Age, Biography and Wiki

Gloria Komai was born on 1922 in Kensington, London, is a British poet and translator. Discover Gloria Komai's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 86 years old?

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Occupation Poet, translator
Age 86 years old
Zodiac Sign
Born 1922
Birthday 1922
Birthplace Kensington, London
Date of death 2008
Died Place Eastbourne, East Sussex
Nationality Japan

We recommend you to check the complete list of Famous People born on 1922. She is a member of famous poet with the age 86 years old group.

Gloria Komai Height, Weight & Measurements

At 86 years old, Gloria Komai height not available right now. We will update Gloria Komai's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Gloria Komai Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Gloria Komai worth at the age of 86 years old? Gloria Komai’s income source is mostly from being a successful poet. She is from Japan. We have estimated Gloria Komai's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income poet

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Timeline

1896

Gloria Mari-Ko Komai was the daughter of Japanese artist and poet Gonnoské Komai and classical dancer Norah Howard Morgan (b. 1896), the daughter of a Sheffield optician.

She had a sister named Fuji-Ko.

Gloria's godfather was H. G. Wells, and her sister's John Galsworthy.

1922

Gloria Mari-Ko Komai (1922 – 2008) was a British poet and translator of Japanese descent who fellow writer and translator James Kirkup described as being 'the first poet [he] knew to introduce Japanese sensibility into her work'.

1939

In 1939, she told the Sheffield Daily Telegraph that she was writing a novel to help her ill father.

The paper noted that Komai spoke Japanese and French in addition to English, and had never been to school - having been privately educated at home.

In his autobiography, I, of all people, James Kirkup remembers Gloria Komai as one of the poets who attended readings organised by the Progressive League's Contemporary Poetry and Music Circle in London's Ethical Church.

Komai's poems appeared in Time and Tide, Poetry Quarterly, and other literary journals.

1947

Some of these were published in the collection Never Despair of Gardens (1947).

1949

Other collections included In Wake of Wind (1949), The Meditations [of] Marcus Aurelius: a cycle of sonnets (1952), and Mountains of the Moon (1953).

All of these were published by Sylvan Press.

Komai's poem 'Earth Pushes up the Frosted Window' was included in Little Reviews Anthology 1949 (ed. Denys Val Baker).

1950

In 1950, in a review of her poems in Poetry Quarterly, Komai was described as 'a poet of unusual sensibility.' The reviewer wrote that 'the images she summons forth to celebrate the seasons have an almost three-dimensional nature'.

1954

In 1954, Komai contributed translations of some poems by France Prešeren to what the editors described as 'a pioneer literary collaboration between two nations which are widely separated by geography and history...

for the first time English and Slovene literary colleagues have made a common effort to present to the English-speaking world a selection from the poems by the greatest Slovene national poet, France Prešeren.'

2008

Gloria Komai died in Eastbourne in 2008.

2020

In 2020, Gloria Komai was included in Apocalypse: An Anthology. A review of the collection in The Fortnightly Review described Komai as among those 'unremembered' poets of the 1930s-50s who had been 'excitedly discovered in comments on this book', alongside Antonia White, Freda Laughton, and Sheila Legge.