Age, Biography and Wiki

Ivo Křen was born on 6 February, 1964 in Pardubice, Czechoslovakia, is an An european art curator. Discover Ivo Křen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 56 years old?

Popular As N/A
Occupation N/A
Age 56 years old
Zodiac Sign Aquarius
Born 6 February 1964
Birthday 6 February
Birthplace Pardubice, Czechoslovakia
Date of death 9 May, 2020
Died Place Pardubice, Czech Republic
Nationality Slovakia

We recommend you to check the complete list of Famous People born on 6 February. He is a member of famous with the age 56 years old group.

Ivo Křen Height, Weight & Measurements

At 56 years old, Ivo Křen height not available right now. We will update Ivo Křen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Ivo Křen Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ivo Křen worth at the age of 56 years old? Ivo Křen’s income source is mostly from being a successful . He is from Slovakia. We have estimated Ivo Křen's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income

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Timeline

1964

Ivo Křen (6 February 1964 – 9 May 2020) was a Czech graphic artist, art glass theoretician and curator.

1979

After graduating from grammar school in Pardubice (1979–82) Ivo Křen studied art education and Czech language at the Faculty of Pedagogics, University of Hradec Králové, under Prof. Bořivoj Borovský.

1988

His first linocuts (1988) were illustrations for Vladimír Holan's poetic composition A Night with Hamlet, where in his figurative compositions he made use of raw unpolishedness, hatching, dramatic contrast of black and white lines and massive dark surfaces.

However, he soon began to explore the technical possibilities of this graphic technique - from the illusion of volume by engraved lines and textures, through flat and monochromatic shapes, to the possibility of creating pasty chiaroscuro layers in print with subsurface transparencies of colour that emerge from the surface as a perceptible relief element.

He mastered the technique of multi-coloured linocut, where colour is a carrier of meaning and part of the expression of all sensory perceptions and emotional connections.

Linocut allows him a sweeping gesture of colour and the alternation of surfaces with minute details of structures, blending monumentality with fragility.

The lengthy process of engraving on a large format matrix allows for a contemplative approach to the work and a continuous transformation of the original motif in the creative process as well as an exploration of new technical possibilities of expression.

1989

He briefly worked as a teacher and then worked at the East Bohemian Gallery and since 1989 at the East Bohemian Museum in Pardubice.

He was a member of the Association of Czech Graphic Artists Hollar, the Rubikon art group and the Academy of Design of the Czech Republic.

1990

In the early 1990s, with the transition to multi-coloured prints, his interest gradually shifted from figurative work to natural compositions of rocks, walls and labyrinths or interior details, where he explored the possibilities of perspective and image depth or the effect of lights and shadows.

The compositions are generously conceived, devoid of details, with a clear emotional charge.

The second half of the 1990s is characterised by a painterly approach to reality, flat expressive colour and fine details, the combination of many hues of a single colour in the resulting juxtaposition and a transition to abstracted forms.

A frequent motif is the intimate recesses of gardens, in a figurative sense the recesses of the soul, the mystery of the unknowable and an expression of the subjective search for balance and order.

As a graphic designer Ivo Křen was involved in the creation of posters and typographic design of book publications of the Rubikon Group and some small occasional prints.

"It's worth to me to be amazed and be charmed by trivia. To seek, to observe, to surprise and to entertain myself. To enjoy the fact that many things, formerly completely overlooked in the headlong rush for the ever new and strange, still remain ready to be discovered."

1991

He has exhibited independently since 1991 and presented his graphic works at many joint exhibitions around the world.

He was associated with the graphic artists of the middle generation of the Association of Czech Graphic Artists HOLLAR in Prague and received awards for his work using a multi-coloured linocut technique.

1992

As the organizer of the permanent exhibition Czech Glass of the 20th Century and curator of the art and industrial collections of the East Bohemian Museum in Pardubice (1992), he managed the collection of studio glass.

He worked as an art glass theoretician.

1998

Ivo Křen was a founding member, curator of exhibitions and author of texts of Rubikon Group (1998), a group of prominent Czech glassmakers.

With the Rubikon group, he has presented his work in Germany, Austria, Iceland, France, Belgium and Italy.

Ivo Křen lived and worked in Pardubice.

2008

Ivo Křen's graphic work specialised in the linocut technique, which since 2008 he sometimes combined with a monotype base.

2020

He died on 9 May 2020 at the age of 56.