Age, Biography and Wiki

Greg Land was born on 1956 in United States, is an American comic book artist. Discover Greg Land's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 68 years old?

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Age 68 years old
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Born
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Birthplace United States
Nationality United States

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Greg Land Height, Weight & Measurements

At 68 years old, Greg Land height not available right now. We will update Greg Land's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Greg Land Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Greg Land worth at the age of 68 years old? Greg Land’s income source is mostly from being a successful Artist. He is from United States. We have estimated Greg Land's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

1956

Greg Land (born 1956) is an American comic book artist, best known for his work on books such as Uncanny X-Men, Birds of Prey, and Fantastic Four.

Greg Land first got a job with an independent publisher as the artist for StormQuest after advertising himself at a Mid-Ohio Con comic convention.

1999

After that, he was hired by DC Comics in 1999 to finish the covers for Birds of Prey, based on the sketches of Brian Stelfreeze.

He also had runs as interior penciler on both Birds of Prey and Nightwing.

Later, Land began to work at CrossGen Comics on Sojourn.

2001

The series ran from July 2001 through May 2004, for a total of 34 issues.

After CrossGen went out of business, Land went on to work at Marvel Comics, where he did covers to various series.

This led to a collaboration with writer Greg Pak as the main artist of X-Men: Phoenix – Endsong.

Next, Land became the penciler for Ultimate Fantastic Four.

He did the artwork for a crossover between Marvel's Supremeverse and the Ultimate Universe, entitled Ultimate Power, which was written by Brian Michael Bendis, J. Michael Straczynski and Jeph Loeb.

He then did the covers for Marvel Zombies 3 which were all homages to posters of notable zombie movies.

2008

In 2008, Land illustrated Uncanny X-Men #500.

2009

The A.V. Club included him in their 2009 list of "21 artists who changed mainstream comics (for better or worse)" for this reason.

Commenting on Land's work on Uncanny X-Men #510, Brian Cronin of CBR.com remarked that the issue "possibly has the most harmful art to a story that I’ve seen in a comic," saying that Land's limited supply of poses and use of the same models for multiple characters "results in terrible art and particularly terrible storytelling."

He was also mocked for his limited use of facial expressions on the Thing.

Land has also been accused of directly swiping art from other comics artists, and is considered "notorious" for tracing his art from other sources to the point where some fans make a hobby of finding the original sources Land traced for his art.

Land's art for Marvel's Aliens Omnibus was pointed out by artist Tristan Jones as containing direct copies of various pieces of Jones' own Aliens artwork.

Similarities were also found between elements of Land's cover and an Alien portrait by Andy Brase, a catalog photo of a sculpted Alien egg toy by NECA, and a screenshot from the Sega video game Aliens: Colonial Marines.

2011

From then until December 2011 he would illustrate several sporadic sets of issues, totaling 22 in all, his last being issue #544.

During this same period he also illustrated issue #210 and 235–237 of X-Men: Legacy.

2012

In 2012, Land illustrated issues #5–8 and 11–12 of the relaunched Uncanny X-Men.

Land has been accused of going beyond the accepted bounds of photographic reference, lifting images from sources that include hardcore pornography, and copying them into his pages outright with minimal Photoshop alterations to make the work appear to be an original drawing, a reputation he developed from his work on Ultimate Fantastic Four and Ultimate Power.

Land has agreed that he does employ photo reference to a large extent, and that he uses pornography as a source, but denies that the extent to which he does so is questionable.