Glyn Tucker

Glyn Tucker Jr. (born 23 July 1943) was a leading figure in the New Zealand music industry for more than twenty years.

Born in Wellington, New Zealand on 23 July 1943, he was named after his father's brother Glyn, who was embarking that same day with the New Zealand armed forces to fight in the Italian campaign against Mussolini and Hitler.

The family would call them Big Glyn and Little Glyn.

By 1960, aged 17, Tucker recorded a version of Chuck Berry's “Carol” at Auckland's Stebbings Recording Studio for the Zodiac Label.

It had one of his first compositions on the flipside.

He then joined new band “The Embers" and worked at the popular teen club The Shirallee. Bandmates were Gary Daverne, Mike Kelly, Keith Graham and Johnny Willets.

After a four-year stint as compere/singer at a suburban dance-hall Tucker put together a band to reflect the new beat sound coming out of Britain.

During this period he adopted a stage name of Glyn Conway which he kept with his new band The Gremlins.

Tucker became a member of APRA in 1960 when his first song was recorded, on the flipside of “Carol”, and in 1980 he became a Writer Full Member.

Following an early career as a singer/songwriter in The Gremlins (1965–1968) he founded Mandrill Recording Studios in Auckland in 1975, and produced and engineered hundreds of New Zealand songs in the late seventies, eighties and early nineties.

Glyn's Website

They had a hit with their first record released on Gary Daverne's Viscount label in 1966; “The Coming Generation” made it to #2 on the NZ Top 20 (the #1 was Yellow Submarine by The Beatles).

The Gremlins were voted as a finalist in the Loxene Gold Disc Awards with that recording in 1966 and again in 1967 with Tucker's composition, “Blast Off 1970”.

They toured New Zealand on the “Loxene Gold Disc Spectacular” with other finalists, Mr Lee Grant, Larry's Rebels, Ray Woolf, Sandy Edmonds, The Avengers and Herma Keil.

The show played concerts to packed houses in cinemas and theatres all over New Zealand.

Later in life the elder Glyn would achieve celebrity status as a New Zealand television personality, so Little Glyn became known as Glyn Tucker during the 1970-80s.

He was to become an important and respected pioneer of the New Zealand recording community.

Having learned some elementary piano and violin as a child, Tucker threw that all away when, as a young teenager he was “floored” by the sound of rock 'n' roll.

He was inspired by Buddy Holly to be a singer/songwriter.

In 1975 Tucker founded Mandrill Recording Studios with colleague Dave Hurley.

Starting as a low-budget facility in which to record demos for local bands (and for himself) Mandrill flourished and became big supporter of local talent, recording hundreds of albums and singles over the following twenty years.

Mandrill began with a simple 4-track Teac recorder and by the early eighties had upgraded to 24 track MCI and Otari machines with Trident mixing consoles.

Tucker became a major influence on the New Zealand music scene encouraging and developing scores of bands and singers, producing many hits on his labels Mandrill and later Reaction.

Some of the acts he signed and/or produced were, Alistair Riddell, Citizen Band, Rick Steele, Midge Marsden Connection, Human Instinct, The Crocodiles, The Mockers, Danse Macabre, Car Crash Set, Paul Agar, Marginal Era, Blond Comedy, National Anthem, Gotham City Express, Knightshade, Wayne Roland Brown, Everything That Flies, Mark Loveys Satellite Spies, David Hasselhoff, Billy T. James, The Hi Marks, Suzanne Prentice, Howard Morrison and others.

January 1979, Mandrill Studios had a visit from the legendary American record producer Kim Fowley.

Tucker introduced him to Street Talk, one of Auckland's premier blues-rock bands and that began a series of recordings with Street Talk and later with Tucker producing The Crocodiles.

It was the beginning of a long-term relationship; trading music ideas and talent with Kim and then Peer-Southern Music Publishing in Los Angeles.

Tucker also set up Mandrill Music Publishing to administer many of the above listed recordings.

He became actively involved with the NZ recording industry, sitting on the board of the NZ Composers Foundation from 1985 to 1995.

The foundation was funded by APRA to assist new musical talent in all genres, and Tucker was a strong lobbyist in supporting music producers and musicians to travel and attend MIDEM music trade festival in Cannes.

This became an annual grant.

The members of the board were:

He was awarded the prestigious Axis Award from the Advertising Institute of NZ in 1987 for craft excellence, and in 1992 he received the International Mobius Award on behalf of Mandrill Studios for their work on a radio commercial for Castle Parcels.

He and Mandrill Music were major contributors the recording of the music for the 1990 Commonwealth Games commemorative CD including the main theme song “This is The Moment”, and the performance of "Tukua Ahau" by Sir Howard Morrison.

Tucker eventually bought out his partners in Mandrill Recording Studios Ltd, who had done their share towards its ultimate success.

But it was Tucker who had everything on the line and had the drive to ensure survival.

Dave Hurley, Gary Daverne, Mike Emerson, and Bruce Lynch were these contributors.

The studio was sold in 1995, ending an era.

During his twenty-one years operating Mandrill Recording Studios, Tucker wrote and produced hundreds of “jingles” for advertisers, mainly for TV and radio.

Many of these were in partnership with singer-songwriter, Steve Allen.