Huang Zongying

Huang Zongying (13 July 192514 December 2020) was a Chinese actress and writer.

Huang was born in 1925 to a prominent scholar-official family in Beijing, originally from Rui'an, Zhejiang Province.

Her grandfather and great-grandfather were both holders of the jinshi degree, the highest degree of the imperial examination.

Her father Huang Cengming was an engineer who studied in Japan, and her mother Chen Cong was a well-educated housewife.

Both her parents held liberal values and allowed their children to pursue their own interests.

However, her father died when she was nine and her family fell into poverty.

Strongly influenced by her eldest brother, Huang Zongjiang (黄宗江), who would become an accomplished playwright, Huang Zongying developed a passion in arts and literature.

When she was nine years old, she was moved by Bing Xin's essay "To Young Readers".

In response, she wrote an essay entitled "Under a Big Tree", which was published in the weekly magazine Huangjin Shidai, edited by her brother.

In 1941, Huang followed her brother Zongjiang to Shanghai where she became a stage actress in Huang Zuolin's theatre company.

She debuted in Cao Yu's play Metamorphosis and rose to fame in the comedy Sweet Child.

She starred in many black-and-white films such as Rhapsody of Happiness (1947), Crows and Sparrows (1949), Women Side by Side (1949), and The Life of Wu Xun (1950), all co-starring her third husband Zhao Dan.

In 1947, she made her screen debut in Shen Fu's film Pursuit before starring in her breakthrough film Rhapsody of Happiness, by the famous director Chen Liting and writer Chen Baichen.

In the film she portrayed the heroine, a woman forced into prostitution and drug dealing in war-torn China.

Her performance was said to be "of unprecedented artistic quality, capturing with authenticity, naturalness, and control" both the degeneracy and kindness of the character's complex nature.

The male lead was her future husband Zhao Dan, China's most celebrated male actor of the time.

Soon after their marriage in 1948, Huang and Zhao both joined the Kunlun Film Studio, run by the underground Communist Party of China.

In less than two years, she acted in several acclaimed films including Women Side by Side and Crows and Sparrows, portraying a diverse range of roles including a revolutionary, a teacher, a prostitute, and a mistress of a government official.

Huang and her husband were at the forefront of an era that has been recognized as the Second Golden Age of Chinese cinema.

After the founding of the People's Republic of China in 1949, Huang switched to writing as her main career, which was also her childhood passion.

She began writing film scripts in the mid-1950s, and later became an acclaimed writer of reportage literature.

She was a three-time winner of the National Award for Outstanding Reportage Literature, for "The Flight of the Wild-Geese", "Mandarin Oranges", and "The Wooden Cabin".

Huang married four times.

She published her first prose collection, Onward Moves the Peace Train, in 1951, followed by two more collections, Stories of Love and A Girl.

She did not play a major role after the 1953 film Bless the Children.

Under Mao Zedong's directive that "the arts must serve the workers, peasants and soldiers", Chinese films became dominated by stereotypical proletarian "heroes" with few roles suitable for her.

Beginning in 1954 she wrote the film scripts for An Everyday Occupation (1955) and The First Spring of the 60s.

During the Cultural Revolution (1966–1976), Mao's wife Jiang Qing, who had been an actress in the 1930s, launched a campaign to persecute former Shanghai colleagues who were familiar with her past.

Many of Huang and Zhao's friends in the film and drama industry were driven to death, including Zheng Junli, Cai Chusheng, and Wang Ying.

Zhao Dan, among the first to be targeted, was imprisoned for five years, during which Huang had no idea whether he was still alive.

She remained free, but was frequently targeted by the Red Guards for physical abuse.

Her family, with more than ten people, lived in one small room and had to survive on only 30 yuan a month.

Her own children denounced her and Zhao Dan as "counterrevolutionaries".

After the Cultural Revolution ended in 1976, Zhao Dan was politically rehabilitated and returned home.

Huang resumed her writing and was elected to the executive committee of the China Writers Association.

Her marriage with actor Zhao Dan lasted 32 years until his death in 1980.

In her later years she married writer Feng Yidai.

She had two stepchildren from Zhao's previous marriage, and adopted the two orphaned sons of singer-actress Zhou Xuan.

In 2005, Huang Zongying and Zhao Dan were both named among the "100 best actors of the 100 years of Chinese cinema".

Their love story was adapted by Peng Xiaolian into two feature films including Shanghai Rumba (2006).