Age, Biography and Wiki

Harry Weinberger was born on 7 May, 1924 in Berlin, is a German painter. Discover Harry Weinberger's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 85 years old?

Popular As N/A
Occupation Artist
Age 85 years old
Zodiac Sign Taurus
Born 7 May 1924
Birthday 7 May
Birthplace Berlin
Date of death 10 September, 2009
Died Place Leamington Spa
Nationality Berlin

We recommend you to check the complete list of Famous People born on 7 May. He is a member of famous painter with the age 85 years old group.

Harry Weinberger Height, Weight & Measurements

At 85 years old, Harry Weinberger height not available right now. We will update Harry Weinberger's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Harry Weinberger Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Harry Weinberger worth at the age of 85 years old? Harry Weinberger’s income source is mostly from being a successful painter. He is from Berlin. We have estimated Harry Weinberger's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income painter

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Timeline

1883

He resisted studying under Oskar Kokoschka because he thought Kokoschka would try to mould his style too much, so in the end he decided to take lessons from the émigré German artist Martin Bloch (1883–1954), who he greatly admired, and who also taught his cousin Heinz Koppel.

Bloch was an affirmed expressionist painter who encouraged his students to study in the National Gallery.

Weinberger left Chelsea College of Art to join Goldsmiths School of Art.

1903

During this time he also took private classes with the Welsh painter and print-maker, Ceri Richards (1903–1971).

Weinberger enlisted in the British Army towards the end of World War Two, and served in Italy.

1919

Weinberger's cousin, the artist Heinz Koppel (1919–1980), who was four years older than Harry, also lived in Berlin, moved to Czechoslovakia in 1933 and came to Britain in 1938.

Koppel's connections were to prove useful in Weinberger's early career.

Weinberger's older brother and two of his uncles were also already resident in England by then.

On arriving in England, Weinberger initially boarded at schools in Northamptonshire and Buckinghamshire, then took a tool-making apprenticeship at a South Wales factory owned by one of his uncles, and studied engineering.

1924

Harry Weinberger (1924–2009) was an artist based in England.

He was 'a trenchant defender of traditional painting', who fought against the dominant art school conventions of his day.

Primarily a painter with a love of colour, Weinberger also taught art and illustrated books.

He rarely painted people.

Weinberger preferred to paint interiors and objects within them.

He never dated his work (which has posed problems for curators, historians and those concerned with sales of his art).

Harry Weinberger was born in Berlin on 7 April 1924, the son of a wealthy Jewish industrialist.

1933

When Hitler came to power in 1933, Weinberger's father moved the family from Germany to Czechoslovakia.

1939

Six years later on 20 July 1939, when Weinberger was 15, he and his sister Ina caught the last Kindertransport train to England, where he lived for the rest of his life.

As a boy growing up in Germany before the war, Weinberger witnessed several acts of political and racial violence, including the burning of the Reichstag and street brawls.

Before the move to Czechoslovakia, Weinberger remembered watching boats of all kinds on the River Spree from the balcony of his parents' house at Bundesratufer 7 – a subject which he often returned to in his work, which for him symbolised escape.

Art was around him from an early age.

The Weinbergers collected art, and a Russian artist, Grisha Oscheroff who lived with the family, taught Harry to paint at an early age.

He never lost the obsession.

He remembered seeing rich paintings in churches in Czechoslovakia, which fuelled his later passion for Russian icons.

1946

After a falling out with a commanding officer over his Jewish identity he endured a brief spell in a military prison in Hamburg, but was duly honourably discharged at the end of 1946.

After the war, Weinberger stated that he wanted to be able to paint in peace and quiet.

1950

In 1950 he went to Brighton to train as a teacher.

1951

In 1951, Weinberger married Barbara Herrmann, an artist and later a social historian who had been his muse in Berlin.

She was the daughter of the architectural historian Wolfgang Herrmann.

They had one daughter, Joanna.

1960

Weinberger taught art at schools in London and Reading, then at a teacher training college in Manchester in the early 1960s and later became Head of Painting at Lanchester Polytechnic where he worked for nearly 20 years.

1970

In the 1970s, Weinberger won a travelling fellowship from Goldsmiths School of Art to study icon paintings with the advice of the art dealer Richard Temple.

1983

Weinberger retired from teaching in 1983 to focus on his studio career.

Weinberger had several rules for himself with regard to his work.

1996

Barbara died of cancer in 1996.

2009

Harry Weinberger died at the age 85 on 10 September 2009.

Weinberger lived in Leamington Spa from 1969 until his death aged 85 on 10 September 2009.

On his return to England, Weinberger was awarded an ex-serviceman's grant and moved to London to study under his previous tutor, Ceri Richards, at Chelsea College of Art.

He did not do well at Chelsea; his modern colourful, expressive work was unpopular with staff and colleagues, who had taken on a rather more muted palette akin to the fashionable Euston Road School painters of daily life of the late thirties and early forties.

Once more, Weinberger looked for private tuition.