Age, Biography and Wiki

Itzik Manger was born on 30 May, 1901 in Czernowitz, Bukovina, Austria-Hungary, is an Itzik Manger was prominent Yiddish poet. Discover Itzik Manger's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 69 years old?

Popular As N/A
Occupation Poet writer playwright
Age 69 years old
Zodiac Sign Gemini
Born 30 May 1901
Birthday 30 May
Birthplace Czernowitz, Bukovina, Austria-Hungary
Date of death 21 February, 1969
Died Place Gedera, Israel
Nationality Ukraine

We recommend you to check the complete list of Famous People born on 30 May. He is a member of famous Writer with the age 69 years old group.

Itzik Manger Height, Weight & Measurements

At 69 years old, Itzik Manger height not available right now. We will update Itzik Manger's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Itzik Manger's Wife?

His wife is Ghenya Nadir

Family
Parents Not Available
Wife Ghenya Nadir
Sibling Not Available
Children Not Available

Itzik Manger Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Itzik Manger worth at the age of 69 years old? Itzik Manger’s income source is mostly from being a successful Writer. He is from Ukraine. We have estimated Itzik Manger's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Writer

Itzik Manger Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Itzik Manger Wikipedia
Imdb

Timeline

1901

Itzik Manger (30 May 1901, Czernowitz, then Austrian-Hungarian Empire – 21 February 1969, Gedera, Israel; איציק מאַנגער) was a prominent Yiddish poet and playwright, a self-proclaimed folk bard, visionary, and 'master tailor' of the written word.

A Jew from Bucovina, Manger lived in Romania, Poland, France, England, the US (New York), Canada (Montreal) and finally Israel.

Manger was born to a Jewish family in Czernowitz, Austria-Hungary (later Cernăuți, Romania and now Chernivtsi, Ukraine) in 1901.

His father, Hillel Helfer-Manger, was a skilled tailor in love with literature, which he referred to as 'literatoyreh' (a portmanteau of the Yiddish words literatura and Toyreh).

As a teenager, Manger attended the Kaiserlich-Königliches III.

Staatsgymnasium in Czernowitz, where he studied German literature until he was expelled for pranks and bad behaviour.

He exchanged this traditional education for the backstage atmosphere of the Yiddish theatre.

1921

In 1921, Manger began publishing his early poems and ballads in several new literary journals founded in the aftermath of World War I.

Soon afterwards, he settled in Bucharest and wrote for the local Yiddish newspapers while giving occasional lectures on Spanish, Romanian, and Romani folklore.

1927

In 1927, Manger came to Warsaw, the spiritual and intellectual center of Ashkenazi Jewry and "the most inspiring city in Poland."

Manger lived in the capital of the Yiddish cultural world for the next decade, which became the most productive years of his entire career.

1929

In 1929, Manger published his first book of poetry, Shtern afn dakh (Stars on the Roof), in Warsaw to critical acclaim.

By the following year, Manger was so well known that he was admitted to the Yiddish P.E.N. club, along with Isaac Bashevis, Israel Rabon, and Joseph Papiernikov.

Between 1929 and 1938, Manger took the Warsaw literary world by storm.

He gave frequent readings of his own poetry at the Writers' Club, was interviewed by all the major Warsaw Yiddish papers, published articles in the prestigious journal Literarishe Bleter (Literary Pages), issued his own literary journal called Chosen Words filled with his poetry, fiction, and artistic manifestos.

1935

At the same time, Manger continued to publish his own works, including a series of modernist poems inspired by the Oral Torah (Itzik's Midrash, 1935), a dramatic rewriting of the Purim story from the Book of Esther (Songs of the Megillah, 1936), a loose adaptation of Abraham Goldfaden's The Witch of Botoşani (Hotzmakh's Shpiel, 1937), a series of vignettes on the history of Yiddish literature (Familiar Portraits, 1938), and three more volumes of poetry (Lantern in the Wind, 1933; Velvl Zbarzher Writes Letters to Malkele the Beautiful, 1937; and Twilight in the Mirror, 1937).

Manger's Itzik's Midrash and Songs of the Megillah deserve special mention, as they represent his first attempts to re-write old, familiar material through a modernist lens.

In Itzik's Midrash, Manger presents a modern commentary on the classic Bible stories by anachronistically placing his characters in contemporary Eastern Europe.

Manger's playful attitude towards the original text is self-evident; in the introduction he writes, "As I wrote this book, the rogue's cap of the Yiddish Purim play hovered always before my eyes."

Inspired by the Purimshpiel genre, which used a traditional story to mock the norms and expectations of Jewish religious life in previous centuries, Manger's Midrash radically revises traditional portrayals of Biblical characters by requiring them to justify their actions according to modern norms and values.

Traditionally valued characters such as Abraham and Sarah are harshly critiqued, while under-represented characters like Hagar and Ishmael are given a voice.

In Songs of the Megillah, Manger uses a similar technique to politicise and de-sacralise the Biblical text read aloud on Purim.

Once again, Manger's introduction classifies the book as "a kind of mischief-making on the model of Purim players in every age."

Like Itzik's Midrash, Songs of the Megillah is a modern, radical retelling of the story of Esther set in contemporary Eastern Europe.

Manger even introduces a new character into the narrative: Fastrigosso, Esther's jilted lover and a member of the Needles and Thread Tailors' Union, who conspires to assassinate King Ahashverosh to win back Esther's affections.

1937

Combined with his 1937 play Hotzmakh's Shpiel, these three revival texts secured Manger his international reputation as "the master recloaker of the oldest and the newest literary traditions."

Manger never acquired Polish citizenship and was forced to leave the country in the light of legal difficulties, having been stripped of his Romanian citizenship and becoming stateless.

1938

Manger left for Paris in 1938, an exile from his creative homeland.

However, Paris was not safe for long.

1940

In 1940, Manger fled to Marseilles, Tunis, Liverpool, and finally London, where he became a British citizen and remained unhappily for the next eleven years.

1951

In 1951 he arrived in the United States, where he met his future wife, Ghenya Nadir, the widow of writer Moyshe Nadir.

The two lived in the Sea Gate neighbourhood of Brooklyn.

Manger's poem "Oyfn veg shteyt a boym" ("On the Road Stands a Tree") has been set to music and has entered the repertoire of Yiddish song, for example as a 1951 hit for Leo Fuld.

1958

Manger made a visit to Israel in 1958, and then a series of short visits there every few years in 1961, 1963, and 1965.

1965

Manger achieved significant success in Israeli literary and theatrical circles when, in 1965, Dov Seltzer directed a highly popular production of Manger's Songs of the Megillah.

The musical was a great success, setting a new record in Israeli theatre with its more than 400 performances.

Prominent members of Israeli society, including politicians Levi Eshkol, Golda Meir, and Teddy Kollek, made highly publicised appearances at the performances.

1966

An ailing Manger returned to Israel in 1966, where he remained in a sanatorium in Gedera until his death.

1968

Romanian Jewish playwright Israil Bercovici adapted a collection of Manger's poems into a two-act stage piece, Mangheriada, which premiered 6 April 1968 at the Romanian State Jewish Theater in Bucharest.

1969

When he died in 1969, Manger was mourned as an Israeli national poet.