Age, Biography and Wiki

Helen Thorington (Helen Louise Thorington) was born on 16 November, 1928 in Philadelphia, Pennsylvania, U.S., is an American artist and writer (1928–2023). Discover Helen Thorington's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 94 years old?

Popular As Helen Louise Thorington
Occupation Radio artist, sound artist, net artist, writer, founder, producer, director
Age 94 years old
Zodiac Sign Scorpio
Born 16 November 1928
Birthday 16 November
Birthplace Philadelphia, Pennsylvania, U.S.
Date of death 13 April, 2023
Died Place Lincoln, Massachusetts, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 16 November. She is a member of famous artist with the age 94 years old group.

Helen Thorington Height, Weight & Measurements

At 94 years old, Helen Thorington height not available right now. We will update Helen Thorington's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Helen Thorington Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Helen Thorington worth at the age of 94 years old? Helen Thorington’s income source is mostly from being a successful artist. She is from United States. We have estimated Helen Thorington's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1928

Helen Louise Thorington (November 16, 1928 – April 13, 2023) was an American radio artist, composer, performer, net artist and writer.

1950

She was the daughter of Richard Wainwright Thorington and Katherine Louise (Moffat) Thorington, and sister of Richard W. Thorington Jr. She was a graduate of The Baldwin School, Bryn Mawr, Pennsylvania and Wellesley College (1950).

1951

After graduating with a BA in Biblical History, and attending Union Theological Seminary, New York (1951), Thorington discovered her passion for English literature.

1956

She studied English Literature at the University of Minnesota (1956–1958); continued with Special Studies in the English Comic Novel taught by John Bayley (writer), New College, Oxford University, England (1959–1961); and completed coursework for a PhD in English literature at Rutgers University (1965–1967).

She compiled the index for Growth and Culture: A Photographic Study of Balinese Childhood by Margaret Mead, and worked as a copy editor at G. P. Putnam's Sons.

Thorington died of complications of Alzheimer's disease on April 13, 2023, at the age of 94.

Thorington wrote and published experimental fiction and art criticism.

1970

She published short stories and other fiction in the 1970s.

Thorington became a participant in the experimental dance scene when she met Bill T. Jones and Arnie Zane through the American Dance Asylum (ADA), which they formed with Lois Welk in the late 1970s.

After the ADA moved to Binghamton, New York, Thorington created the sound score for Welk's Matrix, which was performed in concert at the Robeson Center (Binghamton) and The Warren Street Performance Loft (New York City); and The Parking Ramp Dance, which was performed on Henry and Waters Streets' parking ramp, Binghamton.

Her early scores for Jones and Zane included the trilogy Monkey Run Road, Blauvelt Mountain, and Valley Cottage.

Two of these works were revived for the Bill T. Jones/Arnie Zane Dance Company's 20th anniversary performances at Jacob's Pillow (MA) and The Kitchen (NY).

1973

After publishing Adventures at Frog Hollow in 1973, she was invited to produce a musical version for Towanda Performing Arts, Towanda, Pennsylvania.

1974

Thorington began composing in 1974; her first works were aired on National Public Radio on such programs as Options, Voices in the Wind, and All Things Considered.

Having no musical experience, she learned how to use an EML 101 Synthesizer and began creating her own compositions, including Trying to Think (1974) which influenced such artists as Laurie Anderson and Jacki Apple.

Later, she began doing her own Field recordings − bats, oil pumps, trains, parrots, frogs − which she mixed with her synthetic sounds, her own and others' voices, and solo improvisations by musicians such as violinist Aurora Manuel ("Piece for Oil Pump and Violin"); cellist Deidre Murray ("Dracula's Wives"); and accordionist Guy Klucsevek ("North Country").

Thorington described her approach to sound this way: "My focus ... has been on radiophonic space. One of the things that distinguishes the electronic media is the ability to separate sound from its source, to remove environmental sound from its location, vocal sound from a person; to be able to cut, manipulate, and alter it in the creation of another kind of work. I liken this to the science of gene manipulation. We've reduced — or, I as a practicing radio artist, reduce — sound to sound data. I am not concerned that it's music, that it's an environment, that it's voice."

1975

The Longest Story: A Work in Progress for Adding Machine Tape (1975) was published in Sixth Assembling/A Collection of Otherwise Unpublishable Manuscripts, compiled by Henry Korn, Richard Kostelanetz and Mike Metz.

In February 2021 her essay “The Making of American Radio Art” was published in PAJ (journal) by MIT Press.

1977

Written in 1977, The Author's Story (November 15) was published in Lost Areas by Oil Books, Sugar Run, Pennsylvania.

National Public Radio (US) purchased it, and it was among the first radio art works broadcast nationally (1977).

Thorington was also commissioned by RAI (Italian radio), RNE (Spanish Radio) and ORF (Austrian radio).

Her collaborators included Suzan-Lori Parks, Regine Beyer, Shelley Hirsch, Pamela Z, Agnieszka Waligorska and Sarah Montague.

1978

In 1978, she began composing music for dance, collaborating with Bill T. Jones, Arnie Zane, and Lois Welk.

She has performed nationally, including at Kennedy Center, Jacob's Pillow, Dance Theatre Workshop, and The Kitchen.

1979

The Story, which aired on Public Radio in 1979, was published in Chelsea 36 (1977) and Chelsea 38 (1979).

In 1979, independent public radio producer Larry Josephson invited Thorington to the Airlie Seminar on the Art of Radio in Quantico, Virginia, where she premiered Dream Sequence.

Thorington created the score for Jones' Echo (1979); Sisyphus (1980); and Open Places, a "group work" at the Battery Park Landfill, New York City.

She also collaborated with choreographers Victoria Marks, Susan Salanger, Peter Anastos, and Julie Wright.

1981

She was also the founder of New Radio and Performing Arts (1981), a nonprofit organization based in New York City; the founder and executive producer of New American Radio (1987–1998); and the founder and co-director of Turbulence.org (1996–2016).

1987

Thorington spoke at international Radio art conferences and served as the Radio Editor for EAR Magazine from 1987 to 1989.

She also curated the CD series Radius which was dedicated to presenting experimental works made for radio broadcast to a wider audience.

Her documentaries, dramas, and sound compositions have been aired on radio, internationally, for the past thirty-five years.

The New American Radio archive is now in the permanent collection of the Library of Congress.

1990

Thorington began creating Internet art in the mid-1990s, co-producing several multimedia, hypertext narratives and networked performances that culminated in an installation of the seminal work, Adrift, at The New Museum in 2001.

Helen Thorington (nickname "Teedy") was born in Philadelphia and grew up in Wynnewood, Pennsylvania.

2015

Thorington co-authored with Jacki Apple the limited edition artist's book, The Tower in 2015; published in Contemporary Music Review; and was commissioned by Tate Modern, London (2008) to write Radio, Art, Life: New Contexts.

Her essays have been published in several books, including First Person: New Media as Story, Performance, and Game and Unsitely Aesthetics - Uncertain Practices In Contemporary Art.

Thorington found her way to sound through her writing.

2017

Rip on/off (Switzerland) published a collection of Thorington's texts, Il est si difficile de trouver le commencement, in 2017.