xerxes Fussell height not available right now. We will update Jake Xerxes Fussell's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Jake Xerxes Fussell Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Jake Xerxes Fussell worth at the age of 37 years old? Jake Xerxes Fussell’s income source is mostly from being a successful Singer. He is from United States. We have estimated Jake Xerxes Fussell's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Singer |
Jake Xerxes Fussell Social Network
Timeline
Jake Xerxes Fussell (born November 9, 1981, in Columbus, Georgia) is an American singer and guitarist who plays folk and blues music, with a focus on traditional Southern folk songs.
Fussell was raised in Columbus, Georgia, the son of Fred C. Fussell, a folklorist, curator, and photographer.
As a teenager Jake began playing and studying with elder musicians in the Chattahoochee Valley, apprenticing with Piedmont blues legend Precious Bryant, with whom he toured and recorded.
He joined a Phenix City, Alabama, country band who were students of Jimmie Tarlton of Darby and Tarlton, and accompanied Etta Baker in concert in North Carolina.
Before releasing his debut album, Fussell recorded vernacular Southern Music in the field with music historian, George Mitchell and Grammy Award-winning folklorist, Art Rosenbaum.
In 2015, Fussell released his debut self-titled album composed entirely of adapted folk and blues songs.
William Tyler produced the album and contributed features on the guitar and organ.
In 2017, Fussell released his second album, What in the Natural World. Writing for The New Yorker, Amanda Petrusich named What in the Natural World to her, "My Ten Best Albums of 2017".
He often leverages his knowledge of traditional American folk music in his own work, for example, by adapting the cry of a 19th Century fishmonger for his song "The River St. John’s".
Fussell has appeared on A Prairie Home Companion.
He toured in the U.S. as an opening act for Wilco, Bill Callahan, and The Decemberists.
Fussell released his third album in January 2019.
In a review of his 2019 album Out of Sight, Pitchfork magazine noted, "Musicians like Jake Xerxes Fussell are nearly as rare nowadays as the material he performs. “All songs are traditional & in the public domain,” reads the sole composition credit on Out of Sight, Fussell’s often-transcendent third album. Put another way: Each of these nine songs survived the great folk-pop copyright round-up of the 1950s and ’60s (and beyond), when publishers hunted down and claimed untold numbers of “traditional” melodies as their own."
