Age, Biography and Wiki

Igor Mitoraj was born on 26 March, 1944 in Oederan, Germany, is a Polish sculptor (1944–2014). Discover Igor Mitoraj's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation miscellaneous
Age 70 years old
Zodiac Sign Aries
Born 26 March 1944
Birthday 26 March
Birthplace Oederan, Germany
Date of death 6 October, 2014
Died Place Paris, France
Nationality Germany

We recommend you to check the complete list of Famous People born on 26 March. He is a member of famous Miscellaneous with the age 70 years old group.

Igor Mitoraj Height, Weight & Measurements

At 70 years old, Igor Mitoraj height not available right now. We will update Igor Mitoraj's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
Sibling Not Available
Children Not Available

Igor Mitoraj Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Igor Mitoraj worth at the age of 70 years old? Igor Mitoraj’s income source is mostly from being a successful Miscellaneous. He is from Germany. We have estimated Igor Mitoraj's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Miscellaneous

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Timeline

1944

Igor Mitoraj ( Polish pronunciation : ; 26 March 1944 – 6 October 2014) was a Polish artist and sculptor.

Known for his fragmented sculptures of the human body often created for large-scale public installations, he is considered one of the most internationally recognized Polish sculptors.

Mitoraj was born on 26 March 1944 in Oederan, Germany.

His Polish mother was a forced labourer, while his father was a French officer of Polish extraction.

He returned with his mother to Poland after the end of World War II.

He spent his childhood years in Grojec.

1963

He graduated from an art school in Bielsko-Biała and in 1963 he studied painting at the Kraków Academy of Art under Tadeusz Kantor.

1967

After graduating, he had several joint exhibitions, and held his first solo exhibition in 1967 at the Krzysztofory Gallery in Poland.

1968

In 1968, he moved to Paris to continue his studies at the National School of Art.

Shortly afterwards, he became fascinated by Latin American art and culture, spending a year painting and travelling around Mexico.

The experience led him to take up sculpture.

1974

He returned to Paris in 1974 and two years later he held another major solo exhibition at the Gallery La Hune, including some sculptural work.

The success of the show persuaded him that he was first and foremost a sculptor.

1979

Having previously worked with terracotta and bronze, a trip to Carrara, Italy, in 1979 turned him to using marble as his primary medium and in 1983 he set up a studio in Pietrasanta.

2003

In 2003, he returned to Poland.

2005

In 2005, he received the Golden Medal of Medal for Merit to Culture - Gloria Artis In 2012, he was awarded the Commander's Cross of the Order of Polonia Restituta.

2006

In 2006, he created the new bronze doors and a statue of John the Baptist for the basilica of Santa Maria degli Angeli in Rome.

2016

In 2016, Mitoraj's works were exhibited in Pompei, Italy.

The Italian culture minister Stefano Contini announced that the artist's sculpture entitled "Daedalus", would remain in Pompeii permanently as a gift to Italy.

Mitoraj's sculptural style is rooted in the classical tradition with its focus on the well modelled torso.

However, Mitoraj introduced a post-modern twist with ostentatiously truncated limbs, emphasising the damage sustained by most genuine classical sculptures.

Often his works aim to address the questions of human body, its beauty and fragility, its suffering as well as deeper aspects of human nature, which as a result of the passing of time undergo degeneration.