Guido Lauri

Guido Lauri (23 November 1922 – 27 October 2019) was an Italian dancer, actor, choreographer, ballet master, company director.

Born in Rome, he entered the ballet school of then Royal Rome Opera House at 6 years-old and in 1939, after a graduation with full marks, he joined the ballet company with the title of primo ballerino étoile.

A very handsome man, an eclectic artist, a danseur noble with hot-blooded temperament, he excelled in all the classics partnering famous ballerinas such as French Yvette Chauviré, Marina Svetlova, Liane Daydée and Jacqueline Moreau, French/Russian Ludmilla Tchérina, Norwegian Vera Zorina and Italian Attilia Radice, often danced in neoclassical titles by Mikhail Fokin, Vaslav Nijinsky, Léonide Massine and created numerous roles for choreographer Aurel Milloss.

As a guest star, soon after the Second World War and during the 50s, he was very much in demand in Italy (La Scala in Milan, Teatro Regio in Turin, La Fenice in Venice, Teatro Comunale in Bologna, Maggio Musicale Fiorentino, Teatro di San Carlo in Naples, Teatro Massimo in Palermo) and abroad (Metropolitan Opera House in New York and Teatro Colon in Buenos Aires as well as in Germany, Austria, Switzerland, Portugal and Spain).

He was awarded the Berlin's Golden Bear prize in 1941, the Rome's Tiber's twins in 1964, the Florence's Michelangelo's David in 1978.

In 1957 the Accademia Mondiale degli Artisti e Professionisti chaired by prince Ernesto Baranger awarded him an Honorary Degree, and in 1982 American Who's Who choose him as one of the greatest prides of the Italian ballet of the 20th century.

As a ballet master and choreographer, he directed the Rome Opera Ballet between 1965 and 1983 collaborating with Anton Dolin (ballet dancer), Rudolf Nureyev, Roland Petit, Ninette de Valois, Patricia Neary, Pierre Lacotte; as a member of jury, he was invited by close friend Yuri Grigorovich in world-class dance competitions like those of Varna, Tokyo and Osaka.

He worked for theatre with Luchino Visconti, for television with Vittorio Gassman, for cinema with Bernardo Bertolucci and he was invited in Hollywood by Margarete Wallmann.

Some of most talented artists of the time such as De Chirico, Guttuso, Picasso and prince Enrico D'Assia designed costumes and scene-painting for him.

He was married to Anna Maria Paganini, the ballet dancer for whom Erik Bruhn created the role of the Spirit of the Lake in his 1965 version of Swan Lake act2: they had a daughter, Tiziana Lauri, an acclaimed ballerina herself.

He also counted among his relatives a large number of dancers, athlete Eliseo Paganini and celebrated operatic bass Giulio Neri.