Age, Biography and Wiki

Ivy Ho was born on 15 August, 1958 in Macau, is a Hong Kong screenwriter and film director. Discover Ivy Ho's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 65 years old?

Popular As N/A
Occupation N/A
Age 65 years old
Zodiac Sign Leo
Born 15 August 1958
Birthday 15 August
Birthplace Macau
Nationality

We recommend you to check the complete list of Famous People born on 15 August. She is a member of famous screenwriter with the age 65 years old group.

Ivy Ho Height, Weight & Measurements

At 65 years old, Ivy Ho height not available right now. We will update Ivy Ho's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Ivy Ho Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Ivy Ho worth at the age of 65 years old? Ivy Ho’s income source is mostly from being a successful screenwriter. She is from . We have estimated Ivy Ho's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income screenwriter

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Timeline

1958

Ivy Ho Sai-Hong (, born 15 August 1958) is a Hong Kong screenwriter and film director.

Ho's work has received high critical acclaim in Hong Kong.

Perry Lam of Muse magazine wrote, 'As a writer, Ho excels as a miniaturist.

Whether they are the mainlanders trying to survive and prosper in Hong Kong in 甜蜜蜜 (Comrades: Almost a Love Story) or the middle-aged school teacher trying to do the right thing in 男人四十 (July Rhapsody), the characters she creates are keenly observed, psychologically acute portraits.

Her tone is intimate and confessional.

The many piquant details her stories contain give her characters and the movies in which they appear a solid foothold in reality.'