Gordon Onslow Ford

Gordon Onslow Ford (26 December 1912 – 9 November 2003) was one of the last surviving members of the 1930s Paris surrealist group surrounding André Breton.

Born in the English town of Wendover in 1912 to a family of artists, Onslow Ford began painting at an early age.

His grandfather, Edward Onslow Ford, was a Victorian sculptor.

At the age of 11, he began painting landscapes under the guidance of his uncle.

Following the death of his father at age 14, he was sent to the Royal Naval College at Dartmouth.

The ocean affected him deeply and his early works depicted ocean scenes.

The metaphor of taking a "voyage" later became an important aspect of his paintings.

While in the Navy, Onslow Ford visited Paris several times.

In 1937, he resigned as a naval officer and moved to Paris to pursue painting full-time.

He studied with André L’hote for five weeks and studied with Fernand Léger for a short time.

He continued visiting Léger, bringing his work to him often for critique.

Soon he met the Chilean architect Roberto Matta.

Matta, who was working with le Corbusier, was an accomplished draftsman and was making small drawings on the side.

Onslow Ford, with his keen sense of seeing, admired Matta's drawings as "the most exciting images" he had seen in Paris.

He encouraged Matta to continue with his drawings, which eventually inspired Matta to shift his direction from architecture to painting.

Onslow Ford and Matta became close friends, meeting and traveling frequently.

They developed an ongoing dialogue about their ideas on art and metaphysics.

They were also inspired by the 1937 exhibit of Mathematical Objects in Paris in which one aspect of the Mathematical Object was visible while another aspect was left to the imagination of the viewer.

In 1938, André Breton invited Onslow Ford to join the Surrealist group in Paris and attend their meetings in Café deux Magots.

Onslow Ford then became friends with Pierre Mabille, André Breton, Yves Tanguy, Esteban Frances, Wolfgang Paalen, Max Ernst and Victor Brauner among others.

His love of painting also led him to collect paintings and frequently visit the studios of Picasso, Miró, de Chirico and André Masson.

In the summer of 1939, Onslow Ford rented a chateau at Chemilleu near the border of Switzerland, and invited several of his friends to stay for a couple of months.

Among the friends were André Breton, Jacqueline Lamba, Yves Tanguy, Roberto Matta, Esteban Frances and Kay Sage.

They spent the summer painting, exchanging ideas and reading poetry.

They were visited regularly by their friend and neighbor Gertrude Stein.

At the outset of World War II, the Society for the Preservation of European Culture invited Onslow Ford to join the Surrealists in New York.

Onslow Ford, one of the few Surrealists who was an English speaker, was invited to give a series of lectures at the New School for Social Research and organized four important Surrealist shows in 1941.

Those lectures and exhibitions are said to have influenced artists such as Jackson Pollock, Robert Motherwell and others who would go on to create Abstract Expressionism.

Onslow Ford met the American writer Jacqueline Johnson at his lectures in New York and they married in 1941.

That same year, they moved to Mexico where he had previously visited his Surrealist friends Wolfgang Paalen, Remedios Varo and Esteban Frances who were all living there.

For six years (1941–1947) Onslow Ford and Johnson lived in Erongaricuaro, a remote village populated by the Purépecha Indians and located on the shores of Lake Patzcuaro.

While living there, they created, studied, and learned the native way of living and participated in some native ceremonies.

They stayed in constant connection with Wolfgang Paalen with Johnson assisting Paalen in editing his journal DYN as well as contributing writings for the journal.

During their stay they were also visited by many Surrealist friends including Roberto Matta, Wolfgang Paalen, Remedios Varo, Esteban Frances, Eva Sulzer, Alice Rahon, William Fett, Pierre Mabille, Benjamin Péret and the poet César Moro.

In 1947, Onslow Ford and Johnson moved to California, choosing the San Francisco Bay Area as the fertile soil where their new ideas would have a chance to grow.

While in San Francisco he was invited to give a retrospective show at the San Francisco Museum of Art (1948).

The title of the exhibit and the catalogue, Towards a New Subject in Painting, spoke to the fact that he was moving in a new direction in his art.

While living in San Francisco, Onslow Ford met the Greek poet Jean Varda and together they acquired the ferryboat, Vallejo, which they docked in Sausalito and converted into their studios.

For many years the ferryboat was an inspiring haven for painters and artists and became a small cultural center on the waterfront.

In 1951, Onslow Ford with his friends Wolfgang Paalen, Lee Mullican and Jacqueline Johnson created an exhibition at the San Francisco Museum of Art called Dynaton.