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Ingolf Dahl was born on 9 June, 1912 in Hamburg, German Empire, is a German and American musician (1912–1970). Discover Ingolf Dahl's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?

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Occupation Classical composer, pianist, conductor, educator
Age 58 years old
Zodiac Sign Gemini
Born 9 June 1912
Birthday 9 June
Birthplace Hamburg, German Empire
Date of death 6 August, 1970
Died Place Frutigen, Switzerland
Nationality Germany

We recommend you to check the complete list of Famous People born on 9 June. He is a member of famous composer with the age 58 years old group.

Ingolf Dahl Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Ingolf Dahl Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Ingolf Dahl worth at the age of 58 years old? Ingolf Dahl’s income source is mostly from being a successful composer. He is from Germany. We have estimated Ingolf Dahl's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income composer

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Timeline

1912

Ingolf Dahl (June 9, 1912 – August 6, 1970) was a German-born American composer, pianist, conductor, and educator.

Dahl was born Walter Ingolf Marcus in Hamburg, Germany, to a German Jewish father, attorney Paul Marcus, and his Swedish wife Hilda Maria Dahl.

1914

He had two brothers, Gert Marcus (1914–2008; a noted Swedish artist and sculptor, and a recipient of the Prince Eugen Medal), and Holger, and one sister Anna-Britta.

In Hamburg, Dahl studied piano under Edith Weiss-Mann, a harpsichordist, pianist, and a proponent of early music.

1930

Dahl studied with Philipp Jarnach at the Hochschule für Musik Köln (1930–32).

Dahl left Germany as the Nazi Party was coming to power and continued his studies at the University of Zurich, along with Volkmar Andreae and Walter Frey.

Living with relatives and working at the Zürich Opera for more than six years, he rose from an internship to the rank of assistant conductor.

He served as a vocal coach and chorus master for the world premieres of Alban Berg's Lulu and Paul Hindemith's Mathis der Maler.

1939

Since Switzerland became increasingly hostile towards Jewish refugees (including people of partial Jewish parentage) and Dahl's role at the Opera was restricted to playing in the orchestra, he emigrated to the United States in 1939.

There he used the name Ingolf Dahl, based on his original middle name and his mother's maiden name.

He consistently lied about his background, claiming to be of Swedish birth and denying his Jewish heritage (Marcus being a recognizably Jewish surname).

He claimed to have emigrated a year earlier than he actually had.

He settled in Los Angeles and joined the community of expatriate musicians that included Ernst Krenek, Darius Milhaud, Arnold Schoenberg, Igor Stravinsky, and Ernst Toch.

He had a varied musical career as a solo pianist, keyboard performer (piano and harpsichord), accompanist, conductor, coach, composer, and critic.

He produced a performing translation of Schoenberg's Pierrot lunaire in English and translated, either alone or with a collaborator, such works as Stravinsky's Poetics of Music.

He performed many of Stravinsky's works and the composer was impressed enough to contract Dahl to create a two-piano version of his Danses concertantes and program notes for other works.

1941

He also worked in the entertainment industry, touring as pianist to Edgar Bergen and his puppets in 1941 and later for comedian Gracie Fields in 1942 and 1956.

He produced musical arrangements for Tommy Dorsey and served as arranger/conductor to Victor Borge.

He gave private lessons in the classical repertoire to Benny Goodman as well.

He performed on keyboard instruments in the soundtrack orchestras for many films at Fox, Goldwyn Studios, Columbia, Universal, MGM, and Warner Bros., as well as the post-production company Todd-AO.

He also worked on the television show The Twilight Zone.

Though grateful for the income this work provided, he complained while working on Spartacus how pointless it was "to tinkle a few notes on the celeste" when the notes are also doubled by several other instruments, all for a passage presented to the audience under sound effects and actors' voices.

1943

He legally changed his name to Ingolf Dahl in February 1943 and became a naturalized U.S. citizen in September of that year.

1945

In 1945 he joined the faculty of the University of Southern California Thornton School of Music in Los Angeles, where he taught for the rest of his life.

1947

In 1947, with Joseph Szigeti he produced a reconstruction of Bach's Violin Concerto in D minor.

1949

Among his compositions, the most frequently performed is the Concerto for Alto Saxophone and Wind Orchestra commissioned and premiered by Sigurd Raschèr in 1949.

The piece went through several major revisions and re-scorings during Dahl's lifetime, but the original version was restored by Paul Cohen and recorded in 2021.

Dahl later completed commissions for the Los Angeles Philharmonic and the Koussevitzky and Fromm foundations.

1951

Among Dahl's honors were a Guggenheim Fellowship in music composition in 1951, two Huntington Hartford Fellowships, an Excellence in Teaching Award from the University of Southern California, the ASCAP Stravinsky Award, and a grant from the National Institute of Arts and Letters in 1954.

1952

In 1952 he was appointed the first head of the Tanglewood Study Group, a program that targeted not professionals but "the intelligent amateur and music enthusiast, also the general music student and music educator".

His most prominent students included the conductor Michael Tilson Thomas and the composers Harold Budd and David Cope.

1957

Dahl conducted the soundtrack to The Abductors (1957) by his pupil Paul Glass and performed both second and third movements of Beethoven's Pathétique Sonata in the 1969 animated film A Boy Named Charlie Brown.

In 1957 he co-directed the Ojai Music Festival in partnership with Aaron Copland and served as its music director from 1964 to 1966.

1970

His final work, complete and partly orchestrated at his death in 1970, was the Elegy Concerto for violin and chamber orchestra.

He died in Frutigen, Switzerland, on August 6, 1970, just a few weeks after the death of his wife on June 10.

From his teenage years, Dahl was initially bisexual, but from then onward, "his preference and partiality...remained with men".

He had his first homosexual experiences at the age of 16 with the painter Eduard Bargheer.

He kept his sexual orientation secret in his professional life, even as he cataloged in his diaries a wide variety of infatuations, affairs, trysts, and relationships.

After coming to America, Dahl married Etta Gornick Linick, whom he had met in Zürich.

1999

In 1999, one critic reviewing a recording of Dahl's works called him a "spiffy composer", "a cross between Stravinsky and Hindemith".