Georgie Fame

The beginnings of Georgie Fame started on June 26, 1943 when he was born as Clive Powell in Leigh, Lancashire.

By 1957, at the age of 14, he had joined a local pop group called the Dominoes, as a pianist.

In 1959 the group won a talent contest put on by bandleader Rory Blackwell, at which point Blackwell offered Clive a job playing piano with his band. Clive accepted, and soon after moved into a London flat, which he shared with members of the instrumental group Nero and the Gladiators. It was during a routine show with Blackwell's band at the Islington Ballroom (where the band had a residency) that Clive was spotted by songwriter Lionel Bart, who urged him to audition for beat group/record mogul Larry Parnes. Well, Parnes liked what he saw and snapped up Clive as his new 'discovery', and then changed his name to Georgie Fame. Most of Parnes' talent roster also had odd names; Marty Wild, Vince Eager, and Duffy Power for examples. 'Georgie' was employed as a back-up musician for many of these singers as well as for touring American artists like Gene Vincent and Eddie Cochran.

Georgie then joined Billy Fury's first back-up band, The Blue Flames, with whom he stayed until late 1961. At the end of that year he switched from piano to organ and formed his own Blue Flames with Colin Green (guitar), Mick Eve (sax), Tony Makins (bass), and Red Reece (drums). The Blue Flames line-up, however, was fairly flexible and changed throughout their career.

By 1963, Georgie Fame and The Blue Flames were playing R&B and had switched managers to Rik Gunnel. Andrew Oldham became the publicist. '63 turned out to be an important year for Georgie when the group became the first resident act at London's subterranean Flamingo Club, on Wardour street in Soho. The Flamingo, owned by Ember Records boss Jeffrey Kruger, was one of the most famous R&B/jazz clubs at the time, and was frequented by the hippest of London's mohair-clad modernists, as well as black U. S. servicemen and West Indian immigrants. By the summer of that year, Georgie Fame had added another saxophone and a conga player to the lineup and was drawing on a number of influences including Jimmy Smith, Mose Allison, James Brown, Motown, R&B and the ska/bluebeat rhythm (which was probably picked up from the West Indian immigrants at The Flamingo). The band's song list of R&B faves like 'Night Train', 'Get On The Right Track, Baby', 'Do The Dog', 'Green Onions' and 'Shop Around' packed the club most nights and gained Georgie Fame a sort of cult following among London's booming mod underground. With all of the mop-top Beatle-types battling each other for a little chart action (nothing against the Beatles), Georgie Fame and The Blue Flames' hip 'Hammond and Horns' sound was indeed an alternative to the Rickenbacker/Hofner onslaught. Georgie also became something of a style-setter in his madras and seersucker jackets. The group was cool, sophisticated, and sharp as hell, which made it no surprise·when they became favorites of the mods and one of the most popular white R&B acts on the circuit.

With this growing army of supporters, Georgie Fame was finally signed to a record contract by Columbia in 1963.

The first three singles, released in 1964, 'Do The Dog', 'Do Re Mi', and 'Bend A Little', didn't go very far. This isn't to say that they were bad at all, in fact the B-side of 'Do Re Mi'. was an amazing rendition of 'Green Onions'. Also released in '64 was an e. p. titled 'Rhythm and Blue Beat'. The first track on this record was a cover of 'Madness', which leads one to wonder if Georgie Fame anticipated 2-tone by about 15 years (?). In any case, this record didn't go very far either. But Georgie didn't have to wait too long for Fame, because in December of '64 his cover of Jon Hendricks' 'Yeh Yeh' hit number one on the charts in the U. K. and was a minor hit in the U. S. as well which made Georgie Fame big news at the age of 21. The success of 'Yeh Yeh' also earned Georgie an appearance on Ready Steady Go! to promote the record. Around this time an album was released- a live set from The Flamingo Club titled, appropriately enough, 'R&B At The Flamingo'. The next two singles, 'Something' (Oct. '65), and 'In The Meantime' (Dec. '65) didn't equal the success of 'Yeh Yeh', but 'In The Meantime' did make the top twenty.

Perhaps people were thinking that Georgie Fame was just another one-hit-wonder, because it was another six months before his next single, 'Get Away', was released in June 1966. But once again, it went straight to number one and everyone knew that he was back. 'Get Away' was a smash, as was the album 'Sweet Things'- released around the same time. However, many of Georgie Fame's original mod followers had left him because they felt that he was becoming too commercial. Even though a drug bust had made him cooler in the street credibility department, that didn't keep many of these fans, who preferred his earlier, more authentic R&B sound.

After this second number one, Georgie Fame disbanded the Blue Flames in September 1966 and decided to go solo. This pretty much signaled his move away from strict R&B to a more mainstream pop approach (not that 'Get Away' and 'Sweet Things' weren't in that direction anyway).

He continued to have a string of hits with a version of Bobby Hebb's 'Sunny' in October 1966, and Billy Stewart's 'Sitting In The Park' in December 1966.