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Isadore Freed was born on 26 March, 1900 in Belarus, is an Isadore Freed was Jewish composer of birth Jewish composer of birth. Discover Isadore Freed's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?

Popular As N/A
Occupation N/A
Age 60 years old
Zodiac Sign Aries
Born 26 March 1900
Birthday 26 March
Birthplace N/A
Date of death 10 November, 1960
Died Place N/A
Nationality Belarus

We recommend you to check the complete list of Famous People born on 26 March. He is a member of famous composer with the age 60 years old group.

Isadore Freed Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Isadore Freed Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Isadore Freed worth at the age of 60 years old? Isadore Freed’s income source is mostly from being a successful composer. He is from Belarus. We have estimated Isadore Freed's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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1900

Isadore Freed (March 26, 1900 – November 10, 1960) was a Jewish composer of Belarusian birth.

Born in Brest-Litovsk, now Brest, Belarus, Freed's family emigrated to the United States when Freed was three years old and settled in Philadelphia, where his father owned a music store.

Freed began playing piano at age seven, and began composing at age nine.

Freed's formal music education was at the University of Pennsylvania, where he earned a bachelor's degree at the age of 18.

After graduation from Penn, Freed briefly held a teaching post at The Curtis Institute of Music.

1924

In 1924, he married Riva Hoffmann, a dancer in Isadora Duncan's troupe.

Following this Freed went to Berlin where he briefly studied piano with Josef Weiss, and then to Paris where he studied composition with Ernest Bloch, Nadia Boulanger, Louis Vierne and Vincent d'Indy.

He also studied piano with Józef Hofmann and George Bayle, and organ with Rollo Maitland.

1934

Freed returned to the United States in 1934, and shortly after he was employed by the composition department at Temple University from the mid-1930s until the mid-1940s, but sources disagree as to the dates of his appointment.

———. Jeux De Timbres : Suite Symphonique. Paris; New York: M. Eschig; Associated Music Publishers, 1934.

Ho, Allan Benedict and Dmitry Feofanov.

1937

After the composer's death, the National Jewish Music Council published a brief biography of Freed, A Jewish Composer by Choice: Isadore Freed, His Life and Work, which contains reminiscences of Freed's life and works by friends and colleagues including Pierre Monteux, who programmed Freed's Jeux de Timbres for concerts in San Francisco and Amsterdam in 1937, the same year in which Freed became the first American composer to be guest conductor for the NBC Symphony Orchestra.

Freed was both a secular and sacred composer with deep interest in Jewish liturgical music as well as the promotion of contemporary secular music, being a co-founder of the Philadelphia Society for Contemporary Music and the Philadelphia Chamber Orchestra and Composers' Laboratory, the latter of which was superseded by the WPA Music Project Composers' Forum Laboratory.

1939

His work as a synagogue musician led him to compose Jewish liturgical works, beginning with his Sacred Service for Shabbat Morning, published in 1939.

Many feel that this is his most enduring musical work.

1944

In 1944, Freed was named head of the composition department at the Hartt School of Music (now known simply as The Hartt School), where he taught in various capacities until his death in 1960.

In 1944 he received prizes for two works: Triptych for violin, viola, violoncello and piano, and Postscripts, a choral work which won the Eurydice Choral Prize.

1945

———. Triptych : For Violin, Viola, 'Cello and Piano. New York: G. Schirmer, 1945.

1946

In 1946, he was commissioned by the Julius Hartt Foundation to write an opera, The Princess and the Vagabond which was premiered at the Hartt School two years later.

1949

American Composers Today : A Biographical and Critical Guide. New York: H. W. Wilson Co., 1949.

Freed, Isadore.

1951

In 1951 he was also hired as Harmony instructor at the Hebrew Union School of Sacred Music.

He also served as a radio commentator for performances of the Philadelphia Orchestra, and edited a number of scores in conjunction with Lazare Saminsky.

His Rhapsody for Trombone and Orchestra, received a radio broadcast premiere in New York in 1951.

1958

Harmonizing the Jewish Modes. New York: Sacred Music Press of the Hebrew Union College, Jewish Institute of Religion, 1958.

1960

Freed died in Rockville Centre, New York on November 10, 1960.

Freed's primary contribution to scholarly discourse is his book, Harmonizing the Jewish Modes, a theoretical treatise discussing Jewish sacred music in the context of Western European music theory, particularly the synagogue mode and its lack of a strong tonic-dominant relationship.

Freed was also active as a synagogue musician, acting as organist and choirmaster at Temple Keneseth Israel in Philadelphia.

1961

A Jewish Composer by Choice: Isadore Freed, His Life and Work : A Program Handbook. New York: National Jewish Music Council, sponsored by the National Jewish Welfare Board, 1961.

Randel, Don Michael.

The Harvard Biographical Dictionary of Music. Harvard University Press Reference Library.

1989

Biographical Dictionary of Russian/Soviet Composers. New York: Greenwood Press, 1989.

National Jewish Music Council and Abraham Wolf Binder.

1996

Cambridge, Mass.: Belknap Press of Harvard University Press, 1996.

Slonimsky, Nicolas.

Baker's Biographical Dictionary of Musicians. Centennial ed.

1999

Grove Music Online. Oxford; New York: Oxford University Press, 1999.

Ewen, David.

2001

New York: Schirmer Books, 2001.